Like looking into the private thoughts of a diary, photographer Adeline Mai creates narratives of intimacy, portraying poetic scenes of human interaction. In her body of work, she creates ethereal images of profound closeness between her subjects. With titles like J’ai Embrassé L’Aube D’Été, French for I Embraced the Summer Dawn, Weightlessness, and Dirty Weekend, the names of each series are just as lyrical as the photographs itself. The Parisian artist captures stunning images of contorting bodies, displaying breathtaking views of the human body. In her series I Embraced the Summer Dawn, each photograph contains a stark emptiness except for the two, nude figures beautifully entwined as if they are attempting to become one body. This same sense of intimacy is embodied in her series Dirty Weekend. Only instead of gracefully posed, flawless bodies, we are now given a view of a more natural nudity, out in the woods and in more candid positions. Mai not only captures a playful kind of nakedness, but a shared closeness between clothed subjects as well. She is a master at capturing tender moments between her subjects and laying them out for all to see.
Mai having the ability to brilliantly capture light on her subjects, her series Weightlessness includes floating figures with soft, warm light consuming their surroundings. These figures appear to be floating, but they are actually underwater! The photographer has turned this normally cool-colored environment into a glow of yellows, reds, and oranges. Adeline Mai’s entrancing photography pulls you in to its intimate scenes of magnificent nudes being swallowed up by a sea of color or by human embrace.
Like floating into a dream, Jason Mitchell’s photography takes you into a new place of existence, stuck between worlds. His series Dream Away displays ghostly bodies in a different state of being, exploring a sense of awakening. Inspired by metamorphosis, his figures are placed in a blank space, not knowing exactly where they are except for in a place of uncertainty. Even still, they seem tranquil and ready for whatever is to come next. Each image contains an ethereal quality, as the figures delicately glide through the air. In this series, we cannot tell if Mitchell’s figures are falling or floating, as there is no sense of direction, like they are underwater. With bright whites and light shadows, the absence of almost all harsh shadows creates an angelic atmosphere around these women.
Hinting at themes of afterlife and a higher state of being, Mitchell’s figures almost do not appear to be human. They are transcending their bodies on a journey of oneself.
“I ask my subjects to explore a loss of control, but a sense that they are being guided, pushed and pulled by another sentient being, as they make their way to a new self. They represent the soul of a magical creature on a journey through the limbo that connects their past understandingto this new unknown.”
– Jason Mitchell
Although all of Mitchell’s work holds a striking beauty, his series Dream Away truly exhibits stunning detail and imagery. Photographs from this majestic series will be on view at 111 Minna Gallery in San Francisco, CA until May 30th.
Massive, glowing webs of geometric gems climb the walls, successfully controlling the behavior of early afternoon light—while soaking the empty surfaces of the space with gentle washes of color. It’s only upon close inspection that the pieces reveal themselves to be painstakingly handcrafted, light-as-a-feather paper sculptures by Brooklyn-based artist Kirsten Hassenfeld. She applies her sharp paper craft skill set to creating fanciful, (if not slightly frivolous) site-specific works that command presence, but in reality are quite ephemeral. A nice study of pure form, movement and spatial composition.
Portlander Kyle Jorgensen combines ethereal, cosmic subject matter with explicitly tactile media selections, and it really works. In the age of Photoshop, a lot of this type of imagery is often generated through digital means. It’s really nice to see a guy just go all out homegrown. Great palette here as well. Click past the jump, and then check out his blog for more.
This series, entitled Babel Tales, is a recent work of Danish photographer Peter Funch. To create each photograph, he sat at an NYC street corner with a tripod and snapped away, eventually finding common elements amongst all the pictures and compositing those elements into one shot. The result is something familiar yet very artificial – feeling almost as if each photo is staged.
Agua Sagrada is the title of this series of photographs by Columbia-educated James Pomerantz. The photos were taken in Mexico at a cenote, which is a water-filled sinkhole, found mostly in the Yucatan, that the Mayans believed to be portals to another world. Today these cenotes are tourist destinations, though the otherworldly Mayan connotations are still plainly evident in their haunting, ethereal appearance.
More photos after the jump, but check out Pomerantz’s site for some other beautiful sets, mostly of poverty or tragedy-stricken places like Eastern Europe and the Congo.