On an ethereal ground of white light Christophe Avella-Bagur shows us archetypal representations of male and female bodies that answer our expectations of mass-produced perfection. Avella-Bagur disrupts this ideal with a second layer of portraits painted in visceral flesh-tones that never quite register with the face’s outline. The two portraits are collapsed together to create disturbingly distorted juxtapositions painted in the grotesque manner of El Greco or Goya.
Avella-Bagur first began the Floating Souls series in 2005, working in a medium-sized format. These paintings contained archetypal figures with their eyes closed, in which a “floating soul” was depicted attempting to register with its host. Now the idealized bodies have their eyes open, creating tension and visual complexity between the two faces.