Dylan Shields, an artist based in London, creates sculptures that investigate the relationship between classical sculpture and contemporary materials.
The sculptures further explore and build upon the existent relationship between canonical works of art (in this case and its contexts within modern society by creating them out of cardboard, a relatively new (ish) material in the realm of art-making. He uses re-cycled cardboard and parcel tape to produce work that is at both familiar yet fresh by its original use of form and perspective.
“It has been a process of trial and error to perfect my style. One of the challenges of working with cardboard is the limitation of its flexibility. Also, sourcing the right colors has been difficult as I don’t paint the sculptures, so the colors have to come from the cardboard.”
Surveillance continues to be an inspiration and investigation for artists and designers in the second decade of the new millennium. Taking a decidedly sunnier, DIY-approach, two French designers created an Etsy shop called Filez Doux to continue this exploration through cardboard art. Crafting and selling handmade versions of surveillance cameras made from discarded cardboard, Filez Doux say they are inspired by the pervasiveness of security culture. Although their real names are partially hidden by their moniker, the Lille-based duo (whose real names are listed as Sylvain and Hélène) create works which avoid the typically-negative tone of most work focusing on the encroaching surveillance state.
Beginning the series by playfully creating a light-post made of cardboard for their apartment, the duo began to look around their streets for another inspiration to replicate with used materials. Settling on a security camera, there was seemingly little message behind the first camera created. As the duo explains, “The first one Sylvain made was very realistic and bigger than an actual camera. At first, it was strange to have it in the living room. I sometimes caught myself glancing at it, as if it could be a real one spying on us. Before we knew it, there were 2, 3, then 4 security cameras! Some serious, some fun, some small, some big.” Each camera takes roughly ten hours to complete, and each is a singular construction, as the duo never reuses a design.
Although they lightly suggest otherwise (an asterisk to their name informs visitors to “keep a low profile“), Filez Doux seem more infused with energy from the re-purposed material and the meticulous replications of their work rather than the social commentary. However, it is evident that surveillance is becoming a larger, more widespread issue if popular culture can so easily recognize and reference the camera as ubiquitous and inescapable in our daily lives. (via junk culture & etsy)
The artwork of Jillian Salik offers up understated surprises. Her new exhibit DUEL TINT features frames, window dressing, and other wall fixtures adorned with baroque ornamentation. However, the typically gilded and gaudy colors that typically accompany such adornments, the reflections and windows that should fit in such frames were no where to be seen. Salik only offers the bare structure of the frames and ornamentation. Also, Salik makes an interesting choice of material: cardboard. She contrasts high-society trimmings and embellishments with a decidedly “low” material and digital production processes.
Phoebe Washburn’s constructions, built from found or discarded objects such as plants, plywood, cardboard, or fish tanks, to name a few, have been gaining critical acclaim and momentum since 2008, when she took part in the coveted Whitney Biennial.
Of her craft and salvage, in W Magazine, Washburn states: “I’m not green; I’m greedy . . . There’s definitely an aspect of hoarding that drives this, absolutely! If I see someone walking down the street with a nice piece of wood, I’m like, Where did they get that?”
Her approach to discussing art is as playful and humble as the structures themselves, or their titles, which range from “Nunderwater Nort Lab” (above, top) to “Baby Brain (Not Safe for Use as Jacuzzi)” (above, below).
Miami based artist Asif Farooq builds highly detailed replicas of guns using only found cardboard, an X-Acto Knife, and glue. The weapons are build to mimic their real life counterparts in both detail and size. Farooq constructed 300 of these cardboard replicas in order to create an entire “gun shop”. The atmosphere of danger that surrounds the weapons is contrasted by the nature of his medium. His sculpture not only encourage viewers to confront a fear of the weapons but to also contemplate that fear. Farooq’s work is especially relevant in the midst of recent gun-control debates.
German creative Bartek Elsner has an impressive track record when it comes to both commercial and non-commercial work. Illustration, Art Direction, Graphic Design- he does it all. But I’m most hyped on his sculptures made completely out of cardboard. Dubbed The Paper Stuff, this ongoing series includes cardboard fireplaces (installed on the street), CCTV cameras, automatic weapons, chainsaws, and animals. Taking a look at the project’s page, there is a really evident progression in skill with the medium on Elsner’s part. He keeps getting better and better. Really excited to see what he does next. (via)