Back in March B/D teamed up with Toyota Prius to bring you the Future Perfect Project. Due to certain circumstances beyond our control we couldn’t consider submissions from international artists. However that didn’t stop hundreds of loyal international B/D readers to send in work. We figured that the only honorable way to approach the situation would be to feature all of these artists day by day in a short series. For day numero uno we bring to you Tom Dorkin, a 21 year old illustrator from London who is quite creative when it comes to showing off the natural detail in decay. Maybe the only way our future will be perfect is if we realize our commonality in being decaying mammals and that we must seize the day rather than waste away.
These may look like photographs of abandoned buildings but in fact they are photographs of meticulously made dioramas by Lori Nix. Each image is painstakingly created by hand, taking into consideration scale and lighting over the course of seven months. The result is an apocalyptic vision of the world where everything has fallen apart, decayed, and is slowly returning back to nature.
Martin Ouellete’s painting s are inspired by macro photographs of decaying objects found within the urban landscape; details of worn out magazines, wires, rusted nails or wooden poles layered with staples and torn up paper. These mass-produced items are used to serve a momentary purpose then left to decay in their natural surroundings.
If you noticed that I haven’t been blogging much it’s because I spent the last 2 weeks on vacation in Italy. Wifi was not always available so instead of blogging I spent my days snapping photos of various things of interest in a country that has some of the most amazing art and historical sites on earth. I’m still going through all the photos but in the meantime here’s a small collection of textures, surfaces, and dilapidated walls, doors and buildings from Rome, Florence, Tuscany, and Venice.
Image maker Suzy Poling seems to believe in the unreal. Her work breaks the formalities of typical photography, by utilizing many different methods for production. Some of her work has hints of Andreas Gursky, while other parts have the the surreal air of Tim Walker. Her work feels like a documented rapture, where nothing exists where everything once did.