Angel Olsen’s Burn Your Fire For No Witness

Photo by Zia Anger.

Photo by Zia Anger.

Singer Angel Olsen is back with a new album, Burn Your Fire For No Witness released earlier this month on Jagjaguwar. I featured Angel here on Beautiful Decay early last year with her incredibly haunting sophomore record, Half Way Home. She has one of those unique voices that clearly stands on its own and with this new record she brings some of it with an edgier, harder sound.

The record starts simply enough with the opening track, “Unfucktheworld” where she sings about a broken heart and then lets loose with the next track, “Forgiven/Forgotten“. It’s truly a beautiful record from start to finish and quite different than both her debut, Strange Cacti and Half Way Home, but her voice is still the star of the show.

Angel is about to embark on a massive three month tour of the US and Europe so you have plenty of chances to see her live. You can catch her this coming Sunday, March 2nd at the Echoplex in Los Angeles, March 3rd at San Francisco’s Great American Music Hall, and Friday March 7th at Barboza in Seattle. She’ll also be playing at the SXSW Music Festival in Austin as well as at Primavera Sound in Barcelona, Spain. Check out all of her tour dates here and check out her new video for, “Hi-Five” directed by her frequent collaborator, Zia Anger.

 


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Angel Olsen’s Voice Shines Bright on her New Album, Half Way Home

Angel Olsen has one of those rare voices that deserves to be heard. You might actually have already heard it and didn’t even know it from her work with Bonnie “Prince” Billy and The Cairo Gang, but when I first heard her debut Strange Cacti a while back, I was instantly mesmerized by her unique voice. She self-describes it as, “Never changing, always changing” which makes perfect sense after listening to her newest album Half Way Home from Bathetic Records. I was lucky enough to ask her a few questions regarding what she’s learned from being on the road, as well as how she came up with the cover art for her new record.

In regards to the cover art for Half Way Home… “The cover work for the album began as a photograph of a girl looking out into the mountains from a high point. It was taken from the top of Knapps Castle, just outside of Santa Ynez. I asked Steve Krakow/Plastic Crimewave  to make a drawing based upon that image. I’ve always been a fan of his magazine, Galactic Zoo Dossier, and his column in The Chicago Reader “The secret history of chicago music”.  He’s been a friend for years and I thought if anyone should work on this, it should be him.” As for why she didn’t use a photo… “I didn’t want to use a photo of myself in the end. I felt that I shouldn’t be framed this time around, something else should be.”

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