The installations of Damian Ortega reflect a curiosity that is at once childlike and serious. His dismantled, dissected, carefully arranged pieces often hang from the ceiling prepared for inspection. Ortega’s installations encourage viewers to think about relationships between the parts and its whole, between individuals items and the group. It’s easy to see how these ideas can expand to wider topics. In a way, Ortega not only takes apart a Volkswagen physically, but also socially. He deconstructs ideas in a playfully literal way.
Tom Schmelzer, an artist from Germany, has created this amazing headpiece which acts as a direct opposite to the late Alexander McQueen’s butterfly hat (shown below) for Spring 2008. This wearable sculpture was created with using wood, brass, felt, steel, rubber, viscose, and 140 scarabaeus sacers… also known as, 140 dung beetles! What Tom intended to symbolize by creating an antipode to McQueen’s butterfly headpiece, is to communicate the end of the noughties with its “neocons and megalomanians, its butterfly paintings and art market-bubbles.”
McQueen’s butterfly hat instantly resembles a vibrant flower in full bloom, while Tom’s headpiece orchestrates the exact opposite: a dead flower appearing rigid and brittle with time. When you compare the two, noticing the stark difference, we are reminded of the constant cycle of booming and withering of which we are surrounded by.