Anonymous Spanish art collective Luzinterruptus has installed their latest public interventionist project, “Consumerist Christmas Tree”, as part of Lumiere, a citywide celebration of light that takes place in Durham, England. To construct this 9 meter high tree, the group asked people to donate their plastic bags in exchange for cloth ones, resulting in a donation of around 4,000 bags. In addition to the tree, Luzinterruptus created strands of garland by installing lights in leftover bags and hanging them across streets. According to the artists, the tree ”is an installation that will help to raise awareness of the excessive use of plastic bags and the consequences that this consumption has on the environment…We thought about a grand Christmas tree, built of the bags used during the period prior to Christmas, the dates in which their use dramatically increases.” (via unknown editors)
Born in Tehran, amidst the 1980s political suffering and strife, Nouar’s family fled to Germany and then the US, where she resides today. Her oil and acrylic paintings touch on vintage commercial Americana with a sinister twist– but without being too cynical. Instead, each dollop of cream or slice of pie provokes a more tempting side of advertising, where the taste of nostalgia and its childlike promises are the main indulgence.
On this theme, the artist elaborates, “I have always been completely fascinated by our massive consumer culture and often feel everything around us is a commercial, constantly manipulating us into desiring things we don’t really have a need for, or shouldn’t want in the first place.”
Claire Healy and Sean Cordeiro’s large scale installations leave us feeling a bit overwhelmed or claustrophobic, and this is perhaps maybe the point. Their installations use recyclables to not only emphasize the gluttony of spending, but even more so, to confront the looming power of clutter and our strange animalistic aversion and contrasting need for it.
Of their work, the two say, we “live in such an organized society where detritus is not an issue. You put your garbage in a bin, and it goes somewhere. When you start to look at detritus, you automatically think about refuse. Or even more about consumption…getting caught up in the cycle of consume, consume, consume. And how these objects start to quantify your life.”
Jack and Dinos Chapman’s latest installation is currently on view in Hong Kong. The work is comprised of four dioramas depicting historical events with miniature figures. Violence, holocaust, and death pervade the work, as well as commercial images of characters from McDonald’s. This creates a landscape rife with gritty humor and heavy irony. This work evokes a level of discomfort that is shockingly arresting. Jake says, “It’s as pessimistic as we can make it but it’s pessimistic in a joyful sense. Fatalistic in a joyful sense. There’s nothing foreboding about this. It doesn’t serve any kind of moral end…We take McDonald’s as being a marker of the transformation from industrialisation to the end of the world. McDonald’s once represented the idealism of fast food and the space rest era. Now it’s consistent with the dilation of the ozone and a litigious clown who’s lost his sense of humour.’” Check out other posts we’ve done about these artist brothers here.