Subtle But Colorful Abstract Street Art

108 Street Art9

Abstract Street Art 2

Abstract Street Art

The work of the street artist known as 108 is much like his pseudonym: simple and mysterious.  Often large black masses of abstract street art inhabit walls.  Devoid of most or any detail, these masses are frequently punctuated by bursts of color.  In a way the colorful abstractions feel like offshoots or biological growths on the larger black masses.  There is a larger flow to his murals that are somehow familiar.  The shapes, the way interact with their surfaces, and the way in interacts with itself feels organic.  108 explains this idea in a 2006 interview saying:

“Usually I work in public spaces, you know, and the background is the most important thing. I must find a good shapes for that place, usually I prefer old walls and abandoned places, and my “thing” grow by it self, as a tree or moss did, but I know nature do that really better than me! It’s very hard for me to work on a blank white surface… in that situations I must find a good inspiration elsewhere, maybe in another work I did before or working with a good friend with good ideas.”

Other times his abstract murals almost hint at an iconography, symbols, or recognizable shapes.  Like much abstraction there is a lot of room for interpretation.  Still, he goes on to say:

“Most of my works come from my unconscious and are totally irrational. You can see the abstract, soft and gloomy shapes… My works are also very symbolic. The same old example of the wheel, I found it in my unconscious, it was a big fixation for me… usually I have drawn it with 8 rays inside… In fact it was the sun wheel, one of the most important symbol in ancient Indoeuropean cultures (you can find it in a lot of Indian and Celtic stuff). This is just one example.”

Violently Chaotic Installation Using Over 3 Miles Of Black Tape

Monika Grzymala installation1 SONY DSC

Monika Grzymala installation2

We’ve seen innovative art made from tape before.  The work of Monika Grzymala, though, is ambitious, seemingly chaotic, and even violent.  Using over three miles of black tape, Grzymala inundate’s the gallery space.  The tape wraps around corners and seems to splatter on to the wall as if it were liquid.  Grzymala’s work adds dimensionality to a usually flat material in a way that is surprising and nearly disturbing.  By appearing to forcibly occupy the gallery space, the installation compels the viewers to interact with the space in a new way.

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