Belgium just got a whole lot more colorful with the new Pantone Hotel™ opening in Brussels. As a company, Pantone is all about color, with professional color-matching tools for the graphic arts, apparel, home furnishings and interior design, retail paints in partnership with Fine Paints of Europe, as well as an extensive product line based on their iconic color swatches.
The Pantone Hotel™ merges this world of color with an upscale hospitality experience, creating seven color-palettes for the 59 rooms and suites, plus meeting rooms and a rooftop terrace.
“Impeccably designed by Michel Penneman and Olivier Hannaert, The Pantone Hotel™, Brussels showcases the color of emotion with a distinctive hue on each colorous guest floor. From vivid to subdued, for business or leisure, our unique boutique design hotel perfectly suits your savvy palette and colorful imagination.
From a design perspective, The Pantone Hotel™, Brussels is built on an exceptional use of contrast; a white canvas provides clean space for saturated colors to pop. Guest rooms feature unique photography by esteemed Belgian photographer Victor Levy.”
With a choice of large or extra large rooms, staying at the hotel can give you all the minimalistic color thrill with none of the discarding of inappropriately colored objects that you’d have to do at home. You can even acquire your own piece of the Pantone Universe—the concierge sells products from mugs and cups to iPhone and iPad covers. (Via Fast Co. Design. Photos via Pantone)
Even in his commercial work French photographer Laurent Chehere clearly has a creative and curious eye for his surroundings. An avid traveler, Chehere enjoys exploring the cities he visits. This becomes especially evident in his series Flying Houses. The series contains a number of photographs of floating buildings. The buildings seem otherwise ordinary, perhaps tethered by power lines, quietly floating in the sky. Chehere achieved the effect by taking photographs of buildings throughout the suburbs of Paris and digitally manipulating them. A gallery statement (translated from French) from a recent solo exhibit explains Chehere’s inspiration for the series:
“The artist isolates buildings from their urban context and frees them from their stifling environment. Houses fly in the clouds, like kites. Inspired by a poetic vision of old Paris and the famous short film The Red Balloon by Albert Lamorisse, Laurent Chéhère walked the districts of Belleville and Ménilmontant gazing at their typical houses. The images of the artist seize an unexpected levitation: held to the ground by unseen hands, like so many balloons used by the boy, these old buildings floating in the sky, sliding on the surface, they reveal to us their hidden beauty. Some houses are adorned with drying laundry or flower pots, outweigh other brands and shops fleeing the flames of a fire … All seem to find a second life. Uprooted from their hometown, they go to new heights. It’s a true invitation to travel and metaphor for the transience of the world, Flying Houses Laurent Chéhère’s series plunges us into a dreamlike and changing world full of gaiety and humor.”
The installations of Argentine artist Leandro Erlich are known to be visually playful. His most recent installation definitely follows suit. For Dalston House, Erlich constructed a facade of a three story home which lies horizontally on the ground. A giant and cleverly angled mirror gives the facade, and those on it, the appearance of being vertical. Visitors hang from roofs, sit casually perched on ledges, and effortlessly walk down the wall. Also check out Erlich previously here.
Image maker Suzy Poling seems to believe in the unreal. Her work breaks the formalities of typical photography, by utilizing many different methods for production. Some of her work has hints of Andreas Gursky, while other parts have the the surreal air of Tim Walker. Her work feels like a documented rapture, where nothing exists where everything once did.