Artist Alessandro Lupi seems to capture ghosts in his eerie sculptures. Lupi begins with simple thread to create his artwork. He paints each strand one at a time with fluorescent paint. The threads are then arranged and lit with black lights. Lupi often arranges the thread in the form of a figure – a person that at once seems to inhabit a space and in the process of disappearing. He calls his work ‘Fluorescent Densities’. The designation alludes to the way he uses his medium to “investigate” and play with light and space.
Sif Itona Westerberg, working out of Copenhagen, crafts organic, twisted sculptures and nostalgic textile work infused with elements of delicious 80′s hardcore. And for good measure, she also renders tributary graphite drawings in a cemented, clear-cut vision; you know, just so we stay on the same page. She’s recently exhibited such work within immersive gallery installations that economically work toward the creation of an overall effective, dripping ode to the last two decades of the twentieth century (she pulls off the backlight).
But what business does Westerberg, born in 1985, have in the composition of a body of work based on iconography and experience that had all but died by the time she reached her teens? Perhaps, a good amount. This work is a wonderfully executed exercise in the common experience of conjured nostalgia- pining for experiences you never had. For through the process of remembering that which you don’t actually remember , you are able to present an account much more infused with spirit and holism. When did facts ever help anyone, anyway?
Sif Itona Westerberg is currently showing a series of collaborative work with Asbjørn Skou (Armsrock) at MOHS exhibit in Copenhagen, Denmark.
There are some things that are just too awesome to be forgotten…. in a sea of trends that the design world is often forced to weather. Take for instance, the 1960′s revolutionary trend of poster printing called The Black Light poster. You’ve got to love the free form type, the over-the-top color, the hand-drawn graphics. How could we ever say this art is dated? This was Plus, these posters have the dual ability to look great in daylight, and look even better under the glow of a black light in a dark room, (that may or may not smell like marijuana). Everybody loves stuff that glows in the dark, even if they’re not high – though I suppose they’d be even more mind blowing when viewed through the colorful lens of LSD.