Molly Segal’s Brutal Brush Strokes Of Vulnerable Moments

Brutal, arresting, and violent, Molly Segal’s large format watercolors of hungry, rabid pack animals serve as symbols of both watchers of and participants within pernicious social situations; these scenarios, coupled with paintings of messy, passionate, unleashed sexuality are all depicted using loose, uncontrolled brush strokes, that often leave dripping paint behind. Her watercolors are made on a waterproof paper called Yupo, so before she even beings her process, she has initiated a battle between contradicting mediums. In her statement, she describes how this impacts her work:

“The loose, wet on wet technique of watercolor on Yupo paper helps me explore the ambiguities of our own boundaries. Because Yupo paper doesn’t absorb any of the paint all of the pigment sits on top, vulnerable to the elements and impermanent. The impermanence and vulnerability of the paint itself references the fleetingness of youth and the fluctuating nature of memory.”

Molly Segal is originally from Oakland and is currently an MFA candidate at The School of the Museum of Fine Arts in Boston.

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Molly Segal’s Brutal Brush Strokes Of Vulnerable Moments

Brutal, arresting, and violent, Molly Segal’s large format watercolors of hungry, rabid pack animals serve as symbols of both watchers of and participants within pernicious social situations; these scenarios, coupled with paintings of messy, passionate, unleashed sexuality are all depicted using loose, uncontrolled brush strokes, that often leave dripping paint behind. Her watercolors are made on a waterproof paper called Yupo, so before she even beings her process, she has initiated a battle between contradicting mediums. In her statement, she describes how this impacts her work:

“The loose, wet on wet technique of watercolor on Yupo paper helps me explore the ambiguities of our own boundaries. Because Yupo paper doesn’t absorb any of the paint all of the pigment sits on top, vulnerable to the elements and impermanent. The impermanence and vulnerability of the paint itself references the fleetingness of youth and the fluctuating nature of memory.”

Molly Segal is originally from Oakland and is currently an MFA candidate at The School of the Museum of Fine Arts in Boston.

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Grady Gordon’s Ghoulish Monotype Prints

 

 

Oakland-based artist Grady Gordon produces ghoulish black and white monotype prints. The knowledge that each image is unique contributes to a  sense that the figures depicted are real. That at any moment they could leave the paper and enter your nightmares. Until this year, Gordon only depicted heads in his work; the full figures definitely amplify the gruesome vibe. But the heads definitely have their appeal as well- leering faces that move in and out of swirling blacks. Gordon is having a solo show in Denver in October. Some of these works will be on view then.

The best way to stay current with the world of Grady Gordon is to follow the dude on instagram @joaquindead. Don’t blame me if you never sleep again though. More full figures and previews of the Denver show after the jump.

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Kara Joslyn’s Quietly Emotional Paintings

CCA grad Kara Joslyn is based in Oakland. Joslyn works mostly in black and white and mixed media to create stark, quietly emotional paintings. There’s a lot of hardened dignity in the artist’s work. The black and white depictions here of crumbling stone, ancient pottery, and dried parcels of wood can’t help but lend a resolute seriousness to each painting. This (and their stunning visual qualities) allows them to be taken in with purpose, as though something very special is captured and any time spent with the work is not wasted. By rendering material which was once strong and hard in a state of brokenness and neglect,  Joslyn brings us to considerations of the inevitable effects of neglect and time, and the realization that hardly anything remains prominent forever.

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