Melanie Daniel explodes forms, objects, patterns, and color to make her paintings and the results are joyfully apocalyptic dreams. She gives us some recognizable forms–an arch, a fench, a tower, fish?– forms which make us turn much of the painting into a Rorschach test– Are those rectangle strokes cars? Are those squares buildings? Are those black lines woods that have overrun an industrial town? Or maybe they’re all just rectangles, squares, and lines, there to overwhelm us in this dreamscape. Whatever the case, her paintings are optical quick sand, making it difficult to stop looking and thinking about the worlds in front of you. Her show at the Asya Geisberg Gallery ends on the 20th, so try to stop by while you still can!