Japanese artist/designer/architect (and construction worker?) Yusuke Oono was thinking beyond flat when she conceived her 3-Dimensional art books. First designing the layouts of each book (which includes titles like Sweet Home, Jungle Book, In A Cheese, and a 360° Christmas Book) by hand and with the aid of design programs, Oono then uses a laser-cutter to carve out the highly-detailed dioramas that make up each page of the story. These pages are then bound together, creating a compiled book which more than pops out, but can be read in 360°.
Alicia Martín (formerly featured here - as well as in our Best of 2012) has kept busy this year, expanding on her signature style of cascading book installations that we first saw in Biografías. Each installation begins as a wire and aluminum structure, to which hundreds and thousands of books are attached, creating the illusion of waterfalls of pages and spines wrapping around objects, wrapping around themselves, and pouring from windows and underneath walls.
In works such as Singularidad, the Madrid, Spain-based artist focuses her waves of books into a more circular shape, resembling a vortex rather than a waterfall. Playing with the idea of a black-hole, or naked singularity, the collective swathe of books consumes itself, rather than bursting forward. In Contemporaneos, Martín plays with the idea of the books being the background, the support, or what’s behind the object, pouring out of (or cracking through) a wall – engaging in a dialogue with more indoor, site-specific contemporary installation. However, Martín continues to re-imagine her waterfalls, with newer pieces expanding on previous work’s pouring from buildings, as well as running down streets, through windows and around trees, with pages blowing in the wind at each amazing installation. (via mymodernmet)
“In my artwork I always use printed matter – discarded books, magazines, and computer printouts; the cultural debris of our information society. The sculptures I create reference Eastern and Western icons and intellectual figures, thereby exploring cultural meanings and concepts. I always use text in my work and the content of the texts are relevant to my sculptures. My finished sculptures often seem to be wood or marble, though they consist of paper. They are constructed in such a way that the various parts fit together in a seamless manner.” – Chen Long-Bin, from Volta NY
The work of St. Petersburg born artist Ekaterina Panikanova makes use of our complex relationships with books. She mounts books on the gallery wall, splayed and aligned. Panikanova use the collective surface of these books as her perculiar ‘canvas’. Like the ink and paper filling the books’ pages, her paintings are often black and white. In a way, the pieces carry an air similar to old books. They have a subtle atmosphere of nostalgia, of a recording and remembering. [via]
This curious little structure is one of ten Free Little Library “branches”. Ten designer were chosen for the Free Little Library project – each designing and constructing a little library to place in Manhattan. This is the design created by the firm known as Stereotank. In the New York neighborhood of Nolita, the little library offers books and a bit of shelter to anyone passing by. Small portholes allow visitors to peek inside for a preview before being drawn inside. You can find Stereotank’s Free Little Library at St. Patrick’s Old Cathedral School in Nolita through September of this year. [via]
With a background in craftsmanship and carpentry, Jan Reymond creates sculptures by recycling discarded objects. His most well-known installations are made of books. Even in his smaller scale work with furniture, his eye for architectural design is apparent. He’s also created large scale designs made out of discarded cell phones. In addition to this installation work, he crafts furniture and other domestic objects with an eye for practicality and aesthetic pleasure. His work asks us to consider the boundary between functional and non-functional artwork.
When Isaac Tobin is not working as a senior designer for University of Chicago Press or playing with type design, then he is whipping up some pretty phenomenal collages with minimal resources. Each piece remind us that cutting back and holding the line is just as important as drawing it. His seemingly simple use of familiar and found paper products matched with sporadic vintage text and condensed doodling presents an accessible everyday charm that inspires affordable creativity.
Tom Bendtsen’s first book sculptures appeared in 1997. After initially creating basic structures, his work evolved with the idea of using the books’ colors to create a pixelated image effect. Bendtsen even fills the gaps in his structures with objects or scenes that ask the viewer to consider ideas of history, narrative, and creativity. The laterality of the structures and how this mirrors our absorption of contrasts and oppositions inherent in written narrative are also at play. His largest structure is composed of 16,000 books. String is used to create the forms of the sculptures, and then those forms are filled with books.