MASS Gallery in Austin, Texas recently opened its newest exhibition, Exquisite Corpse. The group curated by Beautiful/Deay’s founder Amir H. Fallah features a myriad of artists, with many that we’ve featured in Beautiful/Decay publications and on our site: Dan Attoe, Jay Davis, Bill Donovan, Austin Eddy, Amir H. Fallah, Chie Fueki, Joshua Hagler, Adam D. Miller, Kymia Nawabi, Christopher Pate, Max Presniell, Colette Robbins, Maja Ruznic, Tom Sanford, Alfred Steiner, Michael Shaw, and Dani Tull. In their own way, each artist explores the body and what it means to be human in the modern world.
Exquisite Corpse refers to the collaborative game whose origins are rooted among the Dadist writers as a poetic exercise and the Surrealist later turned into a drawing game. You might’ve played it before; when each person does their part well, it creates an alluring, sometimes grotesque body that was completely unexpected.
This exhibition brings together artists working in both Los Angeles and NYC. As MASS Gallery poetically describes:
A central problem of 21st century life is that the old, psychologically fortifying myths are fading. Philosophers and scientists have described us as wet robots and biological algorithms, which is perhaps an intentionally shocking way to describe humanity, but these descriptions also seems to get close to a dangerous truth that contains a kernel of abject horror. It is the artist’s job to create psychologically coherent images which look forward. It is now a matter of viewpoint whether, when it is all said and done, you are a dead body or an Exquisite Corpse.
In addition to the show, the gallery also produced a full-color catalog that showcases all of the work and an essay by Bill Donovan. The limited-edition, 102 page publication features a beautiful spot UV with fluorescent cover. If you can’t make it to Austin for the show (it’s up until October 25), then the inexpensive-yet-high-quality catalog is totally worth it.
More work by the featured artists as well as sample spreads from the publication after the jump.