I recently met David O’Brien through a mutual friend while checking out various openings in the Culver City gallery district of Los Angeles. This type of event draws a specific demographic, and the likelihood that you will end up discussing various aspects of art/the art world is exactly one hundred percent. Often times these discussions involve an exchange of websites, and an eventual glance into the practice of your recently met acquaintance. I would be lying if I said that I am generally impressed by the endeavors of my newly made friends, but this time was a pleasant surprise. Not only is David O’Brien a genuinely funny and nice human being – his work is just as engaging to be around.
In his ongoing series Human Entropy O’Brien continues to build a collection of mass portraits using a series of hyper-collage diagrams that investigate personal relationships in a truly unique way. Much in the same way a painter (in the romantic sense of the word) may have many colors on their palette – O’Brien continues to photograph and amass an array of different people/poses as a personal visual vernacular for composing dynamic large-scale photographs. O’Brien begins establishing the structure of each piece by placing one figure down at a time, and then repeating this process until the work reaches a level of depth and space that serves his aesthetic and conceptual needs. Patterns begin to organically emerge from these localized interactions between individual forces to create some very compelling images.