Katie Miller’s images attract us and repel us equally. This double movement is due in large part to the artist’s fastidious painterly style that demands close viewing as well as from afar.
Miller, fascinated by the connotations of what she terms “animal breeding, adornment, love or lust,” creates works that give us access to her susceptibilities as an artist. Sharply attuned to formal nuances whether they are in the realm of color, or shape, or line or subject matter she has explores the arenas of excess, decadence, uncontrolled metamorphosis, and artificiality. She is attentive to aberrations, hybridity, abnormal behavioral psychology, social pathologies, behavioral psychology, and evolutionary biology. She is fascinated by dog shows and child beauty pageants. Miller is compelled to ask questions about the nature/culture divide as she ponders the ins and outs (and the no-exits) of the nurture/nature debate that centers on differing debates about the socialization process. Towards that end Miller paints with astonishing mimetic exactitude in her new work as she goes about shuffling the natural order in her interrogation of differences, limits, and of the impossible.