French illustrator Marion Fayolle‘s illustrations are light-heartedly simple and provocative. Maria Popova appropriately compares Fayolle’s aesthetic to Codex Seraphinianus, Gregory Blackstock’s illustrated lists, and the vignettes of Blexbolex, but I think there’s also some similar absurdism to be found in Joan Cornellà as well. Fayolle’s illustrations are visually comic poetry, each one representing a surreal and nuanced narrative. Bodies and body parts are often replaced, removed, or erotically recontextualized, something that could be jarring to viewers, but Fayolle’s whimsical aesthetic undermines any potential grotesqueness of this concept. Though her work is playful, the tension between humor, longing, lust, loss, and separation is palpable and creates a space for the viewer to revel in the narrative possibilities in each illustration. It’s the fragmentation of these narratives that connects them, allowing for a cohesion of and engagement with particular themes. Fayolle published a book of her comic illustrations, called “In Pieces,” last September. (via brain pickings)
Ralph Pugay‘ is a Portland artist who makes awesome, lighthearted paintings. His colors and content is all comic, but his style reminds me of a combination of Waldo and Pieter Bruegel–a million things going on with lots of different characters all in one big flattened space. One of the thing i love about this, Waldo, and Pieter, is that you can spend a whole afternoon staring at and finding new, funny things in them. Confused hunters, dancing office workers, spiritual gymnasts; I can’t get enough. Check out the rest after the jump, then go look at the other 42 on his website!
Stephen Mattheu Booth knows how to make a character worth remembering. I can’t say exactly what it is I enjoy about his characters, but they all just seem like they would be awesome to hang around with, and even his abstractions retain this figurative charm. I’ve always had an appreciation for this manner of art in which one can imagine the artist making these awesome drawings on a couch, or in bed, or at a bar, all without having to go to a studio and worshiping an easel, or using some computer tool to clean up his lines. It just feels right. And fortunately, he doesn’t draw fan artish mutated forms of Spongebob or Mickey Mouse, but instead, his work seems to sprout (growth being important here) from characters like Slimer, Donald Duck, Pluto, and other childhood favorites. How could you look at that #$!@*☁ duck and not smile?