“First tree” represents the awareness of our existence, one that sits upon us like the world on our shoulders.
The Blue Tree questions who and what we are.
The Tree of Man, we are all connected.
The erotic art of Sydney Australia based Garth Knight entails a series of six suspended ‘trees’ ( in order: first, blue,heart, man, lost, and red) all which are made out of rocks and ropes. Each individual “tree” is created over one or two naked bodies, often posing in very sensual positions. If the ‘trees’ are observed in order, they create a linear narrative- one that tells, through stunning and innovative imagery, the story of human existence. The artists accompanies his images with text; the words further narrate the story he is trying to tell.
Knights multi-disciplinary practice covers various areas including installation, sculpture, and photo media. As you can acknowledge from the photos shown here, his works often (almost always) include the use of rope bondage, amongst other erotic elements that mesh with ideas of strength, pleasure, and sexuality. You can check out more of his works on here.(via Beautiful.Bizzare Magazine)
Paul Bourke is interested in discovering fractals- similar visual patterns that exist throughout the universe. To that end, he’s scoured Google Earth to bring you these amazing geographic patterns shot via telescope from above. The end result is this series of images that celebrates the planet and its natural form. Stringy river deltas, clumpy desertscapes- beautiful stuff. (via)
Tasty illustration work from Melbourne artist Annita Maslov. You gotta love the pen and paper approach. It’s so direct- you can almost feel the labor involved in every calculated line and stippled shadow. And Maslov’s subject matter fits well with her inky media of choice. Dark and brooding, the images sort of require drawing’s organic touch to stave off a cold, disconnected vibe. I’m pretty sure things would turn out okay if I never saw a vector skull presented as “art” again. If you’re doing stuff like this, then, well, do it like this. Please.
These bright, candied installation pieces are the work of Australian artist Tanya Schultz. Working under the name Pip & Pop, Schultz employs sugar, glitter, fake flowers, and a myriad of other materials to produce the colorful mounds of awesomeness. It’s not a far stretch to picture the works as actual landscapes- to fantasize about walking around in Pip & Pop’s unique world. Diabetes was never so easy on the eyes ’til now. More after the jump. (via)
Really nice work from Australian artist Abbey McCulloch. There’s almost a fashion illustration vibe with these paintings, which feature female figures staring at you from eyes weighed down with heavy makeup. And so often when an artist does cite fashion illustration as an influence, what they really mean is straight up fashion illustration placed in a gallery setting. That wouldn’t be the case with McCulloch’s work, whether she drew direct inspiration from the realm of fashion or not. Her palette selection is so good. And the expressions on her subjects’ faces, captured with just a few brushstrokes, are uncommonly evocative. Click past the jump to see more. (via)
Australian artist Numskull presents his work both on the street and in galleries. His segmented use of vintage typography and Native American imagery is dangerously similar to that of FAILE’s mixed media work, but his energetic character designs establish him as a force all his own. Goofy gets three eyes and Bart Simpson hair, and the character takes on a completely new persona. Hysterical, almost toothless grins populate the streets. The world would be a better place if it was populated with even more visuals from the mind of Numskull.
The artist has work on display at Mishka‘s flagship in Brooklyn.
Take a quick break from work and watch this claymation piece from Australian animator Dave Carter. Entitled “How to Lose Weight in 60 Seconds”, the short vid is packed with quality animation full of gnarly expressions and even gnarlier action as a body-conscious protagonist makes his way through drastic weight loss measures. I don’t want to spoil anything, but I’m talking about VERY drastic measures, all depicted hilariously while Carter demonstrates the full breadth of his extensive talents. Watch the 60 second piece after the jump.
Australian artist Damien Kamholtz recently opened Boats Like Feathers, an exhibition of new works at Art House Gallery in Melbourne. From the gallery’s website:
Boats Like Feathers brings together the child and adult in a soft and vibrant world of narrative and metaphor evoked through Damien Kamholtz’s deeply layered and nostalgic work, rich with a story unique to each viewer if they are willing to take part in the journey.
More images after from the show after the jump, and you can check out a video of the artist in the studio here.