Dollhouse Scale Rooms By Leanne Eisen Miniaturize Sex Trade Spaces

Leanne Eisen - Play

Leanne Eisen - Play

Leanne Eisen - Play

The world of dollhouse miniatures is dominated by sweet structures with period-perfect furniture and impossibly tiny accessories. Leanne Eisen subverts all expectations with “Play” her photo series of 1/12th scale brothel, strip club and other sex trade sites. Eisen makes the pieces of these meticulously detailed scenes herself, having found difficulty in sourcing ready-made miniature condoms, porn magazines and sex toys. The spaces have a seedy, disreputable air enhanced by the details—a used washcloth hangs haphazardly over the sink, sequined shoes are abandoned on the strip club stage, and a forest of egg timers sits under posted house rules. Although Eisen had not been in an actual brothel, she researched films, documentaries, books, and photographs to create her voyeuristic spaces.

The photographs in “Play” are enlarged, playing with scale to disorienting effect. Scenes that are rendered in miniature are suddenly life-size again, with no referent of scale in the images. These are realistic spaces but they are also fantastical. No woman will ever spin on the golden pole. The cow clock in the kitchen will always read 10:10. These abandoned rooms tell their stories through their contents. She says:

I am very interested in residential spaces; the artifacts that we accumulate and leave behind, and how they tell our stories in our absence. I also find the idea of a space that is seemingly a workplace as well as a residence intriguing. In these photos, the viewer takes the role of voyeur, and can take the time to analyze the setting at a perhaps more manageable, less intimidating scale.

The series also serves as a commentary of the accepted social roles for women in a residential space. Where a traditional dollhouse might have a domestic mother figure keeping house, these spaces are intended for women as sexual objects. Whether in the sad paneled room with the pink-clad single bed or in the black walled sex chamber with its red X and metal cage, these are spaces intended to commercialize women.

Through detailed conceptualization, deliberate craft and artful photography, “Play” blurs the lines between whimsy and menace, making pointed observations about the place of women in this world.

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FASTWURMS


FASTWÜRMS is a Canadian artist collective started in 1979 by Kim Kozzi and Dai Skuse, who are associate professors of studio art at the University of Guelph in Ontario. Their artwork seemingly encompass all disciplines – installation, video, manifesto, performance, drawing, etc – and concerns witch positivity, working class aesthetics, queer politics, and public collaborations. Many of the images after the jump are taken from the FASTWÜRMS: DONKEY@NINJA@WITCH catalogue that accompanied a 2007 retrospective at the Art Gallery of York University.
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Stanzie Tooth

A recent graduate of Ontario College of Art and Design (OCAD), Stanzie Tooth paints scenes that evoke a sense of calm. Her works often feature woodland landscapes, sometimes bursting with pastel hues that would make a Fauvist blush. Read More >

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