Artist Jake Fried is at it again, creating mind-blowing drawings, paintings, and animations full of intense, psychedelic imagery. We are huge fans of the artist, as we have covered him previously, and now he has created even more amazing works in his new animation titled Night Vision. Made from hand drawn animation with ink and white out, Fried constructs complex worlds of intricate shapes transforming into landscapes, turning into an endless see of mind-bending imagery. Each section of his animations is one masterpiece turning into another, compiling onto one another until you are overwhelmed with imagery, sucked into a world of the artist’s endless imagination. We are held in a trance-like state, mesmerized by the impressive illustrations unfolding and collapsing right before our eyes like a strange and wonderful hallucination.
These animations unfurl and develop like a story, transporting us to different worlds full fantastical transitions. His morphing man in the animation Raw Data, takes us through a journey of this being as he grows different arms and his body transforms completely. In Jake Fried’s piece titled The Deep End, made from ink, whiteout, and coffee, another being is present and is pulled from the underground and flooded with different colors until, by the end of the animation, there is nothing left. Jake Fried’s work transformative and original, leaving us in awe at the intricate layering and alterations that take place in his monumental work.
Have you ever been staring at the screen on your phone so long that you feel like a zombie? Well, Steve Cutts illustrates this bizarre technology, zombie-like phenomena as a terrible reality. His vividly colored illustrations and animations cleverly and satirically portray contemporary society as a series of greedy monsters, zombies, and hollow-eyed humans with no trace of humanity. Each scene exposes the sad truth of what is wrong with the world today, with money hungry men and dismal humans being completely controlled by a piece of technology. He uses a graphic novel-like style, full of bold colors, with an intensity that will stay engrained in your mind for years to come. The London-based artist illustrates and animates depictions of familiar characters like Roger and Jessica Rabbit in a somewhat humorous, but undoubtedly dark way.
The abysmal world that is portrayed is one of shallow intentions and hopeless monotony. Steve Cutts’ work leaves us questioning our own society and our role in it. He points a stern finger back at the viewer in his vibrant, unforgettable work. Displaying the ‘rat race’ we all find ourselves in as one with actual rats, it shocks us into contemplation. These rats are not only stuffed into small places, but also caught and killed brutally in a trap. Steve Cutts’ work is insightful, intriguing, and incredibly well done, however, this is not a world that is appealing to the masses. Make sure to check out his full animations on his website. (via Bored Panda)
What is more fascination than the moving image? How about a technique that creates moving images without any film? Artist Elliot Schultz has refined his own version of zoetropes, which is a method of filmless animation. This magic is created by taking a series of images and rotating them in a fast pace. Combined with the use of a strobe light, the sequence appears seamless as if it is the same image moving over and over. Schultz has taken this traditional technique and made it his own. He stitches wiggling worms, dripping water, and old men walking onto fabric in the shape of a circle. These ten-inch discs are the perfect size to be placed onto any turntable, and what is a turntable best for if not to spin! The embroidered images are rotated so fast that it appears just as if they are moving. Since strobe lights often go along with clubs, djs, and turntables, using this unique method almost seems a natural fit for a zoetrope.
Early inventions of the pin screen along with other alternative animation methods have deeply influenced Schultz’s work. He finds inspiration in engineers and animators involved with early cinema such as Claire Parker and Alexandre Alexeieff. Schultz is always experimenting with new mediums and techniques to further develop his interesting series. This incredibly innovative artist is somewhat of an engineer himself, bringing a bit of the history of animation into the contemporary world of electronic music and turntables. (via This is Colossal)
Remember that awkward period of your life called puberty? The one that you might like to forget? Well, Berlin-based artist Alexander Gellner reminds us in a short animation that sums it all up in a little over a minute. It’s called One Minute Puberty and it captures the essence of what its like to go through this stage.
We see the main character experience a lot of changes, from pimples, to growth spurts, and discovering their own identity. The video’s energy is non-stop beginning to end thanks to the track and sound design by Niklas A Kröger. It’s reflective about how it feels to grow up and the wish of getting older so you don’t have to deal with puberty anymore.
Gellner tells the site Cartoon Brew that One Minute Puberty was part of his graduation project from HTW Berlin. The school didn’t have an animation department but they allowed him to make his film anyways. It was completed over the course of seven weeks.
Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.
His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.
David Skazaly is a Hungarian/German graphic designer who has been creating hypnotic, mind-warping GIFs since 2008. Working under the name Davidope, Skazaly’s psychedelic GIFs and warped images have set the standard for animated GIFs across the internet. Even if you haven’t heard his name before (or his online pseudonym, Davidope), you probably recognize some of Skazaly’s technicolor, organic forms, pulsing in infinite loops, whether on art blogs or the annals of Tumblr. Skazaly’s animations are strangely hypnotic and entrancing, pushing a format that is now primarily used for cat memes and celebrity reactions into successful, technically adept artistic territory.
Skazaly got his start experimenting with animation program Macromedia Flash in the 90s before focusing on his own motion graphics. Looking at his Tumblr now, it’s clear Skazaly has mastered the art form of creating technically perfect GIFs, from trippy, twisting shapes to black and white worms perpetually moving forward. Skazaly’s mind-bending GIFs are dizzying, satisfying works of art, elevating a now common internet trend to a mesmerizing new level.
World-renowned art superstar Takashi Murakami (and his production company Kaikai Kiki Co., Ltd.) has always dabbled in fine art mediums with a large splash of commercial elements, but his latest venture is taking on the largest popular medium of them all. Jellyfish Eyes is the artist’s first foray into live-action, full-length films, and from the looks of the incredible trailer, it will have all of the elements of Murakami’s “superflat” mix of high and low culture.
“Jellyfish Eyes tells the story of Masashi, a young boy who moves to a sleepy town in the Japanese countryside with his mother in the wake of a natural disaster. After returning home from his new elementary school one day, Masashi discovers a flying jellyfish-like creature whom he befriends and names Kurage-bo. Masashi soon discovers that all his classmates have similarly magical pets, known as F.R.I.E.N.D.s, which are controlled by electronic devices that the children use to battle one another. Despite their playful appearances, however, these F.R.I.E.N.D.s turn out to be part of a sinister plot that will threaten the entire town.”
Eiko Ojala(whose cut-paper illustrations were previously featured here) crafts quietly-detailed work which straddles the lines of art, design and commercial illustration. Beginning with hand-made illustrations, Ojala then combines physically cut, layered paper and occasionally digital to continue reducing the images until they are clear, concise and minimally fantastic. Subtlety seems to be the strongest method of delivery for the Tallin, Estonia-based illustrator and graphic designer, who describes himself as one who ” likes to study the forms of shapes, and to work closely with light and shadow. He likes to keep his illustrations minimal and well-advised.”
This most recent blue series was created for Intel as an effort to show the insides of anything, and seems a perfect match for the illustrator’s deceptively simple trademark style. Ojala has been increasingly recognized for his commercial efforts, having been been nominated in 2013 for a Young IIllustrators Award at www.illustrative.de, a YCN professional Award and ADC Young Gun. (via hi-fructose)