Installation Takes Visitors On A Nocturnal Stroll Through An Enchanted Forest

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Latest installation by Montreal-based media and entertainment studio Moment Factory invites visitors to explore the illuminated paths of an enchanted forest in Québec, Canada. Foresta Lumina, a 2 km long trail, meanders through the Parc de la Gorge de Coaticook full of colorful light installations, visual projections and chilling sound effects.

According to the creative studio, Foresta Lumina strives to reveal park’s natural beauties and mysteries. Along the nocturnal stroll through the forest, visitors are acquainted with the region’s fictitious heritage and forest mythology: fairies, spirits and other bewitched mythical creatures. “It’s all about goosebumps,” says Gabriel Pontbriand of Moment Factory.

The multisensory experience is achieved through a set of skillful arrangements. Colorful lighting compositions turn the forest into a glistening canvas, whereas video mapping brings natural elements to life. Dynamic visual projections accompanied by ethereal soundtrack escort visitors into the mystical world of fantasy.

The project has already become a major tourist attraction with an average of 500 to 1,000 visitors every night. Foresta Lumina is open to public until October 11th. (via designboom)

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Dollhouse Scale Rooms By Leanne Eisen Miniaturize Sex Trade Spaces

Leanne Eisen - Play

Leanne Eisen - Play

Leanne Eisen - Play

The world of dollhouse miniatures is dominated by sweet structures with period-perfect furniture and impossibly tiny accessories. Leanne Eisen subverts all expectations with “Play” her photo series of 1/12th scale brothel, strip club and other sex trade sites. Eisen makes the pieces of these meticulously detailed scenes herself, having found difficulty in sourcing ready-made miniature condoms, porn magazines and sex toys. The spaces have a seedy, disreputable air enhanced by the details—a used washcloth hangs haphazardly over the sink, sequined shoes are abandoned on the strip club stage, and a forest of egg timers sits under posted house rules. Although Eisen had not been in an actual brothel, she researched films, documentaries, books, and photographs to create her voyeuristic spaces.

The photographs in “Play” are enlarged, playing with scale to disorienting effect. Scenes that are rendered in miniature are suddenly life-size again, with no referent of scale in the images. These are realistic spaces but they are also fantastical. No woman will ever spin on the golden pole. The cow clock in the kitchen will always read 10:10. These abandoned rooms tell their stories through their contents. She says:

I am very interested in residential spaces; the artifacts that we accumulate and leave behind, and how they tell our stories in our absence. I also find the idea of a space that is seemingly a workplace as well as a residence intriguing. In these photos, the viewer takes the role of voyeur, and can take the time to analyze the setting at a perhaps more manageable, less intimidating scale.

The series also serves as a commentary of the accepted social roles for women in a residential space. Where a traditional dollhouse might have a domestic mother figure keeping house, these spaces are intended for women as sexual objects. Whether in the sad paneled room with the pink-clad single bed or in the black walled sex chamber with its red X and metal cage, these are spaces intended to commercialize women.

Through detailed conceptualization, deliberate craft and artful photography, “Play” blurs the lines between whimsy and menace, making pointed observations about the place of women in this world.

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Georgia Dickie’s Found Object Sculptures

Georgia Dickie makes sculptures by assembling found objects, most of them large, heavy, and industrial. They seem to be as much about object culture as they are about form and clutter. Unlike some of her contemporaries like Daniel Eatock who focus on common and found objects by turning them into funny absurdities, Dickie’s abstractions of objects are more serious explorations of the objects shapes and uses. But with object culture inevitably comes clutter culture, which Dickie acknowledges in her installation which resembles the back of an old man’s garage. Already in the Museum of Contemporary Canadian Art at the age of 23, she has a big future waiting for her. Keep your eyes peeled! More sculptures after the jump.

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Sarah Burwash’s Modern Mythology

 

Sarah Burwash‘s watercolors weave elements of the past and the present. Her compositions read like narratives, merging elements of community, tradition, and gender into modern mythologies. 

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FASTWURMS


FASTWÜRMS is a Canadian artist collective started in 1979 by Kim Kozzi and Dai Skuse, who are associate professors of studio art at the University of Guelph in Ontario. Their artwork seemingly encompass all disciplines – installation, video, manifesto, performance, drawing, etc – and concerns witch positivity, working class aesthetics, queer politics, and public collaborations. Many of the images after the jump are taken from the FASTWÜRMS: DONKEY@NINJA@WITCH catalogue that accompanied a 2007 retrospective at the Art Gallery of York University.

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Matt Bahen- Life in Death

Toronto artist Matt Bahen creates thick oil paintings of desolate scenery and, often, dogs. Tweaked just right, the lighting in Bahen’s work almost renders itself the subject in each respective canvas, creating a sense that the elements most “alive” in his world are not, in fact, animate. Scavenging dogs and dying foliage or crops are often the only living organisms depicted in Bahen’s most recent work. And though a veritable source of  action, these elements often serve more as secondary, blended, narrative connections than primary statements. In keeping with the aesthetics of B/D, this body of work presents a perfect opportunity to  draw as much life from the dead as from the living. Bahen is currently showing at LE Gallery in Toronto in a solo exhibition entitled “After Wolves.” If you’re up that way, do not miss out.

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Jonathan Robert LeBlanc

Landscape photography is a fickle mistress.  Jonathan Robert LeBlanc’s photographs weave an elaborate tapestry of cramped urban decay and endless country skies- facing history with little or no irony.

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CANADA (NSFW)

CANADA is a trio of filmmakers, Luis Cervero, Nicolás Méndez & Lope Serrano. Located in Barcelona, they bump out mysteriously sexy music videos that feel like a mix between an Alejandro Jodorowsky film and an American Apparel ad. According to their info page on their website, “…CANADA has pursued excellence in different projects, advertising, fashion, music promotional videos, television and cultural events.” On top of all that fun, they were also guest writers and did an interview with Its Nice That, which helped to shine a bit of light on their interests and personalities. So far, I haven’t seen a video created by them that wasn’t worth watching, but my heart will always belong to the first one I ever saw, El Guincho’s Bombay. You’ll find El Guincho, along with Scissor Sisters, Battles, and other music videos below. Feast.

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