Whimsical Paintings Reveal How Animals Are Created

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Mexican artist Ricardo Solis has re-imagined both the divine and evolutionary theories on the origin of life. In his whimsical paintings, artist depicts various animals — from a goldfish to an elephant — being colored, carved out of stone or even weaved as the friendly mama bear below. Solis’ works connect the realistic style of painting with his tameless imagination.

The viewer is presented with a variety of animals, painted in an almost anatomically accurate manner. Under closer inspection, the works reveal a Guliver-inspired action: tiny humans crawling up and down the monolithic animals, covering them in paint, sculpting or attaching ribbon stripes from a flying Zeppelin. Although Solis’ creative interpretation is far from reality, his lighthearted version of genesis is relaxing and fun to observe.

Solis was born in Guadalajara, Mexico. Despite being brought up in a large metropolis, he was always attracted to art and nature. After graduating from the School of Visual Arts and becoming a professional painter, Solis has a chance to link these two passions together and channel them through his dreamlike works of art. In his website Ricardo Solis claims to believe in “the undeniable existence of a Creator” which seems like the epitome of his work. (via Lost At E Minor)

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New Solo Exhibit by Johnston Foster

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Sculpture artist Johnston Foster’s new exhibit,  Catch & Release, opens next Saturday, May 15th, at New York’s RARE gallery. Foster, whom we featured in Beautiful/Decay Issue Y, has always created incredible somethings from the populace’s discarded nothings, but in his new show Foster also focuses on creation as his subject matter. There’s a little something for everyone in Johnston Foster’s new show: sharks, tigers, hornets, unicorns and of course a pizza pie -  masterfully sculpted from a myriad of materials: pvc, bicycle spokes, marbles and a kiddie pool, to name a few.

The show opens on Saturday May 15th with a reception from 6-8pm and runs through June 19th.

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