Bohyun Yoon has lived in Japan, Korea, and The States. He uses these “diverse social experiences” as a point of reference for his work, which circles around societal restraints and progressive concepts of the body: possible extensions and perils with the advancement of technology/war/culture on a personal and holistic level.
His installation work “Unity” (2009), “Structure of Shadow” (2007), and “Shadow” (2004) casts light on miniature wax body parts which physically dangle aimlessly; however, when illuminated by a light source, these fragmentations create shadows or illusions which illustrate figurative wholeness.
Tethered to our bodies and systems of government, our parts and puppetry, is in essence, our humanness or machinery, or as Yoon explains, what makes us “weak and fragile, spiritless animals under certain rule, certain harsh conditions.” His work also resonates with a sense of devastation felt by veterans returning wounded from battle, physically and spiritually.
By stacking two otherwise banal objects and calling it art, Daniel Eatock‘s sculptures both make us laugh as well as re-view the objects around us as first and foremost formal objects and secondly as things we can use to, say, move a pile of dirt around. Try it! Look at all those little smooth squares your fingers are pushing. Look around you!
In his words ” [...] I propose systems, templates, invitations and opportunities for collaboration, creating social networks where contributers shape the outcome and participate in the building of works. I embrace contradictions, and dilemmas. I like gray areas, oxymorons and the feeling of falling backwards. My favorite colour is the purple found in a soap bubble. I prefer to swap and exchange things rather than use money. I seek alignments, paradoxes, chance circumstance, loops, impossibilities and wit encountered in everyday life. I often change my mind, go full circle, and arrive at the beginning.” – Daniel Eatock
Central Saint Martins MA candidates Anita Silva and Leslie Borg designed an incredibly creative interactive product for Icelandair entitled “_scape”. Inspired by a rock found in Iceland, _scape is a layered “book” containing “sounds, visuals, textures, scents and tastes” which can serve as a reminder of Iceland itself, or just a general internal escape. Intended to evoke lava rock and ice (two strong elements of the Icelandic landscape), the object is earthy-looking, meant to strongly contrast with the sterile environment of an airplane cabin. I’m not sure a flight time long enough to allow me to grow bored of interacting with _scape exists. (via)
I love Hunter Payne. His work takes me back to a simple time without being simple. Out of all the shakey hand intimate portraits that are currently sieging the art world, these creations that float through the crazy artist’s brain are by far the most enjoyable because of their lack of pretense. Hunter’s humble nature and childlike wonder bring questions forth about the necessity for seriousness in art. More after the jump.
The idea of finding and re-sharing images on the internet is nothing new, but sometimes someone does it well enough it’s worth talking about. Canadian artist Wyatt W.’sDeath In Rainbows tumblr is not the usual loosely connected (or completely random) mess, it is broken down into meticulously curated sets of fascinating images. This care and direction create an experience that is both focused and full of surprises.
This is definitely not for the kids! These creations have a level of realism that almost replicate department store mannequins. At the same time the blocky-pixelation effect of lego pieces adds to the whole X-rated theme.
Each project carried out by Winkler + Noah has a meaningful focus with a motive to provoke serious thought. My favorite has to be the “Short Life” series. “We had been working for about a year and a half at the Shortlife project when we found a newspaper article with the following title: “DIES WHILE WAITING IN LINE FOR THE ART SHOW AND TOURISTS TAKE PICTURES”. An old man died while waiting to see the Raffaello’s exhibition in Florence and other tourists started to shoot at him with their cameras as if it were the most natural thing to do. This was the sad confirmation of what we were trying to represent in this photographic project: the end of respect for man means the end of everything: everything is legal, commercial and sellable. Nothing is private anymore, nothing can be stopped, everyone can do whatever he/she wants, without rules or morals, in a accelerating process that leaves nothing behind. Not even death can stay out of the show.”
Let’s face it, in this day and age, it’s difficult to be original. Tory Fair carves out her own niche in the art world with her series of semi abstract figurative sculptures. They speak volumes on the relationship between humans and their environment.