Norman Rockwell (1894–1978) was a celebrated 20th-century American painter and illustrator, whose works became the imagery depicting everyday life in the States. It appears, Rockwell’s photo-realistic artworks were often accompanied by staged photographs which artist then used as a reference to paint his nostalgic scenes.
Storytelling is a natural part of all of Rockwell’s paintings. Often disguised, the true story would reveal itself through the smallest details which the artist always considered beforehand. Take his illustration called “Marriage Counseling” (below): the intention is clear but there are many unfolding details like the man’s black eye or even the books stacked in the shelves reading Van Eyck and Giovanni Bellini. Due to these impeccable narratives, even the reference photographs become works of art.
“There were details, accidents of light, which I’d missed when I’d been able to make only quick sketches of a setting. A photograph catches all that.”
At first, Norman Rockwell was hiring professional models but after awhile he switched to having his friends and neighbors posing for the photographs. For example, the tattooed sailor (below) was also Rockwell’s neighbor, Clarence Decker. During his career, artist produced over 4,000 original works and snapped more than 20,000 reference shots. The collection was revealed by the Norman Rockwell Museum and its curator, Ron Schick. It was also turned into a traveling exhibition and book titled “Norman Rockwell: Behind the Camera”. (via NPR)
Ossian Brown is an English artist and musician whose book “Haunted Air” gives us a rare glimpse at the vintage celebration of Halloween in America, c. 1875-1955. Anonymous photographs collected from family albums depict the traditional macabre costumes from ages past.
“I find their haunting melancholy completely absorbing; all of these photographs <…> now torn out, disembodied and forgotten <…> they’ve now become fully and utterly the masks and phantoms they dragged up as, all those years ago.”
Compared to today’s flashy, pop-culture inspired Halloween costumes, these get ups of are capable of giving viewer the chills. Black and white photographs feature children and adults dressed with strange DIY masks and robes. Popular motifs contain disguising as devils, witches or animals.
According to Brown, he was fascinated by the wild imagination of these people who at the time were living in great poverty but still managed to create “these incredible and phantasmagorical apparitions”. From whatever inanimate objects, they would construct truly haunting costumes and kept with the essence of tradition which is overlooked nowadays.
To give the book even more mystery, the foreword was written by David Lynch. A short excerpt presented here:
“All the clocks had stopped. A void out of time. And here they are – looking out and holding themselves still – holding still at that point where two worlds join – the familiar – ant the other.”
We posted about Jamie a few years back, but four years have passed since then and she’s only gotten better. Her images about gross, awkward, uncomfortable, and funny moments that would be really easy to make poorly, and a lot of people do. What sets her apart from the herd, though, is her smart, tight framing; focusing us in on exactly what makes this country great–mystery meat, batman, butts, and birthday cake. She even photographs middle America (Jamie’s based out of Kansas City) with the American style that ranges from family to paparazzi photos–bright, garish flash. More Americana after the jump! ( via )
Elik is a true NYC graffiti legend, gettin’ up hard with the roller. But like many of his peers in the graff world, he’s turned to exhibiting ‘street art’ on indoor, gallery walls. Last spring he unleashed a full load of collage and mixed media works on the Brooklynite Gallery in Bed-Stuy. The compositions are playful, and full of dynamic elements. Any one of the works could serve as an advertisement bill for a show (or party) that serves as a gritty, comprehensive sum-up of the entire 20th-century.