Dutch fashion photographer Rohn Meijer applies a chemical cocktail to old negatives in order to produce stunning effects of surreal color and distortion. This idea occurred to Meijer when he discovered some old negatives that were damaged by moisture. He then decided to concoct his own chemical-water treatment (the specifics of which he’d like kept secret) that would interact with the silver nitrate on the back of the negatives and enhance the effect of crystallization. Though he does like to treat entire negatives with the caustic bath, he will sometimes deliberately apply the cocktail to certain parts of the photograph in order to draw out or deepen the effect.
“What I’m looking for is the way that colors play out, sometimes a bleeding effect, other times more harsh effects,” he says. “It’s a different kind of developing I’m doing, it’s not done in a laboratory.”
Meijer claims that 90 percent of each batch he creates is trashed, but apparently, he has a large arsenal of film that he doesn’t mind tossing as they were most likely going to end up in the garbage anyway. (via wired)
London-based artist Chloe Early works primarily in oil, creating paintings that set themes of “love, beauty, and innocence” against “worldly symbols of agression” -bombs, bullets, urban development, etc. And we’re talking right up against each other. Subjects as disparate as weapons and flowers seamlessly come together as one to create a kind of informal pattern. Missiles, engines, and guns -harsh, metallic things- spiral away from lovers and graceful figures. In creating such a sharp contrast of subject matter, Early captures an elusive, sublime moment. That perfect, last second of beauty before everything falls to shit. That enormous show of strength in the midst of destruction and decay. More paintings after the jump.
Japanese artist Yukinori Yanagi uses a pretty unique technique in his work. For years now, he’s created custom ant farms with colored sand and used the natural lifecycle of ants to manipulate images rendered with the sand. His work using national flags is some of his best. Soviet banners assembled into a pyramid. Japanese Hinomaru fractured by tunneling ants. The strong symbolism inherent in banners and flags lends the work a lot of power. The ants show us that even things that once seemed unshakable are susceptible to decay and eventual ruin, even at the hands of seemingly tiny, insignificant forces. (via)
CCA grad Kara Joslyn is based in Oakland. Joslyn works mostly in black and white and mixed media to create stark, quietly emotional paintings. There’s a lot of hardened dignity in the artist’s work. The black and white depictions here of crumbling stone, ancient pottery, and dried parcels of wood can’t help but lend a resolute seriousness to each painting. This (and their stunning visual qualities) allows them to be taken in with purpose, as though something very special is captured and any time spent with the work is not wasted. By rendering material which was once strong and hard in a state of brokenness and neglect, Joslyn brings us to considerations of the inevitable effects of neglect and time, and the realization that hardly anything remains prominent forever.
These are amazing. Duramen is a series of wooden sculptures depicting melted picture frames from French design collective Bonsoir Paris. The level of craftsmanship with these handmade works (sculpted by Adrien Coroller) is tops. The dynamic in play between the fine wood used and the decaying, deathly manner in which it is presented nicely illustrates how even the most supple, healthy aspects of life can easily fall from grace. The picture frame reference is a nice touch, forcing us to call into question our very perception and take into account its tendency to directly affect the practical world. Bonsoir Paris, founded by Morgan Maccari and Remy Clemente, has only been around since 2010, but if they continue to push forward in a direction that allows for the production of more work of this quality, they should do fine. (via)
French artist Olivier Garraud has created Second Life, an installation that encapsulates the life cycle of flies in real time. The piece consists of two parts: an apparatus that allows flies access to food, and a tube filled with maggots and flies connected to an amplifier. Second Life allows us to examine the relatively short life-span of an insect on concise, bare bones terms, generating a context which can be applied to personal events. More images after the jump, and you can also check out a video of the installation in action here.
Toronto artist Matt Bahen creates thick oil paintings of desolate scenery and, often, dogs. Tweaked just right, the lighting in Bahen’s work almost renders itself the subject in each respective canvas, creating a sense that the elements most “alive” in his world are not, in fact, animate. Scavenging dogs and dying foliage or crops are often the only living organisms depicted in Bahen’s most recent work. And though a veritable source of action, these elements often serve more as secondary, blended, narrative connections than primary statements. In keeping with the aesthetics of B/D, this body of work presents a perfect opportunity to draw as much life from the dead as from the living. Bahen is currently showing at LE Gallery in Toronto in a solo exhibition entitled “After Wolves.” If you’re up that way, do not miss out.
With a name like Daniel Danger, well, a certain excess of awesome is expected of you. Danger delivers. The product of an artistically-inclined family, Danger is an illustrator, printmaker, and musician working out of New England. His works feature mysterious figures wandering the midnight-shaded streets of cities in decay. Spirits rise in unison from old houses and barns where now dreams of daylight lie interred. Shadows loom, larger-than-life (or death?) in urban sprawl and twisted forest alike. Each piece tells its own dark tale.