Artist Karina Smigla-Bobinski in a way treats her sculpture like a living creature. The piece titled (or maybe named) ADA is a large ball inflated with helium and covered in charcoal pegs. Visitors are encouraged to interact, even play with the ball thus leaving marks on the walls, floor, and ceiling of the room. The artist considers the piece not only a sculpture, but really a self-creating artwork. ADA’s shape even resembles a cell or virus emphasizing the idea of the sculpture creating on its own (with some help from visitors, of course).
Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.
Chow Martin uses ink and charcoal on mylar to create these magnificent half-animal, half-human, entirely fictional creatures. His intense, expressive linework seems to capture the flesh and muscles lying beneath the subject’s skin…or fur.