This past year at Warwick Art Gallery in Queensland, Australia featured a cozy site-specific installation called the Knitchen. As the name suggests, it was a kitchen adorned with knitting (some referred to it as a yarn-bombing). Yarn-covered chairs, sinks, coffee cups, and even a turkey occupied the space from July until August. This endeavor was the result of 50 artists working over the course of seven months. And, it shows. Nearly everything – from a phone cord to the label on a jam jar – is the result of a meticulous attention to detail.
Karina Devine, the Warwick’s gallery director told ABC Southern Queensland that the installation was inspired by an old-fashioned kitchen (hence the phone). “I got a new oven last year, and kept my old oven so I could wrap my oven,” Devine said. “The most exciting part for me was creating the crocheted gas flame, and hand sewing the orange flecks.That gives me a little bit of a kick every time I see it.” (Via Lustik and ABC Southern Queensland)
It’s no secret that Melbourne-based artist Phil Ferguson is fond of food. After all, giant slices of crocheted pizza, cracked eggs, bacon, hot dogs, and much more are strapped onto the top or side of his head. They take the form of decorative hats and costumes that frame the wearer’s face, and their larger-than-life scale makes them a delight. Ferguson posts as @chiliphilly on Instagram where he has 14.2K fans (at the time of writing).
The artist is originally from Perth in Western Australia, and he started crocheting the food and sharing on Instagram as a way to connect with other artists in the area. It all began with a burger that was inspired by Tuck Shop Take Away, his place of work. “From that point onward I thought about how to do food hats,” he told Daily Mail. “[Food] has been the most accessible thing people can relate to and it will stay that way until I’m bored.”
Depending on the design, Ferguson is able to complete a piece in two to three days. The artist describes himself as a self-taught crocheter (he watched instructional YouTube videos) who has never learnt to read patterns. Even so, he’s crafted 24 delectable creations so far. (Via Daily Mail and Milk Made)
Quilting is a time-honored craft that uses scraps of fabric to form a pieced-together image. The designs are often geometric patterns or more complex images that have been appliqued onto the textile. Artist Ben Venom works in this well-known realm, but instead of adhering to tradition, he creates quilts that are beyond your typical subject matter. Venom takes heavy metal and motorcycle t-shirts, cuts them up, and fashions them into spectacular handmade pieces. He writes about it in a short artist statement:
I’m interested in juxtaposing traditional handmade crafts with extreme elements found on the fringes of society. My work can be described as opposing forces colliding at lightening speed. Imagery found in vintage tattoos, the occult, and motorcycle gangs are stitched together with recycled materials using techniques usually relegated to your Grandmothers sewing circle. Serious, yet attempting to take on a B movie Horror film style where ridiculousness becomes genius. The question remains… Can I play with madness? (Via Boooooom)
Artist Maude White combines her gorgeous illustrative skills with intricate paper cutting expertise to create incredible paper work creations. A self-taught artist, she credits her Waldorf education and artistic family for encouraging her to create.
“I am influenced by my mother’s art a great deal. When I was little she would make wool felt playscapes — little scenes of a tree stump in a forest-covered in plants and animals, a small garden scene with vegetables and apple trees, a playscape for the story The Three Billy Goats Gruff. It was these types of small, precious, complete worlds that drew me to working with paper.” (Source)
Using an X-Acto knife she cuts each piece by hand slicing away the negative space to make elegant figures with fantastic hidden scenes and stories laced into the designs. “It may sound weird, but I love to cut. I just enjoy the process,” she said in an interview.
White’s paper cutting technique is almost unbelievable—the fine lines and elaborate detail are incredibly impressive. What gives these pieces their charm, though, are the whimsical drawings and ornamental designs. They would be lovely drawn on paper, but the delicacy of the paper, the cast shadows, and the ability to look through the empty spaces make these pieces captivating.
“When I cut paper, I feel as if I am peeling back the outer, superficial layer of our vision to reveal the secret space beneath. With paper cutting there are so many opportunities to create negative space that tells its own story. Letting the observer become present in the piece allows him or her to look through it. … I am not creating for Art’s sake. I am creating for Paper’s sake, to make visible the stories that every piece of paper attempts to communicate to us.” (via booooooom)
Beth Scher‘s “Female Soldiers” series depicts women in the military adorned with embroidery and other decorative elements. Scher’s mixed media paintings explore ideas concerning femininity and strength. Her images feature women in a variety of military contexts – Scher’s embellishments of her female figures recalls the idea of a “decorated” soldier while also referring to the art of craft and embroidery, concepts normally found within in a domestic setting. In images that include a bulls eye or target image, Scher conceals the women’s faces with black thread, evoking a sense of expendability that must inhabit a conflict-heavy environment. Scher explains, “In my paintings, I portray them as young women who intentionally seek to display their sexuality and vulnerability, yet are trained killers, in a position of power and placed in serious conflicts. I wonder what the consequences are in a society that must deal with this dichotomy.” (via lustik)
Stretched and bound over wooden frames, the animal pelts of Australian artist Ruth Marshall are so utterly realistic looking that it is difficult to believe that they are not in fact fur and hide. Constructed out of knitted yarn, they compel us to consider the endangered species killed and skinned by poachers and collectors. Though illegal, the devastating skin trade has taken the lives of thousands of tigers in the past thirteen years, leaving only an estimated 3,200 tigers in the wild. Before poaching practices, deforestation, and other damaging factors contributed by humans, there were approximately 100,000 of this magnificent creatures around the globe.
Marshall learned of the plight of wild cat species while working at the Bronx Zoo and the Wildlife Conservation Society, an experience that moved her deeply. With her Big Cat Series, she hopes to provide a sustainable and humane alternative to tiger, leopard, and jaguar pelts. The nuances of each life-sized work is touchingly based on a real animal, whom the artist became acquainted in captive conditions. A few are modeled after skins owned by collectors. The project effortlessly illustrates the value of artisan work, which ultimately could hold higher commercial value than black market pelts.
Here, Marshall transforms a cruel practice into a labor of love. Where animal pelts have come to represent a cruel and grotesque opulence and greed, she introduces knitting, a craft associated with nurturing and care. As a result, her pieces are both disarming and lovely,a refreshing jolt of sustainability and activism. To learn how you can help save the tigers and other animals, please visit World Wildlife Fund and the Wildlife Conservation Society. (via Dark Silence in Suburbia)
Imagine your favorite teddy bear and or snuggly stuffed animal shrunken down to fit atop your fingertip, and you have the magical creations of Su Ami, an artistic company in Vietnam devoted to creating delightfully miniature crochet animals. The family run business includes only 5 expert craftsman who work to imbue the tiny woven creatures with unique and touching personalities.
Because of the animals’ itty bitty frame, each stitch is noticeable, highlighting the careful handmade nature of the work. In each turn of the yarn, we imagine the delicate movements of human fingers, and each being becomes impossibly precious. Heightening their dearness is the fact that delightful creatures are so easily lost; like microscopic pets, their vulnerability inspires us to cherish them and hold fast to their tiny bodies. In this way, the pieces recall the nostalgic yearning of a child for his toy.
Despite their smallness, each creation has an impressively distinct character. With the slightest opening of the mouth, a gecko exudes a curious and playful attitude; a long-beaked bird stares in awe of her own crochet egg. Two squirrels tell a story, peering up at the sky in unison; similarly, a parent elephant watches over her child, whose plastic button eyes seek approval. A lion turns his head with a poignant frown, as if startled by his own size. All animals great and small, from the littlest snail to the tallest giraffe, inhabit the same magical space, cautiously yet courageously exploring the large world they miraculously inhabit. (via Demilked)
There’s not much information about Alicia Watkins‘ scientific embroidery, but we can all agree the project is a fun way to identify potentially harmful microbes. From anthrax to salmonella, herpes, e.coli, toxoplasma, mono, botulism, and the common cold, Watkins has colorfully cross-stiched many well-known bacteria, protozoa, and viruses. Some of these dreadful microbes almost appear cute by Watkins’ careful hand, associating the warmth and comfort that cross-stitching evokes with the coldness of threatening diseases and sicknesses. Watkins’ Etsy store, appropriately named Watty’s Wall Stuff, has these stiched microbes available for purchase at $19.99 each, along with other clever and pop culture influenced cross-stitch work. She also takes custom orders, as well as making some of her patterns available for purchase. (via this isn’t happiness)