To suggest that David Adey builds art from recycled materials would be an understatement. He develops intricate patterns from previous design work. Each celebrity limb or fashion savvy lip is delicately cut out, then pinned and pieced together on a foam board, without any digitalized color manipulation; he does, however, use a Google search to locate the parts for his palette and develop an arrangement.
His process, Adey admits, is terribly methodical, time consuming, and detail oriented, however, this is exactly the point. He states, “For me as an artist, it’s a matter of developing or choosing your own constraints. Finding them and embracing them as a tool to make the work.” Echoing a similar sentiment put forth by the father of design himself, Charles Eames, Adey continues: “Without constraints, you don’t have anything. That’s the whole design process — working within constraints.”
These aren’t your typical vinyl records. Actually, they’re not vinyl at all. Amanda Ghassaei seems to have perfectly situated herself between being a scientist and artist. This project illustrates that well. For it Ghassaei uses a laser to burn grooves into a variety of materials such as wood, acrylic, and paper. The grooves are about two times larger than they would be on a regular record. However, these DIY records are still entirely playable. Check out the video after the jump to see her laser-cut records in action.
When Isaac Tobin is not working as a senior designer for University of Chicago Press or playing with type design, then he is whipping up some pretty phenomenal collages with minimal resources. Each piece remind us that cutting back and holding the line is just as important as drawing it. His seemingly simple use of familiar and found paper products matched with sporadic vintage text and condensed doodling presents an accessible everyday charm that inspires affordable creativity.
Londoner Petra Storrs is not just a set, prop, and costume/fashion designer– she’s an artist who collaborates with performers to transcend ideas beyond the ephemeral and into a sturdy cult of fantasy. The “reflective mirror dress” she designed for Paloma Faith, for example, not only sharpens the singer’s playful theatrical identity, but further investigates this concept of “the gaze”. In Dazed and Confused Magazine, Faith elaborates on the intention, “Obviously, as a performer, I am normally the observed, but I wanted to flip that dynamic around and make the audience the focus.” Storrs response, of course, was to whip up a garment that literally does just that.
But it’s not just creative camaraderie that gets Storrs’ juices flowing– she also finds inspiration from everyday objects and history, or everyday objects that hold history such as . . . tea. Camellia & the Rabbit, her latest design endeavor (collected here), involves performance artist Rachel Snider, who uses “tea as a central motif/metaphor” and a narrative “like sea shanties” to interweave “historical facts and stories of tea”– thus, evoking our own personal relationship to this British afternoon tradition.
Artist and architect Hong Yi emphasizes ‘art’ in culinary art. Her simple white dishes are plated with food. However, this is more than a simple meal. Only using these white dishes and food ingredients, Hong Yi recreates famous works of art, light hearted scenes, and pop culture icons. The project began as 31 days of creativity in March – an exercise she began to encourage more creativity every day. Each day Hong Yi would create a new piece and post it on instagram. [via]
Russian graphic designer and artist Yulia Brodskaya draws with paper instead of on it. Her highly detailed pieces are constructed of rolled, folded, and carefully placed strips of color paper. The intricate curls of paper are intriguing in themselves while creating a larger image – it took me a moment to realize what I saw in the top image. Brodskaya’s process and style has garnered her some serious attention. Her long client list includes companies such as Starbucks, Anthropologie, Penguin Press, and HOW Magazine. [via]
Designer Outmane Amahou‘s posters seem to need very few words accompanying them. This series is appropriately called Minimalist Art Movement Posters. Amahou glides through art history with a minimalist design style. Icons of art history’s various movements and schools stand elegantly alone at the center of each poster. Warhol’s soup can, Magrite’s pipe, Duchamp’s urinal all act as familiar symbols of their respective styles.
You’ve likely already noticed: this isn’t your typical font. Instead of using pixels or vectors, photographer Anastasia Mastrakouli uses her own body to create a steamy alphabet (pardon the pun). Mastrakoukli positions herself behind wet glass partly hidden as if in a shower. She emphasizes certain parts of her body, and in turn certain parts of letters, by placing herself closer to the glass. The result is an eye-catching font – one in which the medium may grab more attention the the message it spells. Check out her website to see the rest of the alphabet.