Illinois-based artist Chad Wys does a lot of different things. He’s worked with collage, sculpture, textiles, aerosol, digital media, and more. A lot of his w0rk manipulates and completely shuffles the tone of established, familiar forms. Strategically removing aspects of canonical portraiture, painting a kitschy duck sculpture in pastels, and stenciling text elements onto benign porcelain and china are a few methods he’s employed to mess with our brains. But this type of art isn’t produced in a malicious way. It’s just the artist’s way of getting us to see things the way he sees them for once. (via)
Lesser Gonzalez Alvarez, of Baltimore, produces sculpture, collage (see above), and illustration. But the majority of his fine arts output is done through digital media. His digital compositions aren’t really like any I’ve seen before. They combine a far out, cosmic sensibility with soft, colorful gradients and textures. I could meditate on these for a while. Some of Alvarez’ works are so simple, yet they maintain a lot of gravity, as though they hold something really important just beyond your grasp. And the creepy smiley faces he repeats throughout his work really get to me. Click past the jump for more collage, couches floating in space, and a workbench installation.
Interesting take on the female form from Floti. Grainy neon colors flow through the figures as though you were looking at them through an infrared camera (except with more interesting color variation). With a glitchy, electronic vibe, these digital works nicely illustrate some of the darker, more ambiguous aspects of the Digital Age. I don’t want to say too much about this project, which seems to be in its infancy, but the source images are altered so heavily that it’s hard to contextualize all of the pictures, which allows for a nice exercise in attaching one’s own narratives and ideas to the works. Hope to see more of these mysterious ladies in the future. (via)
A little while ago, Andreas Frank took a dive down to the Gen. Hoyt S. Vandenberg, a United States missile tracking ship that was recently sunk 7 miles off the coast of Key West, Florida in order to create an artificial reef. While he was down there, Frank, who is a successful commercial photographer, took pictures of the wreck. He used the resulting images as the basis for a series of digitally manipulated photos depicting various underwater happenings on the sunken ship. The cool part: he then staged an exhibition of the photos on the deck of the ship! Divers took in the exhibit in full scuba gear. I’m not sure that bobbing up and down under water is the best way to take in Frank’s work, but it is kinda cool. See more photos from the Vandenberg- Life Below the Surface show after the jump, as well as a video of divers checking out the pictures while down by the ship.
Philadelphia-based Armando Veve‘s impressive body of work shows his ability, and eagerness, to explore several different drawing methods, from the naive to the refined. In doing so, he leaves no doubt to the viewer that he makes a choice, and executes that choice with clear intent. He doesn’t seem to have many limitations. He also dabbles in ceramics, curation, and digital abstractions. At this pace, his work will only get better and better, and endless gifts will be bestowed upon us just for looking.
I love Hunter Payne. His work takes me back to a simple time without being simple. Out of all the shakey hand intimate portraits that are currently sieging the art world, these creations that float through the crazy artist’s brain are by far the most enjoyable because of their lack of pretense. Hunter’s humble nature and childlike wonder bring questions forth about the necessity for seriousness in art. More after the jump.
Macabre artist Jonathan Monaghan creates digital sculptures, prints, and animations that definitely puts us in a sense of discomfort. His clean, almost sterile use of style in detail, color, and light is both beautiful and extremely uncomfortable.