Januz Miralles Digitally Manipulates And Transforms The Human Figure Into A New State Of Being

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Like melting wax drips and forms new shapes, so does Januz Miralles’ digital manipulations mold his once recognizable subject. The artist digitally applies paint and illustration to change photographs of faces and bodies into otherworldly beings. The figures in his work are left partially untouched, some with only a mouth or an eye peaking through, while the rest is covered by stunning, organic strokes of paint traveling up and across the composition. Although the women in his work look conventionally beautiful, they look even more alluring with globs of thick, digitally applied paint covering most of their faces. Miralles’ highly textural technique alters each figure’s state of being, as if they are ascending to another world or perhaps disintegrating completely.

His captivating, multilayered work shapes form, personality, and identity with his amazing techniques, created mostly digitally on a laptop. His art is quietly beautiful, as you can get lost in the many swirls of color and texture that he integrates into his work, completely transforming the mood. As the artist digitally breaks down his figures, the structure and details seem to break down as well, as if chemicals have been poured over each face. There is a sense of torment and melancholy that surrounds his subjects, like something is being extracted from them, leaving their bodies through the seeping paint. The deep, psychological effect that Miralles’ work holds draws you in to further examine what it is you are looking at, leaving you in mystery.

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Ari Weinkle’s Squirming Typography Made From Animal Appendages Will Make Your Skin Crawl

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Ari Weinkle - Digital Typography

Ari Weinkle has created an extremely unique and bizarre typography, titled Feelers, that moves and squirms with each carefully constructed letter. This is no ordinary alphabet; each letter is formed from different animal appendages. Weinkle designed his somewhat creepy typography to be explore and interpret the movements of animals and their body parts. It is hard to believe that these odd colored squiggles were once part of animals, especially since they look like amoebas, worms, or insect parts. The way the ends of the letters taper in at each end and sways back and forth closely resembles aquatic life such as seaweed moving in the water.

One aspect of this typography project that makes its concept so interesting, is trying to determine what appendage could have possibly made the type of movement that the individual letter is making. Even more intriguing, is that not every part of the letter moves. Some stand still while others whip back and forth, spread apart, or jump quickly away from the viewer. The movement is so organic, it is almost as if these alphabet creatures are pinned under a microscope and we are watching them squirm. Although the letters are hard to determine once they begin to wiggle, you cannot deny the unique creativity behind this mesmerizing typography. Make sure to check out Ari Weinkles Tumblr to see every single letter of his alphabet in its still form, and then again as 26 organically moving organisms.

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Toru Izumida Creates Digital Collages With Computer Screenshots

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A screenshot, or screen capture, is a tool that’s existed on computers for a very long time, and it’s an easily accessible modern-day archival method. In just a split second, we can take a snapshot of our desktop or movie screen and save it later use. For Japanese artist Toru Izumida, this simple process is used to create collage-esque artwork.

“I use selections of online media to create unexpected combinations that are finalized into a single screenshot,” says Izumida. “The exact date and signature of the creation is recorded on every work.” We see multiple screens open and contain pictures of textures, people, landscapes, and more. Izumida arranges them, varying the window size before capturing the final product on his Mac. The fractured layouts are then turned into prints, and elevates the ubiquitous tool into the realm of fine art.   (Via Spoon and Tamago)

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Dominic Wilcox And Four Other Artists Upcycle and Illuminate Found Objects

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Dominic Wilcox

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Gabriel Dishaw

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Through the metamorphic conversion of discarded paraphernalia given a second life, art created from materials otherwise destined for a landfill has turned waste into resource. In a conscious reflection of a recycled object’s inherent value as a cultural statement, the fragmented disarray of salvaged goods conjoin as a reflection on the surplus of consumerism. Computer relics and plastic toys from the 1990’s resurface as jarring, three-dimensional works that reestablish a value beyond their initial introduction as cultural commodities. Extending the life of goods long since forgotten, the immortalization of a wastefulness that continues to swell stands as not only a poignant reminder of the ecological decay resulting from our consumption, but the opportunity to revisit and remake otherwise quotidian, superfluous goods.

Working predominately, if not entirely, with upcycled goods, the following artists create stunning installation and sculptural works that are a visual whirlpool of texture, color and line.

Featured artists include Dominic Wilcox, Sarah Frost, Robert Bradford, Gabriel Dishaw and Elisabeth Higgins O’Conner.

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Creative 3D Sculpted Alphabet Made From Food, Body Parts And Other Everyday Objects

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German design studio FOREAL has created an impeccable set of 3D alphabet renderings for their personal project “Sculpted Alphabet”. Playful series features the whole English alphabet made from various everyday objects, food products and even body parts. The whole set of 26 letters was created by two designers, Benjamin Simon and Dirk Schuster.

“New tools, new playgrounds. One single rule: Choose a letter and sculpt it! Maxon gave us it’s new sculpting tools with the last releases of Cinema 4D. Our goal was to create the whole alphabet and achieve some completely new ways how type can be built and seen. A playful execution of that self-initiated project helped us to gain some significant experience in cgi sculpting techniques while having a lot of fun. We hope you enjoy these as we did.”

The project by FOREAL is a candid illustration of how three-dimensional CGI (computer-generated imagery) has moved forward and continues to grow in capabilities. The artistic 3D alphabet was designed using one of the agency’s illustration tools, Maxon Cinema 4D. According to the producers, it is one of the greatest tools for recreating even the slightest details, such as hair or fur.

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Surreal And Unnerving Photo Manipulations Question The Nature Of Reality

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For his surreal photo manipulations, the Buenos Aires-based digital artist Martin De Pasquale contorts his own body to imbue the mundane rituals of daily life with a sense of humor that sometimes veers into the realm of terror. With the wonderfully oxymoronic title “Impossible Photography,” De Pasquale’s work stretches the medium to its limit, boldly questioning our assumption that the photographic object necessarily reflects reality. Though indeed impossible, the strange and comical mishaps— and horrors— of the work speak to very real existential anxieties.

Here, the human body emerges as mechanical, much like the the camera itself. Like the gears of an advanced automaton, heads and faces are replaced with ease, and the treat of mortality is abated with ever-renewed body parts. In some ways, the impossible photographs recall the paradox of the Ship of Theseus, a thought experiment which asks if a ship remains essentially the same after each of its parts are replaced. Here, the ship becomes a human being; in the daily grind of life, our protagonist is continually deconstructed and reassembled. Does he become generic, or does he hold fast to his identity?

In so questioning the individual, De Pasquale’s imaginative images challenge the notion of replication, which in turn examines the very nature of the photograph. Seen here many times over, the self is given over to a mysterious—and frightening— sort of duplication, giving rise to unnatural yet indistinguishable bodies that are ultimately mere simulacrums of the original. Take a look. (via Demilked)

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Intricate Digital “Fabergé Fractals” By Tom Beddard Look So Real You Can Almost Grab Them

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Fractals are a geometric concept and mathematical set that represent repeating patterns, also known as self-similarity. Scotland-based physicist and artist Tom Beddard, aka subBlue, who we have previously featured for his generative graphic work, has recently been creating 3D geometric fractal designs that he refers to as “Fabergé Fractals” because of the detailed and ornate patterns that are rendered by the artist’s formulaic methods. At first glance, Beddard’s designs appear to be fully realized, physical forms due to the intricacies of the patterns and the technical skill that is applied to each generation.

Beddard explains, “The 3D fractals are generated by iterative formulas whereby the output of one iteration forms the input for the next. The formulas effectively fold, scale, rotate or flip space. They are truly fractal in the fact that more and more detail can be revealed the closer to the surface you travel.

“The fascinating aspect is where combinations of parameters can combine to create structural ‘resonances’ of extraordinary detail and beauty—sometimes naturally organic and other times perfectly geometric. But then like a chaotic system it can completely disappear with the smallest perturbation.” (via my modern met)

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Pawel Nolbert’sTypeface Created With Dripping Wet Paint Strokes Will Remind You Of The Beauty Of Language

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For his breathtaking project “Atypical,” the Warsaw, Poland-based illustrator and graphic designer Pawel Nolbert creates a typeface unlike any other. Composed of globular, thick brushstrokes saturated with dense color, his letters take on a tangible and material form, becoming what he calls “half-realistic, half-illustrative figurative sculptures.” For the series, the artist, who is also an art director, photographed paint splatters, and he later enhanced them and added depth through digital manipulation.

What emerges from Nolbert’s compelling work is a refreshing and visceral take on the written word, which in our contemporary culture can seem stale and lifeless. Here, language becomes physical as the body, writhing and twisting with vivid pleasure. The two dimensions of the page become the three, with thick, textured lines overlapping and creating an unexpected depth of field. Displaying an impressive grasp on color theory, the artist uses cognitive and perceptual tricks to extend the letters and numbers into three dimensionality. Complimentary colors are layered atop one another, creating an engaging visual dynamic: orange is paired with blue, purple with yellow, and green with red.

In a cultural landscape in which we are constantly bombarded with images, language moves to the wayside, and yet Nolbert finds a way to reclaim our attentions and bring us back to the fundamentals of words, letters, and numerals. Dancing about and leaping from the page, spewing paint in unexpected directions, his “Atypical” posters remind us of the vitality and creative potential inherent in verbal expression. Take a look. (via Colossal)

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