Olga Ziemska’s artistic statement appears as a poem on her website. And one of her lines, “The body is nothing without that which surrounds it” is especially important when it comes to art. The Ohio based sculptor has been refocusing her energy into fully serving it too – seeing as how most of her work in the last couple years has involved outdoor installations, which can incorporate a lot more people encompassing them than the few invited into collector’s homes. However, what I like most about her recent work, other than its ability to be shared, is that it’s made up of mainly organic materials sourced from nature. (via)
Ryuta Iida is a Japanese artist who cuts out thick volumes of paper [i.e. magazines and books] to form sculptural objects. I had only seen this done once before by the artist Tim Hawkinson at his solo LACMA exhibit in 2005 and it has boggled me ever since. So, I was thrilled to find out about Ryuta, who is picking up where Hawkinson left off and doing it in their own way. Whereas instead of taking personal photos of themselves to cut into, Ryuta uses popular magazines, thus adding an element of pop culture to their practice. (via)
It’s obvious that Victoria Reynolds is a skilled artist, but I personally don’t really see why anyone would want one of her paintings in their home or collection. They are scary and seem to promote a kind of negative energy that only a butcher or serial killer could be attracted to. But then again maybe that’s what she’s going for – that niche market of rich collectors who also have rooms full of dead bodies and future victims. (via)
I don’t know anyone who loves donuts quite as much as Josh Atlas and so it’s wonderful to see him utilizing his passion within the context and even materials of his fine art practice. He’s made sculptures incorporating real elements of frosting as well as encasing a donut within a picture frame surrounded by sprinkles. However, don’t panic, since he does it all in a way in which he’s able to preserve the materials so that they don’t disintegrate or attract fruit flies. After all, besides being one of my favorite artists working today, he’s also kind of a genius. I mean, he recently graduated with his bfa from Carnegie Melon University!!! But what I think draws me to his work most is that it’s all about what he calls “The Holy Trinity of Want” – food, love, and sex – and he showcases it all with a gigantic sense of elegant humor.
The Black Keys, The Hundreds, and Yonder Mountain String Band all share one thing in common – the incredible illustrations of Johnny Sampson. His original works have graced gig posters, t-shirts, and even the walls of galleries. Yet, his talent is so great and diverse as to enable him to do all that and more without ever repeating himself stylistically. Whether he’s ripping on old comic book covers, Lichenstein dots, or 70’s cult movie nostalgia, Johnny Sampson is doing it with a master’s flare and impeccable taste.
Joshua Petker has taken a leap of faith so brave that most artists would rather cower at their easels for an infinitum than ever attempt. Yet, he has not only landed successfully, but also staked his claim on an entirely new ground of possibilities, which proves that one can always reinvent themselves whilst still staying true to their initial spirit. After roughly 4 years of painting the exquisite portraits of women he has come to be known for, he has almost entirely exchanged it all for a deeper, richer, and much more personally satisfying subject matter. So, when you walk through the gallery doors at LeBasse Projects in Culver City, you’re not greeted by a woman, but rather a shipwreck. A metaphor that ignites your imagination into so many realms that it’s impossible to choose simply one, since your eye will follow the ship as it circles round a blackened sphere with a rim of color — entrancing you into a deep meditation. However, the most awesome and powerful piece to me was that of a monster storming out from behind an apple tree. It’s face, drafted in an impressionistic rendering of fat colored lines bursting from a beige canvass. Joshua Petker has done what many would consider to be the impossible, so bravo Joshua, bravo!
Mark Todd is an illustrator based out of Los Angeles who’s revered as a mystical figure in the world of zines. His booths are always the most presentable and his work has this well-balanced dichotomy of childlike proportions and lucid clarity, which makes for a fun finished product. When he draws people, like he did in his book BAD ASSES, they not only look like perfect personifications of their originals, but also give off this nostalgic vibe as well. It’s like he’s able to channel the innocent energy of the kid in grade school who was the best artist in the class, while also being able to back it up with a vicious stealth attack. I mean, you try drawing someone random like Geraldo Rivera, getting a stranger to recognize it without giving them any hints, and then repeating it with others — so now the strangers not only recognize your subjects, but also your own style as an artist as well. Mark is a busy guy and when he isn’t influencing the crap out of young minds at Art Center or working on a commercial project, he and his wife, Esther Pearl Watson, run the publishing company Fun Chicken.
Floyd Grey is a fashion illustrator from Kuala Lumpur who is able to draw both from the realms of the real as well as the fantastic. His light lines of proportion sometimes give way for big-eyed girls holding daggers and dressed for adventure. However, his traditional pen and ink renderings [which I assume are done digitally] of beautiful women in designer clothes are his real expertise. The truth is in the eyes of each one of his figures, since they are illustrated in such a gorgeous way that I’m sure it makes the actual models blush every time they see them.