Natalie Frank‘s paintings are worlds in which both form and formality have been melted away. Faces have been disintegrated into their constituent parts, held together by goopy swathes of color; subjects are diving into free love, violent and vulnerable states. One thing you might notice when looking at her work is that however distended every other part of a body may be, at least one eye is always in sharp focus. This may or may not have to do with the fact that until this last summer, Natalie could only receive optical sensation from her left eye, causing her to see a two dimensional world. How you theorize about that information in relation her work is up to you, but if you want to do it in person, she has a show up at Fredericks & Freiser until November 3. Check it out!
Louisa Chambers is an artist with with a penchant for the edges. Her work is quick and toned. It doesn’t hide in its edges, and seems to root for structure. Every piece wants you to know you’re safe, even if you’re surrounded by sharp points. The ideas are there, and their universe is waiting for you.
Mike Lee creates great textural illustrations that feel like fuzzy childhood memories. The above image is from Nucleus Gallery’s Where The Wild Things Are tribute show (Terrible Yellow Eyes). I know it isn’t Mike’s newest work, but I love his fresh interpretation of the characters. Mike is currently working as a color key artist for Blue Sky animation studios – which is interesting, considering most of his personal work seems to be black and white.