Fra.Biancoshock Insists His Street Interventions Are Not ‘Street Art’

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Fra.Biancoshock insists he is not a street artist, but rather the Milan-based experientialist noticed that his street-level installations and interventions spoke using the same language as Street Art. In regards to the movement of Street Art in regards to his work, the mysterious, identity-protecting Fra. says, “For me, that phrase is a provocation: I have not studied art, I do not frequent artistic circles, or amicidell’amicodelcuginodelfratellodelsuoamico … And I have no particular technical and artistic skills. I just have ideas and I like to strain my mind in trying to propose to the common people through what I call “Unconventional Experiences.” I think mine are “experiences” rather than works of art.”

With ties and intentions closer to Performance and Conceptual Art (for those paying off MFA degrees, think Guy Debord), the man who would become Fra.Biancoshock developed the performative avant-garde school of art he calls Effimerismo (“The Effimerismo is a movement that has the aim of producing works of art that exists in a limited way in the space, but that they persist in an infinite way in time…”) as a means of exploring and categorizing his specific means of street engagement (or as he is known to call them, “speeches”).

Operating in this very-intentionally public mode of communication, Fra.Biancoshock uses the streets as a forum, installing temporary interventions to call attention to themes of poverty, urban blight, modern stress and decay. Present in most works is how Fra deals with serious themes with a disarmingly light-hearted approach. His work has mostly been viewed (often quite temporarily) in Europe, though as Fra. says in his Manifesto-like statement, “Prior to founding the movement, [Fra.biancoshock] has made ​​more than 400 speeches on the streets of Italy , Spain , Portugal, Croatia, Hungary, Czech Republic, Malaysia and the State of Singapore, and has no intention of stopping.” (via hi-fructose)

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Christopher Janney Bathes Travelers With Sound And Technicolor Light

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Christopher Janney’s work often activates multiple senses simultaneously, using both visual and auditory stimulation to evoke emotional responses to viewers. Calling it a ‘sonic portrait’ of Miami, his work Harmonic Convergence combines sound, light and interactive elements to emulate a positive experience of place in an otherwise sterile airport environment.

Located in a pedestrian walkway leading from the car rental buildings to the airport proper, Janney replaced the existing windows with a prismatic arrangement of colored glasses. Columns and design elements were also repainted white, to better catch the sun’s lights streaming through the colored glass. This was Janney’s second installation at the airport, succeeding his previous piece, Harmonic Runway.

Like most of his work, sound plays an important part of this installation as well. According to Jenny Filipetti at Designboom, “Speakers installed at regular intervals along the walkway create a continuously changing ‘sonic portrait’ of South Florida as they play the sounds of tropical birds, thunderstorms, and other environments native to the region. Video sensors at either end of the passageway track visitor movement, causing changes in the density and composition of the sound piece relative to the number of passengers in the space.” (via designboom)

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The Art Of Super Bowl Ticket Design

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The Super Bowl is perhaps the epitomy of America’s obsession with sports, television and mass entertainment, with a viewing audience of over a 100-million each year. Chad Langager at Sporting Charts notes the importance of the day, “There is so much attention paid to the game that 30-second commercials now command $4 million, which is equal to $133,333 per second, and Super Bowl half-time show now features some of the biggest acts in music. It has become a definite moment each year.”

But with each passing Bowl, perhaps one of the over-looked yetlasting memories is the art that each lucky ticket-holder carries with them. The Sacramento Bee took a trip through history yesterday by examining 48 Years of Super Bowl Tickets, documenting each ticket throughout the years for every season’s Big Game. While the iconic Lombardi Trophy is prominently featured on most tickets, several still offer sculptural, design-focused and painted images related to the grid-iron (though most of the artists responsible have become extremely hard to credit and some lost all together). It is an interesting look through the history of design, as well as to see the dated futuristic leanings often paired with athletic grandiosity on a massive stage. (via the sacramento bee)

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Dillon Boy Reframes Disney’s Princesses In ‘DIRTYLAND’ (NSFW)

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The work of Dillon Boy (né James Dillon Wright) emerged from a street art and graffiti background, combining pop culture, branding, advertising, and perhaps most importantly, the ability to take these sources further than they were intended. This evolution (or devolution) is evident in his series DIRTYLAND, where the artist takes the ever-popular childhood icons of Disney’s princesses and removes their context, and clothes.

In works which collage smut magazine backgrounds with spraypaint stencils, drips and graffiti scrawls, these princesses become transformed representations of our combined high and lowbrow society, and take aim at the falsely marketed ideas of perfection and innocence. In an exclusive talk with Beautiful/Decay, Dillon talks about the series. “Most of my audience were kids when these princesses ruled their world, so now that they are all adults (and sexually active) they are all ready to hang paintings of naked Disney chicks all over the house. [laughs]. No for real though, I believe it’s my job as an artist to question the very things around me and to continuously break down the traditional and more conventional ways of making art. It is my intention to raise or lower your eyebrows in one way or another.”

This reappropriation of pop culture icons is nothing new, but seems to be happening at a rapidly increasing pace (Beautiful/Decay has recently featured several such reimaginings of pop culture symbols), indicating that artists are remaining relevant to many audiences by constantly questioning what we collectively see daily. Dillon Boy (surprisingly?) notes that he has not seen much in the way of criticism of his DIRTYLAND series, and that is his job as an artist to take things one step further. “Well, one thing is for sure, we live in a sexually charged culture. Walk outside and you will quickly find a billboard or an ad in a publication showcasing a woman as a sex object. Sex sells remember. I simply used the pure, untainted characters of Walt Disney to convey that message. But that’s obvious, I’m not doing anything that hasn’t been done before… but I’m ready to do it again!”

To see the complete series (more of which are in the works) or to buy prints, check out Dillon Boy’s online store.

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Finland’s Lighting Design Collective Transforms A Silo Into A Modern Lighthouse

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Helsinki, Finland is already known for its beautiful landscapes, sonorous Baltic coastlines and for its focus on civic design (the city having been named the World Design Capital of 2012). To celebrate this honor, Helsinki tapped Madrid-based design firm Lighting Design Collective (LDC) to create a permanent urban art light piece.

Named for the repurposed oil silo, Silo 468 is a project for the cities residents to enjoy from the inside and out. The silo’s walls feature more than 2,000 perforated holes which echo ideas of a traditional lighthouse, displaying an incredible light show for Helsinki’s Kruunuvuorenranta district. While the coastline is illuminated by the modern lighthouse, the inside of Silo 468 offers a different, more intimate experience. Painted a deep, captivating red, there is an additional light show for citizens to enjoy.

The Director of LDC, Tapio Rosenius, fully explained the project. “At night 1250 white LED’s flicker and sway on the surface of the silo controlled by a bespoke software mimicking swarms of birds in flight – a reference to silo´s seaside location. The prevailing winds, well-known to those living in Helsinki, are used to trigger different light patterns in real time.

‘The enduring fascination of the complex movement of light and the amazing location by the sea will make this a captivating experience for the visitors and the residents of Helsinki.” (via designmilk and u1u11. Photos by Hannu Iso-oja, Tuomas Uusheimo, and Tapio Rosenius.)

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Van Orton Design’s Stained-Glass Style 80′s Movie Posters

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Italian-based twin brother design team (who go by the nom de guerre) Van Orton Design created a hit recently with their latest project of stained-glass style movie posters. Digitally composing the images using iconic characters and scenes from each film, Van Orton replaced saints and religious iconography with pop-culture standards like the Terminator, The Joker and Jack Burton, juxtaposing them with the time-honored (and increasingly disappearing) art of stained glass sectioning.

Van Orton’s selection of now-classic films from the science-fiction, action and cult fantasy genres adds an interesting element to the genesis of these designs, in that they seem to replicate stained glass coloring books more than the classical stained glass reminiscent of Europe’s grand cathedrals. This design choice adds to the light-hearted and nostalgic mood of the series, and appropriately separates it from ‘high art’ (though the Batman Poster for example certainly has visual similarities to the work of famous British artists Gilbert & George). The combination of thin and thicker black lines (replicating the lead used to secure colored glass) holds a wide prismatic array of colors, which also brings a unique, crisp quality which can only be achieved through delicate digital design.

You can purchase your own posters (pre-colored or not) by Van Orton Design here.

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Sebastian Errazuirz Crafts Shoes To Memorialize His Ex Lovers

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In Sebastian Errazuirz’s series 12 Shoes for 12 Lovers, he constructed wearable memorials to the women of his past relationships. Each shoe is designed with a specific person in mind, and is accompanied by short anecdotes. They give us a context for the relationship and why it ultimately failed. For this project, the artist paired with shoe maker Melissa (who has also partnered with the likes of  Vivienne Westwood and Karl Lagerfeld) and made shoes featuring faux honeycombs, tiny gold men, icicles, arrows, and more.  Melissa is known for producing high-quality plastic shoes, and pairing with the artist reflects their quirky-yet-stylish aesthetic.

In Sebastian Errazuirz’s series 12 Shoes for 12 Lovers, he constructed wearable memorials to the women of his past relationships. Each shoe is designed with a specific person in mind, and is accompanied by short anecdotes. They give us a context for the relationship and why it ultimately failed. For this project, the artist paired with shoe maker Melissa (who has also partnered with the likes of  Vivienne Westwood and Karl Lagerfeld) and made shoes featuring faux honeycombs, tiny gold men, icicles, arrows, and more.  Melissa is known for producing high-quality plastic shoes, and pairing with the artist reflects their quirky-yet-stylish aesthetic.

“Honey” was very touched and said she didn’t know she had that impact on me. “Heart Breaker” wrote me an email to say she didn’t know if she should feel incredibly embarrassed, enraged or honored but that if I ever revealed her real name she would kill me. “Gold Digger” hates my guts.

While this project is one-sided (none of the ex lovers offer a rebuttal), it’s a very interesting way to pay homage to relationships that, good or bad, have impacted Errazuriz’s life. Designing the shoes, recounting each episode, and sharing his personal life with the world has hopefully had a cathartic effect on the artist, in addition to delighting viewers. (Via Bored Panda)

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Fabrican- Science And Fashion Blend Together In incredible Spray On Fabric

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Joining 3D printing and digital textile printing, the idea of a sprayable, wearable and fabric has the inventors of Fabrican LTD imaging the possibilities which go beyond its initial usage in the fashion industry. Fabrican’s ‘Euraka!’ moment came from another famous canned sprayable, Silly String. The science of the process involves the creation of a liquid suspension which is then applied using a spray gun or aerosol canister. The resulting sprayed fabric has natural, synthetic and recycled fiber options, and when applied typically feels like a breathable suede.

Practical applications have ranged past fashion shows into automobile interiors, furniture upholstery and even entire rooms (the material is easily washable). The fabric can be embedded with a variety of supplements and additives which make separate colors, patterns and   (which also opens up the possibilities of quick-creating medical applications such as casts, bandages and even antiseptic-wound cleansing).

According to Fabrican-inventor, Spanish fashion designer Manel Torres, “As a non-woven material, Spray-on Fabric offers possibilities for binding, lining, repairing, layering, covering and moulding in ways previously not imaginable.”

Watch a slightly NSFW video of Fabrican LTD in action after the jump!

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