The work of Italian artist Alessandro Rabatti humorously comments on the current economic state that the world is in. Using different currencies from around the world, Rabatti rearranges and alters the faces of each political icon and transforms them into a comic book hero. By rearranging and breaking down household faces such as Abraham Lincoln and Queen Elizabeth II, the artist deconstructs their economic status. Each important leader’s status has been elevated from historical legend to fictional superhero, as if their alter egos are really Spiderman, Ironman, and Catwoman. The interesting part about this transformation is that some of these heroes and villains are more recognizable to people than the historical figures themselves.
This series, titled Facebank, comically comments on our economic state and the actual worth of money today. We trust in these icons just as children trust Captain America and the other courageous characters. In creating this series, Rabatti aims to spark a dialogue concerning the current, unstable state of world economics. Another interesting element in the artist’s work is that each face is now wearing a mask. The mask is often associated with hiding one’s identity or giving a false appearance; pretending to be something you are not. This is no doubt another layer in Rabatti’s series, commenting on political figures and their place in society. The artist’s funny and clever artwork combines comic book superheroes, economics, and political satire to create this multifaceted series. (via Design Boom)
Artist Kim Rugg’s incredibly meticulous artwork consists of slicing up and breaking down everyday sources of information, like newspapers and maps. Dissecting newspapers, she rearranges the words and letters, creating a new depth of meaning. She often cuts the letters out and places them in alphabetical order, throwing the message in disarray. If these newspapers were real, they may cause panic and mayhem, as they disrupt our normal access to worldwide information. Can you imagine if even online news from all countries suddenly appeared as Rugg’s newspapers do? Both her surgically cut newspapers and transformed maps deconstruct society norms of information and the restrictions our culture has placed upon them, and therefore us as well.
This London-based artists slices up maps and pieces them together again backwards, or purposely arranging the once solid land mass in a way that fuses together all elements of land, border, and ocean. She also creates her maps by hand, erasing borderlines and geopolitical issues that are so relevant in today’s society. Her recreations of man-made territories display a new topography; a world with no boundaries, where we all can live with no territorial restrictions. Each carefully incision made forms a part of the whole, redirecting your view to its small details. Rugg’s complex work invited you to investigate the information laid out right in front of you that is often overlooked. Other work of her that require our close inspection to really understand her subtle manipulations include magazines, comic books, and even cereal boxes. Her work can be found at Mark Moore Gallery in Culver City, CA.
New York-based artist Marco Gallotta uses paper cutting as a way to create intricate portraits that “portray people in their natural state.” A combination of linocuts, watercolor, and collages, the multilayered images feature frontal views of people who have decorative shapes masking their faces. Patterned flourishes, water-esque ripples, and clashing swirls appear front and center as they obscure any sort of realism and transform it into an abstract work of art.
Despite these different techniques and media, Gallotta brings them together in a harmonious way. Here, each layer seems to tell a different story. There’s often a photo beneath the artist’s hand cut work, but it’s what’s above it provides a conceptual look at who the subject is. It’s their essence, and these decorative adornments speaks to the complexities of who someone is – their perceived versus actual identity. (Via Lustik)
Spring is in full bloom in the work of Anne Ten Donkelaar, as she breathes new life into fragile shards of flora. Using photos of flowers, she collages together lush bouquets of plants in combinations that are unlike any you may find in the wild. Each bloom and root this Netherland based artist creates is mismatched with another. She even combines black and white nature photography with color, creating a striking affect. Donkelaar’s emphasis of the faint, subtle lines of the roots and stems moving through the composition beautifully compliment the flourishing flora. Her magical specimens are delicate and ethereal, as they seem to float in their frame. In fact, her work is suspended above the background by small pins, casting a contrasting shadow behind it.
“Weeds become poetry, each unique twig gets attention, nature seems to float.”
Donkelaar’s work shows off an eclectic assortment of plant types, as she displays cactus, succulents, and fungi amongst the layers and layers of wildflowers. The large variety of hue and color combined with the widely diverse nature in her work creates overwhelming visual detail and beauty that will have you searching through every leaf and pedal. The artist treats each piece with such love as to show the faint detail of each small bud that transforms and evolves into a new and thriving creation.
“By protecting these precious pieces under glass, I give the objects a second life and hope to inspire people to make up their own stories about them.”
Marcelo Monreal is a Brazilian collage artist who cracks skulls in the most beautiful way possible. Digitally splitting parts of models and celebrities faces (Christopher Walken and Kate Moss are among them), he fuses beautiful blooms with the broken shapes. Small, colorful flowers grow from behind eye sockets, in the place of noses, and out of mouths. This surreal series is called Faces [UN]bonded.
In Monreal’s opinon, people don’t often tell us who they really are. Instead, they keep parts of their real selves hidden. He opens them up with his collages and reveals the rare moments in which we see the beauty that’s behind their appearance. (Via Art Fucks Me)
Collage has fascinated artist Matthias Jung since he was a child when he built his first fantastical buildings in his father’s photo lab. Not much has changed since then, and he still cut aparts photos to make them into new scenes. He doesn’t want help from digital technology in his artwork, and doesn’t use Photoshop.
Jung explains why he focuses on structures, writing:
I am always amazed at how architectural details can evoke certain associations and feelings. This is how a latticed window conveys coziness; one might even say it is soulful. Framework is soothing, sometimes touching. Antennas have something sinister about them. They point to something outside the picture. Concrete is cold and foreign – but maybe interesting for just that reason.
He began with the series Houses in January 2015, and developed seven complex images within a few weeks. “All the images used have been photographed by me,” he explains. “Many were taken during trips in northeastern Germany. My last trip took me to the Ruhr region where there are abandoned steel mills and heaps of coal. I find that to be very exciting.”
Matthis says that his dreams are collages, and that for them to “function properly,” he also has to consider design rules.
Thus, the relationship between order/disorder and homogeneity/diversity must agree. A building has to first be stable and credible before I can add some “disorder,” to let it fly for example. One such disorder refers to another, only hinting at reality. I weave, so to speak, spiritual realities into everyday things.
London-based artist Oddly Headdepicts classic films in his series titled Hollywoodland, but it’s all with a dark(er) twist. Using iconic scenes and images from the likes of Poltergeist, Jaws, and The Wizard of Oz, he interjects different narratives. The drowned Statue of Liberty in Planet of the Apes is still but in Oddly Head’s telling it overlooks happy beach-goers. Likewise, celebrity Simon Cowell’s face appears on the Poltergeist TV rather than its original eerie glow.
By stripping the shocking/memorable parts of the original scenes, Oddly Head takes some luster away from Hollywood. Instead, he’s made them seem trivial, silly, and completely changes the tone. Julie Andrews in The Sound of Music suffers a distressingly-painful fate and is hitched to crosses. This much more sinister than its mostly-cheerful tone. Singing in the Rain also has the same treatment. As Gene Kelly belts out his the lyrics, a homeless man sleeps next to a graffitied door. Hollywoodland is part absurd and part amusing, and will definitely make you look at these films in a different light.
If you enjoy Oddly Head’s work, check out his intricate prints made from thousands of tiny vintage images.
Artist Peter Madden splices tiny elements to create large collages that are a dizzying combination of imagery. Using pictures extracted from encyclopedias, National Geographic magazines, and found photographs, he arranges all of the disparate pieces to form detailed compositions. The large groups are suspended on a transparent background, as if they are capture a moment in time before everything falls apart.
Madden’s collections create different narrative by virtue of the individual elements’ pairings. Some of the things included in his collages include: exotic birds, monkeys, the letter “m,” fishes, and clocks. They are often formed into some sort of larger shape, such as the outskirts of a giant hole, as if it’s surrounding the eye of a tornado.
The use of so many different pieces and the meticulously-constructed explosion-looking compositions feel as though we’re looking at windy, inclement weather that’s strong enough to make these pieces whip through the air. (via Inkult)