The images of photographer Álvaro Sánchez-Montañés‘ series Indoor Desert seem like elaborate installations. However, he actually found them this way. These buildings were once part of a town named Kolmanskop in southern Namibia. It had been situated near a gold mine. When the mine ran dry it was abandoned as was the town. The strong winds quickly overtook the town filling its buildings with the sand of the nearby Namib desert. The homes now filled with desert instead of families only emphasizes each photographs loneliness and underscores the immense power of nature.
Chris Sisarich’s photo series Somewhere In The Middle of Nowhere hits home here in Los Angeles, a city built in a desert. The series looks like it could have been anywhere around the world–saudi arabia, egypt, arizona, china, california– and speaks to our constant search for new places for sprawl development and the global warming it’s causing, to our persistance and the futileness of it all. Sisarich’s images, like the desert, are some of the driest, palest images i’ve seen in a while, and with humanity only peripherally represented, the might seem like predictions for our uncertain future. But they don’t feel pessimistic, just as if humanity was this interesting thing that out grew its planet and left behind some neat objects when it left. Whether or not you think the images are prophetic, optimistic, pessimistic, or anything else, they are at the lest very handsome images.