Rusty Shackleford creates collages, sculptures, and arrangements that investigate the relationship between image and form, engaging vintage printed matter to extrude its inherent qualities, of color, context, and nostalgia. The resulting images are delicately poised between abstraction and representation, paint and print. Shackleford does not treat his images preciously: he ravages them with swaths of paint, but he strikes a surprising equilibrium between readymade and intervention. His sculptures function similarly to his collages, where color and form, executed boldly in a minimal, Modernist style, integrate smoothly with the colors and forms in their surroundings.
I have been a close friend of Chicago-based artist Wyatt Grant since we studied together at the School of the Art Institute of Chicago, where he blew me away with his 20+ layer screen prints on fabric. He graduated this past May with me, having worked fluidly between sculpture, print media, and painting. His works fuse a personal alphabet with a warm, dedicated aesthetic that is consistent throughout all of his work, both abstract and representational. The works have a rose-tinted magical realism to them, a narrative that is both specific and achingly mysterious. Wyatt is also a musician, producing shoegaze-y acoustic tunes studded with electronic loops under the name Pool Holograph. More after the jump.
Edie Fake resides in Chicago. In his work with zines, comics, and illustration, he applies a unique sense of design to playful postmodern compositions, and creates original musings on eroticism with subtle, deft penwork. He recently received a book grant from Printed Matter in NYC. He does pretty rad tattoos as well.
Not only does Josh Reames write great reviews for New American Paintings and run an odd little basement gallery in Chicago (Manifest Exhibitions), but he makes great paintings too! I’ve personally seen his paintings come a long way in a very short time, and I hope you like them as much as I do. See this young Chicagoan under-compensate for his long-comings after the jump!
Been hearing the name Dan Gunn a lot lately, and for good reason. I don’t just throw around the term”forward thinking”, and Gunn’s work embodies exactly that, a forward thinking approach to painting. Taking a constructed, material approach to making an image, Gunn offers up an array of abstraction through various modes of presentation. Gunn integrates common structures alongside notions of commercial display, found objects, and traditionally rooted painting techniques to concoct pieces that aren’t quite like anything I’ve seen before. How do you make something that is both indifferent and desirable? More images after the jump…
Andrew Falkowski just unleashed two new bodies of work Andrew Rafacz Gallery in Chicago, and both are really impressive. Body A – being a series of monochromatic airbrush painting depicting pop iterations of Napolean Bonaparte. Body B – being bold, high contrast paintings of ransom notes constructed from quotes rooted in philosophy and war. Check them out after the jump…
Canada to New York to Chicago, Magalie Guerin is an excellent young painter/photographer fresh out of SAIC. She’s currently investigating shape and color relations via painting with quite lovely results, and I’m genuinely looking forward to seeing where her work goes next. Magalie has recently shown works with The Suburban, Poor Farm Experiment, Julius Ceasar, and Autumn Space. More jams after the jump!
I’ve been quite impressed by the most recent endeavors of young Chicago artist Paul Cowan. After seeing presentations from Cowan at the Green Gallery East, Devening Projects, and most recently, Alderman Exhibitions, something seems really fresh about the work. Quick, gestural paintings paired with a sort of “dry humor” install techniques utilizing pedestals, chairs and balloons amongst other things in unconventional fashions. Check out photos from “Breaking the Law“, ” Three Card Monte“, and ” Causality Without Cause” after the jump.