These Otherworldly Fungi Have To Be Seen To Be Believed

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The Australian-based photographer Steve Axford captures some mind-boggling fungi, including tropical mushrooms that had likely not been caught on film prior to these images. Compelled to adventure into obscure places left unexplored by most men, the artist documents strange organisms, many of which are found in his native area, the Northern Rivers region of New South Wales. A number of species exhibited in his body of work exist in more temperate zones, like Tasmania and the state of Victoria.

Axford, a retired computer system designer and manager, hopes to marry science and art. His photographs, in addition to being beautiful, are useful in the identification and cataloging of species previously undocumented. Prior to Axford’s efforts, the hairy mycena, a snowy white mushroom with a fuzzy cap and a translucent stem had not been spotted or archived in Australia. The same holds true for the blue leratiomyces, a plant native to New Caledonia and Lord Howe Island.

Seen here in striking detail are the most uncanny of fungi species, each enchanting in its own magical way. Some are bioluminescent, glowing an electric green in the night air; others are impossibly delicate, sprouting elegantly from moistened tree trucks. Unexpected colors spill into nature’s canvas with the growth of purple, blue, pink, and bright red mushrooms. The artist explains that photography has gifted him with the opportunity to slow down and absorb the earthly wonders that surround him; in shooting these strange, spindly lifeforms, he gives us the opportunity to do the same. Take a look. (via Colossal)

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Pip&Pop Creates Miniature Worlds Made Out Of Pastel-Colored Candies

Pip&Pop

Pip&Pop

Pip&Pop

Pip&Pop

Nicole Andrijevic and Tanya Schultz, an Australian artist duo, Pip&Pop, collaborate to create delicious-looking installation in various galleries around the world. The constructions, intricately intalled in a gallery floor, is made out of colourful sweets mixed with glitter, beads, modelling clay, wax, polystyrene, wire, toys, sand, and other equally vibrant found objects.

This mini candy wonderland, a cartooonish looking maquette, is heavily influenced by Japanese pop culture.

“Throughout history there has been a long tradition of depicting journeys through, and in search of, imaginary lands and utopian worlds[...] the work draws on this rich history of other worlds as told through mythologies, Japanese folk tales, video games, cinema, children’s literature and ancient cosmologies.”

(Via Feather of Me and HuffPost)

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Ollie Lucas’ Technicolor World Inspired By Graffiti, Glitch, And Design

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Melbourne-based artist Ollie Lucas creates works where colors swirl together with an almost preternatural smoothness, like oil diffusing in water, with more jagged and hard-line separation. Lucas says, My work has always had graphical and clean elements to it. A past life as a graphic designer is to blame there’. Creating works that span painting on enormous wooden spools, to digital works on print and more recent explorations in glitch animations, Lucas explains his influences, ‘Exposure to the graffiti scene in Melbourne has made me question harmony in my work, I have a love for filthy, dirty and weathered paint splattered surfaces, but at the same time I crave clean, modern, hardline geometrics…This is what drives my practice, combining two visual elements that are polar opposites in search for a harmony that i may never obtain.

Lucas work has often confronts two seemingly-opposing forces, graffiti and graphic design, painting and printmaking, natural landscapes with digital glitches, and blends them together. When asked how his work has changed leading up to his solo exhibition Digital Landscapes, at Pierre Peeters Gallery in Auckland, New Zealand, Lucas explains his more recent explorations and realizations in printmaking and digital creation. “It’s the first show I’ve done that is 100% digitally created. I’ve always used digital processes as a starting point in my work, however I felt a finished work needed the element of ‘hand-made’ to make it unique, to separate it from the mass produced. Since creating hundreds of drafts and moving through the paper choice/proofing and printing process I’ve come to realize a print can be just as unique as a painting.”

Though many see printmaking and painting differing in both result and creative impulse, the artist explains the harmony and connection between the two, giving value to both,“Although I have worked with many mediums in the past I still consider myself a painter, mainly because I still think like one and approach my work like a painter would. I think my work reads like a painting also.”

Ollie Lucas’ current exhibition, Digital Landscapes is on view at Pierre Peeters Gallery in Auckland, New Zealand, from now through March 5th, 2014.

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Garth Knight Creates Stunning Erotic Art Out Of Rope, Rocks And Human Bodies

Erotic Art

Garth Knight

“First tree” represents the awareness of our existence, one that sits upon us
like the world on our shoulders.

Garth Knight Erotic Art

The Blue Tree questions who and what we are.

Garth Knight

The Tree of Man, we are all connected.

The erotic art of Sydney Australia based Garth Knight entails a series of six suspended ‘trees’ ( in order: first, blue,heart, man, lost, and red) all which are made out of rocks and ropes. Each individual “tree” is created over one or two naked bodies, often posing in very sensual positions. If the ‘trees’ are observed in order, they create a linear narrative- one that tells, through stunning and innovative imagery, the story of human existence. The artists accompanies his images with text; the words further narrate the story he is trying to tell.

Knights multi-disciplinary practice covers various areas including installation, sculpture, and photo media. As you can acknowledge from the photos shown here, his works often (almost always) include the use of rope bondage, amongst other erotic elements that mesh with ideas of strength, pleasure, and sexuality. You can check out more of his works on here.(via Beautiful.Bizzare Magazine)

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Paul Bourke’s Scavenged Google Earth Photos Celebrate the Similarities of Geographic Patterns

Paul Bourke is interested in discovering fractals- similar visual patterns that exist throughout the universe. To that end, he’s scoured Google Earth to bring you these amazing geographic patterns shot via telescope from above. The end result is this series of images that celebrates the planet and its natural form. Stringy river deltas, clumpy desertscapes- beautiful stuff. (via)

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Annita Maslov’s Brooding Illustrations Done With Pen On Paper- Skulls, Roses, and Pupil-less Ladies

 

Tasty illustration work from Melbourne artist Annita Maslov. You gotta love the pen and paper approach. It’s so direct- you can almost feel the labor involved in every calculated line and stippled shadow. And Maslov’s subject matter fits well with her inky media of choice. Dark and brooding, the images sort of require drawing’s organic touch to stave off a cold, disconnected vibe. I’m pretty sure things would turn out okay if I never saw a vector skull presented as “art” again. If you’re doing stuff like this, then, well, do it like this. Please.

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Colorful Mounds of Sugar Form Fantasy Landscapes in Pip and Pop’s Installation Work

 

These bright, candied installation pieces are the work of Australian artist Tanya Schultz. Working under the name Pip & Pop, Schultz employs sugar, glitter, fake flowers, and a myriad of other materials to produce the colorful mounds of awesomeness. It’s not a far stretch to picture the works as actual landscapes- to fantasize about walking around in Pip & Pop’s unique world. Diabetes was never so easy on the eyes ’til now. More after the jump. (via)

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Abbey McCulloch’s Evocative Paintings of the Female Figure

 

Really nice work from Australian artist Abbey McCulloch. There’s almost a fashion illustration vibe with these paintings, which feature female figures staring at you from eyes weighed down with heavy makeup. And so often when an artist does cite fashion illustration as an influence, what they really mean is straight up fashion illustration placed in a gallery setting. That wouldn’t be the case with McCulloch’s work, whether she drew direct inspiration from the realm of fashion or not. Her palette selection is so good. And the expressions on her subjects’ faces, captured with  just a few brushstrokes, are uncommonly evocative. Click past the jump to see more. (via)

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