Anya Gallaccio Creates A Room Made Of Chocolate

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For her new installation “Stroke” at Jupiter Artland, Scottish artist Anya Gallaccio constructs a room made of dark chocolate, inviting visitors to lick the walls if they so dare. The richly aromatic work is designed in part to be a rare feminine space in an art world defined mostly by men. The artist, who has worked with red roses in the past, sees her unusual medium as one normally associated with the female; here, she brings the domestic out of the shadows and boldly into the public realm. The room itself is evocative of female sensual pleasure; painted in thick, gentle layers of sweetness, it is dark and cavernous, a space to be entered into.

Housing only a small bench, the piece maintains ambiguity, relying upon its inhabitants to draw meaning from the slights, smells, and tastes. The work is as much about fantasy and anticipation as it is the actual experience of sitting in a chocolate room, which the artist explains is not what one might expect. As time wears on, she expects that the sweet odor will turn sour; the chocolate, painted onto the walls with brushes, will oxidize. Bugs have already moved into the space.

Galloccio’s title “Stroke” alludes to the dual nature of the work; she explains that a “stroke” can describe a tragic and sudden heart attack as much as it can a soft caress. Ultimately, the impact of the work is in the hands of viewers, who may either choose to abandon social etiquette to indulge in a feast of licking or might simply sit in uncomfortable silence. Either way, it will be a sight to behold. (via Design Boom)
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Anya Gallaccio’s 10,000 Dying Roses

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Anya Gallaccio‘s installation Red on Green may leave elicit a different reaction depending on when you catch the show.  Gallaccio plucked the heads of 10,000 roses and arranged them into large neat rectangle.  At first the installation may resemble a grand romantic gesture.  However, Gallaccio’s interest is piqued by what the installation becomes.  In a way Red on Green turns into a type of natural performance as the field of red shifts to brown.  She utilizes the loaded symbol of the rose as a starting point for investigating the natural processes of death and decay.

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