Last Summer Evan Gruzis openned up his studio for a visit with B/D. His work struck a chord with me. It’s the way he takes “cheesy” tourist imagery, 80’s nostalgia, and advertisements; and then intellectually flips-that-shit to create paintings that deal with death, infinity, and desire. It was like he was reading my mind, because those are the first three things that occur to me when looking at an add for a cruise ship or a Caribbean resort. His work interested another website, sightunseen, and there’s a new studio visit where they get into creativity and the aspects of hallucinogenic perception.
I apologize for shameful self-promotion, but I really couldn’t help myself. Here are some shots from The Power of Selection Part 2, the second installment in my 3 part conquest to bring work to Chicago that otherwise doesn’t get shown here. Check it out!
Headed over to Brooklyn this morning to Evan Gruzis’s studio, and got to take some photos of his new work – which looks great. Gruzis is on the Deitch Projects roster, and I asked him if he knows anything about Jeffrey Deitch’s plans for his New York operation and he gave me a flat “No,” but said that the people involved are having a meeting sometime next week. Gruzis is known for his hyper-skillful use of ink, and his sardonic re-purposing of advertising’s seductive imagery. In a recent interview he wrote about the work as being “… not product vehicles, but hollow gestures that create a feedback-loop between a familiar aesthetic and a desire for meaning.” Gruzis has a show in Athens in April at Andreas Melas Presents.