Massive, glowing webs of geometric gems climb the walls, successfully controlling the behavior of early afternoon light—while soaking the empty surfaces of the space with gentle washes of color. It’s only upon close inspection that the pieces reveal themselves to be painstakingly handcrafted, light-as-a-feather paper sculptures by Brooklyn-based artist Kirsten Hassenfeld. She applies her sharp paper craft skill set to creating fanciful, (if not slightly frivolous) site-specific works that command presence, but in reality are quite ephemeral. A nice study of pure form, movement and spatial composition.
Portlander Kyle Jorgensen combines ethereal, cosmic subject matter with explicitly tactile media selections, and it really works. In the age of Photoshop, a lot of this type of imagery is often generated through digital means. It’s really nice to see a guy just go all out homegrown. Great palette here as well. Click past the jump, and then check out his blog for more. Read More
This series, entitled Babel Tales, is a recent work of Danish photographer Peter Funch. To create each photograph, he sat at an NYC street corner with a tripod and snapped away, eventually finding common elements amongst all the pictures and compositing those elements into one shot. The result is something familiar yet very artificial – feeling almost as if each photo is staged.
Agua Sagrada is the title of this series of photographs by Columbia-educated James Pomerantz. The photos were taken in Mexico at a cenote, which is a water-filled sinkhole, found mostly in the Yucatan, that the Mayans believed to be portals to another world. Today these cenotes are tourist destinations, though the otherworldly Mayan connotations are still plainly evident in their haunting, ethereal appearance.
More photos after the jump, but check out Pomerantz’s site for some other beautiful sets, mostly of poverty or tragedy-stricken places like Eastern Europe and the Congo.