Unforgettable, Haunting Photographs Of The Nepal Earthquake’s Aftermath

Probal Rashid - Digital PhotographyProbal Rashid - Digital PhotographyProbal Rashid - Digital Photography

On May 12th, the Nepal earthquake striked, killing dozen and injuring thousands. With a magnitude of 7.3, the earthquake was so large that it affected those living in India and Bangladesh. Documentary photographer Probal Rashid, who currently lives in Bangladesh, documented the aftermath through his lens. These photographs tell a heartbreaking story of those directly in the middle of the chaotic and horrific outcome of such an earthquake. Rashid masterfully reveals poignant images of mothers, fathers, and children living in the current state of their homes and villages. The emotions seen in his photographs strike you to your core, as you are shown a child looking right back at you in the midst of this catastrophe.

Allowing us to see a different aspect of the lives of the people affected by the earthquake, Rashid includes images of the remnants of people’s homes and belongings, creating a more intimate connection. A haunting photograph of the inside of a house in ruins displays an empty couch and chairs, with photographs of the family up on the wall. The city’s culture as well as its people was damaged, as we see a piece of beautiful architecture now almost completely destroyed. Rashid rightly has no sensor, as his photojournalism displays an uninhibited truth. Witnessing so much destruction, Rashid also finds compassion.  Although so much desolation can plainly be seen, there is also a sense of hope. The photographer also chose to capture people trying to help; citizen’s aiding one another.

As humans often identify with each other, it is always difficult to see photos with this kind of content. However, it is very necessary for us to see and understand what is happening to others in a place we may not know very much about. Probal Rashid provides us with a better grasp on how the earthquake has affected Nepal and its people in this unforgettable series.

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Lincoln Clarkes’ Female Heroin Addicts

female heroin addicts

female heroin addicts

female heroin addicts

female heroin addicts

Photographer Lincoln Clarkes examines the street corners of Vancouver’s Downtown Eastside to expose moments in the lives of over 400 female heroin addicts over the course of five years.

It began when Clarkes took a photograph of his long-time friend, Leah, “shooting up” against the backdrop of a Calvin Klein billboard starring Kate Moss- and interesting juxtaposition indeed.

“Heroines” captures the bleak realities of female addicts within the city. Clarkes exposes the physical and emotional scars of women whom inhabited a space were death was always nearby. Although the images are disturbing in many levels, it is hard to ignore Clarkes’ attempt to make the women shine through a different kind of light, perhaps a positive one, where their vulnerability brings forth an unusual kind of beauty. The photos serves as a kind of a tableau vivant of unwitnessed experiences in the social history of the Vancouver city life. (via Huff Post Exposure)

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The Street Photography of Chris Butler

 

Chris Butler is an autobiographical street photographer based in Los Angeles. He shoots mainly in black and white and was selected as a Leica Explorer in 2011. I recently had the chance to ask him about his process:

“I prefer photographing everyday life. My work is largely autobiographical and about extracting photographic opportunities from the day-to-day. It’s the opposite of studio work, set-building, etc. I don’t like to invent and manufacture; I prefer to seek out what is happening around me, to be improvisational and compel an image out of the moment.”

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Taryn Simon

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At this summer’s TED Conference, photographer Taryn Simon gave this excellent talk (which is having embed problems) about her work. TED’s description: Taryn Simon exhibits her startling take on photography — to reveal worlds and people we would never see otherwise. She shares two projects: one documents otherworldly locations typically kept secret from the public, the other involves haunting portraits of men convicted for crimes they did not commit. I’m not sure which is more impressive – the photos themselves or Simon’s gall in asking to document some of these subjects. Some of these photos are after the jump, many more are included in her lecture.

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