The Ethereal Photography Of Jason Mitchell Explores Figures Transcending Their Bodies Into A New Existence

Jason Mitchell - Digital Photography

Jason Mitchell - Digital Photography

Jason Mitchell - Digital Photography

Like floating into a dream, Jason Mitchell’s photography takes you into a new place of existence, stuck between worlds. His series Dream Away displays ghostly bodies in a different state of being, exploring a sense of awakening. Inspired by metamorphosis, his figures are placed in a blank space, not knowing exactly where they are except for in a place of uncertainty. Even still, they seem tranquil and ready for whatever is to come next. Each image contains an ethereal quality, as the figures delicately glide through the air. In this series, we cannot tell if Mitchell’s figures are falling or floating, as there is no sense of direction, like they are underwater. With bright whites and light shadows, the absence of almost all harsh shadows creates an angelic atmosphere around these women.

Hinting at themes of afterlife and a higher state of being, Mitchell’s figures almost do not appear to be human. They are transcending their bodies on a journey of oneself.

“I ask my subjects to explore a loss of control, but a sense that they are being guided, pushed and pulled by another sentient being, as they make their way to a new self. They represent the soul of a magical creature on a journey through the limbo that connects their past understandingto this new unknown.”

- Jason Mitchell

Although all of Mitchell’s work holds a striking beauty, his series Dream Away truly exhibits stunning detail and imagery. Photographs from this majestic series will be on view at 111 Minna Gallery in San Francisco, CA until May 30th.

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Kirsten Hassenfeld’s Fragile, Ethereal Paper Gems

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Massive, glowing webs of geometric gems climb the walls, successfully controlling the behavior of early afternoon light—while soaking the empty surfaces of the space with gentle washes of color. It’s only upon close inspection that the pieces reveal themselves to be painstakingly handcrafted, light-as-a-feather paper sculptures by Brooklyn-based artist Kirsten Hassenfeld. She applies her sharp paper craft skill set to creating fanciful, (if not slightly frivolous) site-specific works that command presence, but in reality are quite ephemeral. A nice study of pure form, movement and spatial composition.

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Kyle Jorgensen’s Ethereal Paintings (Far Out, Man)

 

Portlander Kyle Jorgensen combines ethereal, cosmic subject matter with explicitly tactile media selections, and it really works. In the age of Photoshop, a lot of this type of imagery is often generated through digital means. It’s really nice to see a guy just go all out homegrown. Great palette here as well. Click past the jump, and then check out his blog for more.

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Peter Funch

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This series, entitled Babel Tales, is a recent work of Danish photographer Peter Funch. To create each photograph, he sat at an NYC street corner with a tripod and snapped away, eventually finding common elements amongst all the pictures and compositing those elements into one shot. The result is something familiar yet very artificial – feeling almost as if each photo is staged.

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James Pomerantz

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Agua Sagrada is the title of this series of photographs by Columbia-educated James Pomerantz. The photos were taken in Mexico at a cenote, which is a water-filled sinkhole, found mostly in the Yucatan, that the Mayans believed to be portals to another world. Today these cenotes are tourist destinations, though the otherworldly Mayan connotations are still plainly evident in their haunting, ethereal appearance.

More photos after the jump, but check out Pomerantz’s site for some other beautiful sets, mostly of poverty or tragedy-stricken places like Eastern Europe and the Congo.

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