The Poignant Story Of Courtroom Sketch Artist Gary Myrick

courtroom 2 Courtroomcourtroom 5

The prevalence of any technology forever alters the way we previously understood the world before it. Photography changed painting, audio recording changed our relationship to music, and the internet changed print media such as books and magazines. What is most often lost is the human touch, a closer connection from the source to the viewer or listener. Such is the story of courtroom sketch artist Gary Myrick, the focus of a documentary produced by Ramtid Nikzad of the New York Times as part of the Op-Doc series. A compelling figure who narrates the history of the tradition, Myrick  Myrick explains the difference and importance of his craft, “Illustration is story-telling. The difference between the camera in the courtroom and an artist might be the difference between just a cold, dry, factual transcript as opposed to a novel.” 

Beginning with Myrick explaining his work, the documentary covers the history of the medium, the advent and fall of courtroom photography, and the eventual decline of the courtroom sketch artist. “The artist at one time was the media,” says Myrick, relaying the history of artist documentarians, from war reporting through history to multi-tasking newspaper reporters who considered their drawings as important as their words. “When you funnel the story through a human being, its got a different quality than simply doing a mechanical recording of it,” says Myrick. “A lot of things going on about me are channeled through my heart, and my soul and my brain and my fingers…I like to convey just how it feels in that moment.”

Despite his immense talent, Myrick and so many other sketch artists are no longer able to work exclusively in the dying industry. Myrick poignantly notes, speaking more indicatively of so many industries that are being lost to the ease of technology, “I’m trying to draw to communicate to those that aren’t there, what it was like to be there. And maybe some of that has been getting lost.” (via juxtapoz and newyorktimes)

Currently Trending

Advertise here !!!

The Intensely-Detailed Intricacy Of Ben Sack’s Illustrated Cityscapes

2596094_orig 4924547_orig

7556891_orig

5969942_orig

Few artists have the talent that Ben Sack wields with pen and ink, and even fewer have the patience and control that the young artist uses to create his labor intensive, large-scale drawings. Patience is an integral part of the artist’s process, as massive cityscapes are slowly constructed on paper from historical reference, often taking months to complete. Though some cities are drawn (partially) historically accurate, certain parts of the drawing are stylistically changed, by removing rivers or skylines, or being rendered in circular forms. Other cities are complete fantasy however, interjecting centuries of unrelated architecture and scenery into a hybrid sprawl, often resulting in completely new, purely imaginative renderings. When asked the simple question on his Tumblr of how he is able to create these intensely detailed drawings, Sack responded, “As per your question regarding how, I can credit patience and a debilitating love for history and architecture.”

Explaining his interest in architecure, antiquity and cities, Sack explains, “Its this sort of image that I think most people, if not all of society have of western antiquity; stainless marble facades, long triumphal avenues, monuments to glory. In actuality, the cities of the past were far from idealistic by todays standards. Yes there was marble, lots of marble, and monuments galore, however these urban centers were huddled together and unless you were considerably wealthy, life in dreamy antiquity was often a heroic struggle. Though the societies of antiquity were bloody, dirty and corrupt the idea of antiquity has come to represent some resounding ideals in present society; democracy, justice, law and order, balance, symmetry. These ideals are now the foundation stones of our own civilization, a civilization that some distant future will perhaps honor as antiquity.”(via supersonicelectronic and colossal)

Currently Trending

Advertise here !!!

Andrea Minini’s Minimally Elegant Animal Illustrations

Andrea Minini Andrea Minini Andrea Minini

61b82327de74904b6575f71bf4d17870

The work of Milanese graphic designer Andrea Minini has a tendency to make the most with the least. His recent Animals in Moiré series has gotten a fair amount of internet attention, due to the striking Moiré pattern - visual interference caused by overlapping lines in different densities –  often associated with television screens (seen previously in the photographic works of Stephan Tillmans).

Using Adobe Illustrator, Minini’s elegant lines are collected and create stark and moody black and white animals. Its not just an interesting stylistic choice, but each design is enhanced by his strong graphic sensibilities. Seeing the potential for slithering lines to form together in creation of a snake is one thing, but understanding the form so as to subtly create a colony (or cloud as they are also referred to in groups) of sleeping bats is an intelligent, innate choice.  (via colossal)

Currently Trending

Anna Gensler’s Portraits Of Men Who Objectify Her On Tinder

annaglenser3annaglenser7 annaglenser6annaglenser8
Like many of us, artist Anna Gensler joined the social media app, Tinder. Like many women who are on there, she received crude, objectifying messages from men. Her way of retaliating against this unacceptable behavior was to draw the message senders’ unflattering naked bodies and post the finished pieces on her Instagram account.

Gensler’s intention was for the male subjects to not enjoy these images, and she makes them look fat, unappealing, and not very well-endowed. “It was sort of the most basic, juvenile, immature thing I could possibly do, which was completely perfect,” she told Buzzfeed. “These guys are immature and their lines are incredibly juvenile, yet they are still offensive to the women they are aimed toward. The same can be said for these doodles.”

After a month of posting these drawings, Gensler embarked on another part of her project. She now sends her drawings to these men and documents their reactions. Not surprisingly, they are hostile towards her about how she’s depicted them. While some are just plain angry, others convey a more nuanced view of what she’s doing (but still insult her).

This project hasn’t afforded Gensler any clarity about why guys are creeps on dating websites, and why they feel they can speak to someone in this way. She told Slate, “I feel like girls get a lot of messages and matches on places like these, but I don’t actually think that guys do, necessarily. You’d think that when they do get a match, they would actually try to say something nice and intelligent. But I guess not.” (Via Buzzfeed)

Currently Trending

Famed Author Kurt Vonnegut’s Drawings

Kurt Vonnegut's Drawings Kurt Vonnegut's DrawingsKurt Vonnegut's Drawings

Kurt Vonnegut's Drawings

The late and great author Kurt Vonnegut was a visual artist, too. If you’re a fan of his writing, then you probably already knew that drawings by him appear in 1973’s Breakfast of Champions and that he illustrated the cover for Man Without a Country in 2005. But in the mid-1990’s, Vonnegut shipped his daughter Nanette a plethora of drawings. She kept them in her studio’s flatfiles (she’s a visual artist, too) until now, when the artwork was made into a book and is part of a touring exhibition titled Kurt Vonnegut Drawings. The book is published by Monacelli Press and features 145 selections of his work.

Playful line drawings are composed using pen and marker. The abstract and surreal works, in which things transform and morph to become something other than themselves, include fragments of the written word. One drawing includes a steep set of stair and muses, “There is a ceiling on human thoughts.” Other wordless works often include a minimalist portrait or figure. They are free-flowing images that feel like a stream of consciousness.

The published book includes essays written by his daughter and scholar (and Vonnegut friend) Peter Reed. He writes,  “great value of this collection is that Vonnegut’s artwork gives us another perspective on his restless imagination and his creative genius. … There are constraints in writing that even the iconoclastic Vonnegut felt, but in his art he seems wholly uninhibited.” (Via Hyperallergic)

Currently Trending

Mario Zoots’ Modernly Surreal Collages

zoots1-720x970Untitled3-MarioZoots-webUntitled1-MarioZoots-web Untitled2-MarioZoots-web

Collage inherently involves nothing less than altering existence. By taking found imagery, Mario Zoots makes changes both hand-made and (occasionally) digital to alter the perception of the everyday, and continue their evolution towards new definitions. The Denver, Colorado-based Zoots is on the forefront of the modern collage movement, and was featured in Gestalten’s recent The Age of Collage: Contemporary Collage in Modern Artthe definitive investigation into how collage has become one the most vital forms of current visual expression. Separate from the concerns of any loosely-affiliated movement, Zoots describes his own practice from a more personal perspective, “I would like to think that my work is about tapping into the unconscious and setting up parameters to allow chance to work its magic.”

Typically focusing on the human figure, and often in portraiture genre, Zoots utilizes geometric pattern, layers, and physical manipulations like scratches, drips, and tears to obscure, thereby creating new faces to interpret. In an interview with Monster Children, Zoots describes his attention and focus on the face of his subject, “It’s really about the eyes for me. When I disrupt someone’s gaze, I find some mysterious, surreal quality. It makes you forget who you’re looking at. I try to create collages from dreams. When I dream I know who the people are, but I usually can’t see their faces. There’s a real energy behind that.”

Mario Zoots will take part in the upcoming travelling exhibition INTERNATIONAL WEIRD COLLAGE SHOW (IWCS) at The Invisible Dog in Brooklyn, New York. The 8th Edition of the IWCS opens Saturday April 19, 2014, from 6 to 10pm, and runs through May 11th, 2014. 

Currently Trending

Exhibition Explores Parallels Between Design And Cloud Data

leanna_perry_afterlifeeddie_perrote_hunt & peckbill_rebholz_owned

eddie_perrote_saving changes

A recent exhibition in Minneapolis investigates the inherent desire to organize and structure our world, and the ensuing clutter and confusion when we become increasingly influenced by the sprawling technologies we’ve invented to helps us. Eddie PerroteLeanna Perry and Bill Rebholz conceived Scategories as a display to highlight ordered chaos.  “We’ve enabled our minds to perceive more information, decrease our mental clutter and externalize our memories,” reads the press release, which explains why the exhibition feels a bit overrun, offering too much to process, even when the looking is enjoyable.

Each of the artists has one foot firmly planted in the design world, which is perhaps the ideal middle ground to view the changing landscapes of art and design, and how technology is rapidly altering them. The group explains, “Through organizing the brain we present windows into the cerebral wold of structure, chaos, habitual patterns, and seemingly infinite layers of content. It’s these informalities that create vivacious energy, and eccentricities that feed the visual cacophony of information ever gathering within our minds.”

The exhibition itself is presented with this visual cacophony in mind. Colorful, typography-inspired murals covering several walls, while the remaining white-walls are densely covered with 2 and 3-dimensional works. Recurring motifs, such as simplistic cloud shapes, puzzle pieces, mirrors and stairs connect their works; an unplanned phenomenon, which was not surprising considering their shared influences and interests, claims the group. Perrote, Perry and Rebholz even shared a specific color palette for the show, using the same magenta, teal, and yellow paints, both for visual cohesion and “to highlight the gap between colors that exist in reality and the RGB colorspace of computer screens” says Perrote.

At the heart of the exhibition is a paradox, highlighted by the significant gesture that each painting, drawing and screenprint was made by hand. Even in a time when we can create, share and store an unlimited amount of data, the information must still be processed slowly, through our hands, eyes and minds in order to be appreciated, an appreciation which is key to good design.

Scategories is currently on view at The Abstracted Gallery in Minneapolis, Minnesota. The closing reception will be Friday, April 11th, 2014, from 7 to 10 pm.

Currently Trending

Early Stick-and-Poke Prison Tattoos Preserved In Formaldehyde

Prison TattoosPrison Tattoos Prison Tattoos Prison Tattoos

Nowadays, it’s not uncommon to see people with copious amounts of tattoos on their arms, legs, and head. But, it wasn’t that long ago that these permanent adornments were only found on a very specific group of people – prisoners. Tattoos back then were markedly different than their modern counterparts, and some were preserved for posterity in formaldehyde. The tiny pieces of history are an eerie but a fascinating look at the past.

The designs of early tattooing were much simpler than they are today. Instead of the needles we’re familiar with, prisoners would use crude tools like razor blades, broken glass, paper clips, or wires. Ink was substituted for pencil refills, charcoal, watercolor paints, or crayons and mixed with water, fat, or urine.

At the beginning of the 20th century, a study of the prisoners’ tattoos began in the Department of Forensic Medicine at Jagiellonian University, and researchers wanted a way to document their findings. While photography might have been the simpler (and more obvious) solution, prisoners’ tattooed skin was removed and preserved.

The extractions, encased in glass, are small curiosities that don’t really look like tattoos at all. Removed from the context of the body, they are symbols for crimes like burglary, rape, and prostitution. (Via Scribol)

Currently Trending