Kamolpan Chotvichai’s Shredded Self-Portraits Produce The Illusion Of Glitchy Dissolution

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Kamolpan Chotvichai explores the limitations of paper by carefully hand-cutting portraits of herself and rendering an effect of dissolution based on the Buddha’s teaching on anatta (no self). Parts of Chotvichai’s human form appear warped and melted, almost glitchy, as if they are about to disintegrate; the artist’s careful attention to the direction and shape of her cuts produces an elegant illusory effect. Chotvichai explains,

One’s adhering to something can cause the greatest misery in life especially being attached to self-existing. The idea of this self-existing is actually self-formed and leads to variety of emotions. The temper, the mind and the body altogether gradually form the idea of being alive but when putting into consideration, without any substance, it is merely the thought that we think we are existing…The way I create my work is to set consciousness and concentration by slitting and cutting on the portrait of myself which is considered to be the unconditional action of effort and attempt. This action is therefore to destroy and create the emptiness which will lead to the stage of naught.

Chotvichai was born, raised, and educated in Bangkok, where she currently resides. (via my amp goes to 11)

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Intimate And Intense Photos Of Shaolin Monks

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Shaolin Kung Fu, developed in China beginning in 495AD, has infiltrated popular culture in the West. Depending on your age, you might be familiar with the 70s TV show “Kung Fu” or Mortal Kombat : Shaolin Monks. Neither captures the essence of Shaolin Kung Fu. Based on Buddhism, its major forms of expression are martial arts and techniques. Shaolin emphasizes meditation, development of the body through rigorous training, and pain endurance.

Training in Kung Fu is mostly done without an opponent, as it was never meant to kill, and the poetic names of the moves imply that it is more of a meditation than a fight. However, the only difference between breaking a clay jug and smashing a human skull with one’s bare hands is consciousness of will. Despite the commercialization, Kung Fu retains a mystical character closer to a monastic discipline than to the performances of modern gladiators.

Tomasz Gudzowaty captures the monks in artistic black and white. The classical composition of these photographs only serves to enhance the amazing strength, endurance, and concentration of the monks as they train. Gudzowaty doesn’t use effects or manipulation to increase the impact of the images—he doesn’t have to. The monks provide all of the interest themselves: walking up walls, standing on their heads, balanced on a foot and an elbow. They seem fully immersed in their training—oblivious to the camera, wholly in the moment.

“Sports fascinates me as a spiritual practice, which is not readily visible today in mainstream events. I made it my long-standing quest to photograph peripheral, exotic sports.”

This series is a masterful match of content and form, skilled subjects and talented artist.

Via The Mind Unleashed

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Wang Zin Won’s Praying Machines

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The figures of Korean artist Wang Zi Won seem above all peaceful.  His statues are also machines that perform prayers.  He mixes Buddhist imagery with autobiographical depictions to illustrate a futuristic mix of technology and spirituality.  It is interesting that Wang’s sculpture’s abandon the physical body – in a sense something Buddhism and visions of the future share in common.  Indeed, his vision of the future seems to be a bit of an optimistic one.  That is, one in which further harmony between man and machine leads to a more complete existence and identity.    [via]

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