Judith Ann Braun Uses Fingerprints To Create Elaborate Murals

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Since 2003 Judith Ann Braun has been experimenting with a new artistic medium and a set of rules: Symmetry, abstraction, and a carbon medium (usually charcoal or graphite). Braun’s work, Fingerings, entails the use of her fingers in lieu of more traditional tools in order to create intricate and bilaterally symmetrical designs, sometimes covering an entire wall. The details of her sweeping landscapes are also all perfectly symmetrical. For some of these works, Braun will use both hands simultaneously to help create the symmetrical effect she wishes to execute. Braun lives in New York City and was a contestant on Bravo TV’s “Work of Art” in 2010.

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Interactive Sculpture That Makes Charcoal Drawings

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Artist Karina Smigla-Bobinski in a way treats her sculpture like a living creature.  The piece titled (or maybe named) ADA is a large ball inflated with helium and covered in charcoal pegs.  Visitors are encouraged to interact, even play with the ball thus leaving marks on the walls, floor, and ceiling of the room.  The artist considers the piece not only a sculpture, but really a self-creating artwork.  ADA’s shape even resembles a cell or virus emphasizing the idea of the sculpture creating on its own (with some help from visitors, of course).

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Leah Yerpe’s Drawings Of Floating Bodies

Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.

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Chow Martin

 

Chow Martin - The Creators

Chow Martin uses ink and charcoal on mylar to create these magnificent half-animal, half-human, entirely fictional creatures. His intense, expressive linework seems to capture the flesh and muscles lying beneath the subject’s skin…or fur. 

 

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