Greg Climer Unbelievably Knits Every Frame Of A Film Into A Scarf You Can Watch

Greg Climer - Knit Film Stills

Greg Climer - Knit Film Stills

Greg Climer - Knit Film Stills

In a digital age, some say traditional methods are dead. However, there has been an upsurge in popularity of using old-school techniques to create new things. Fashion designer Greg Climer combines two such mediums, knitting and film, to do just that. He has transformed knitting into a way of displays film stills. By using technology to transfer frames of a film onto knit fabric, he creates a knit scarf that is used the same as a film reel that you can actually watch as a short film. What is so amazing about this project is that Climer is taking film, shifting its properties to knit fabric, and then converting it into film once more. He is ingeniously using modern technology to manipulate different, traditional mediums to create an entirely unique and contemporary finished piece.

How this process works is each frame is reduced in size so that the amount of pixels matches with the amount of stitches. Then, the colors included in the film are decreased to four, since looms can only use up to four yarn colors. Then, the scarf is ready to be knitted! This method is very time consuming, as his test strip took a year and a half to make. However, after watching just a fragment of the resulted film, the outcome is undoubtedly worth it. Greg Climer’s ambitions do not stop at his unbelievably intricate knitted short film project, but extend to creating quilts from scraps of fabric. These quilts range in a wide variety of interesting subjects; one series depicting loved ones of Climer, and another displaying stills of pornography. (via Fastco Design)

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Pierre Schmidt’s Melting Faces Show Us The Terrifying Beauty Of The Subconscious Mind

Pierre Schmidt - Illustration, Collage, Photo-ManipulationPierre Schmidt - Illustration, Collage, Photo-ManipulationPierre Schmidt - Illustration, Collage, Photo-Manipulation

Artist Pierre Schmidt constructs surreal worlds filled with the inner horrors of the subconscious, both terrifying and beautiful. Using photo-manipulation, illustration, and collage, he combines both traditional and digital methods to create scenes of people with faces dripping right off their skulls. Many of his disturbing, melting face runs down the composition, only to reveal sudden bouquets of flowers. Using vintage photographs, he collages imagery of 1950’s housewife types lounging about, only to be caught up in a peculiar and fantastic scene. Schmidt’s work is highly psychological, as many of his pieces have titles based on the theories and writings of philosopher Friedrich Nietzsche. His flowing faces crack open the hidden psyche, pouring out its contents for us to examine. The face being a vessel of identity, Schmidt strips his characters of this so that we may look inwards into our own mind.

The Berlin based artist offers us a glimpse into a strange world of bizarre happenings, filled with faceless ladies, lush flora, and silhouettes that contain galaxies. Schmidt’s work is full of emotion and internal awareness, leaving us to sort out his stunning and complicated mash of imagery. We are left to decipher his sliced open heads, melting eyes, and rainbows oozing from faces. Like stream of consciousness, Schmidt melds together his illustrations with a unifying flow, effortlessly forming captivating and magnetic work. (via Hi-Fructose)

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Januz Miralles Digitally Manipulates And Transforms The Human Figure Into A New State Of Being

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Like melting wax drips and forms new shapes, so does Januz Miralles’ digital manipulations mold his once recognizable subject. The artist digitally applies paint and illustration to change photographs of faces and bodies into otherworldly beings. The figures in his work are left partially untouched, some with only a mouth or an eye peaking through, while the rest is covered by stunning, organic strokes of paint traveling up and across the composition. Although the women in his work look conventionally beautiful, they look even more alluring with globs of thick, digitally applied paint covering most of their faces. Miralles’ highly textural technique alters each figure’s state of being, as if they are ascending to another world or perhaps disintegrating completely.

His captivating, multilayered work shapes form, personality, and identity with his amazing techniques, created mostly digitally on a laptop. His art is quietly beautiful, as you can get lost in the many swirls of color and texture that he integrates into his work, completely transforming the mood. As the artist digitally breaks down his figures, the structure and details seem to break down as well, as if chemicals have been poured over each face. There is a sense of torment and melancholy that surrounds his subjects, like something is being extracted from them, leaving their bodies through the seeping paint. The deep, psychological effect that Miralles’ work holds draws you in to further examine what it is you are looking at, leaving you in mystery.

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Ari Weinkle’s Squirming Typography Made From Animal Appendages Will Make Your Skin Crawl

Ari Weinkle - Digital TypographyAri Weinkle - Digital Typography

Ari Weinkle - Digital Typography

Ari Weinkle has created an extremely unique and bizarre typography, titled Feelers, that moves and squirms with each carefully constructed letter. This is no ordinary alphabet; each letter is formed from different animal appendages. Weinkle designed his somewhat creepy typography to be explore and interpret the movements of animals and their body parts. It is hard to believe that these odd colored squiggles were once part of animals, especially since they look like amoebas, worms, or insect parts. The way the ends of the letters taper in at each end and sways back and forth closely resembles aquatic life such as seaweed moving in the water.

One aspect of this typography project that makes its concept so interesting, is trying to determine what appendage could have possibly made the type of movement that the individual letter is making. Even more intriguing, is that not every part of the letter moves. Some stand still while others whip back and forth, spread apart, or jump quickly away from the viewer. The movement is so organic, it is almost as if these alphabet creatures are pinned under a microscope and we are watching them squirm. Although the letters are hard to determine once they begin to wiggle, you cannot deny the unique creativity behind this mesmerizing typography. Make sure to check out Ari Weinkles Tumblr to see every single letter of his alphabet in its still form, and then again as 26 organically moving organisms.

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Toru Izumida Creates Digital Collages With Computer Screenshots

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A screenshot, or screen capture, is a tool that’s existed on computers for a very long time, and it’s an easily accessible modern-day archival method. In just a split second, we can take a snapshot of our desktop or movie screen and save it later use. For Japanese artist Toru Izumida, this simple process is used to create collage-esque artwork.

“I use selections of online media to create unexpected combinations that are finalized into a single screenshot,” says Izumida. “The exact date and signature of the creation is recorded on every work.” We see multiple screens open and contain pictures of textures, people, landscapes, and more. Izumida arranges them, varying the window size before capturing the final product on his Mac. The fractured layouts are then turned into prints, and elevates the ubiquitous tool into the realm of fine art.   (Via Spoon and Tamago)

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Dominic Wilcox And Four Other Artists Upcycle and Illuminate Found Objects

Dominic Wilcox

Dominic Wilcox

Sarah Frost

Sarah Frost

Gabriel Dishaw

Gabriel Dishaw

Robert Bradford

Robert Bradford

Through the metamorphic conversion of discarded paraphernalia given a second life, art created from materials otherwise destined for a landfill has turned waste into resource. In a conscious reflection of a recycled object’s inherent value as a cultural statement, the fragmented disarray of salvaged goods conjoin as a reflection on the surplus of consumerism. Computer relics and plastic toys from the 1990’s resurface as jarring, three-dimensional works that reestablish a value beyond their initial introduction as cultural commodities. Extending the life of goods long since forgotten, the immortalization of a wastefulness that continues to swell stands as not only a poignant reminder of the ecological decay resulting from our consumption, but the opportunity to revisit and remake otherwise quotidian, superfluous goods.

Working predominately, if not entirely, with upcycled goods, the following artists create stunning installation and sculptural works that are a visual whirlpool of texture, color and line.

Featured artists include Dominic Wilcox, Sarah Frost, Robert Bradford, Gabriel Dishaw and Elisabeth Higgins O’Conner.

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Creative 3D Sculpted Alphabet Made From Food, Body Parts And Other Everyday Objects

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German design studio FOREAL has created an impeccable set of 3D alphabet renderings for their personal project “Sculpted Alphabet”. Playful series features the whole English alphabet made from various everyday objects, food products and even body parts. The whole set of 26 letters was created by two designers, Benjamin Simon and Dirk Schuster.

“New tools, new playgrounds. One single rule: Choose a letter and sculpt it! Maxon gave us it’s new sculpting tools with the last releases of Cinema 4D. Our goal was to create the whole alphabet and achieve some completely new ways how type can be built and seen. A playful execution of that self-initiated project helped us to gain some significant experience in cgi sculpting techniques while having a lot of fun. We hope you enjoy these as we did.”

The project by FOREAL is a candid illustration of how three-dimensional CGI (computer-generated imagery) has moved forward and continues to grow in capabilities. The artistic 3D alphabet was designed using one of the agency’s illustration tools, Maxon Cinema 4D. According to the producers, it is one of the greatest tools for recreating even the slightest details, such as hair or fur.

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Surreal And Unnerving Photo Manipulations Question The Nature Of Reality

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For his surreal photo manipulations, the Buenos Aires-based digital artist Martin De Pasquale contorts his own body to imbue the mundane rituals of daily life with a sense of humor that sometimes veers into the realm of terror. With the wonderfully oxymoronic title “Impossible Photography,” De Pasquale’s work stretches the medium to its limit, boldly questioning our assumption that the photographic object necessarily reflects reality. Though indeed impossible, the strange and comical mishaps— and horrors— of the work speak to very real existential anxieties.

Here, the human body emerges as mechanical, much like the the camera itself. Like the gears of an advanced automaton, heads and faces are replaced with ease, and the treat of mortality is abated with ever-renewed body parts. In some ways, the impossible photographs recall the paradox of the Ship of Theseus, a thought experiment which asks if a ship remains essentially the same after each of its parts are replaced. Here, the ship becomes a human being; in the daily grind of life, our protagonist is continually deconstructed and reassembled. Does he become generic, or does he hold fast to his identity?

In so questioning the individual, De Pasquale’s imaginative images challenge the notion of replication, which in turn examines the very nature of the photograph. Seen here many times over, the self is given over to a mysterious—and frightening— sort of duplication, giving rise to unnatural yet indistinguishable bodies that are ultimately mere simulacrums of the original. Take a look. (via Demilked)

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