Barcelona based artist Conrad Roset defines the “Muse” in his incredibly seductive works made using watercolor and ink. Pulling inspiration from the raw nudes of Austrian artist Egon Schiele, his female figures stretch and bend in elegant ways, forming distinct, bold lines across the composition. He uses deep, black ink that covers up these women’s bodies like a veil, creating a harsh contrast to their pale skin. Each muse wears this blanket of black beautifully, as if it is her own shadow. Conrad Roset uses sparks of color to highlight the flora that appear in his work and also in certain rosy cheeks and the tips of fingers and toes. The subtly of the color and line creates a delicate contrast to the richness of the heavy black ink.
Conrad Roset explains that,
“I search the beauty the body exudes, I like drawing the female figure.”
He is intrigued and focused on the female figure as a subject. The women in his illustrations are undoubtedly stunning, and can also seem both fragile and strong. They are bold in nature but delicate in beauty. Roset’s body of work has a high fashion flavor, as he has done work for clients such as Zara and Elle Magazine. His captivating works are on view now at Spoke Art Gallery in San Francisco. His debut, solo exhibition titled Pale will be on view there until September 26th. (via Hi-Fructose)
Combining fiber art, sculpture, and fashion, artist Hsiao-Chi Tsai creates beautifully designed wearable art using a variety of different textiles. He uses brightly colored fabric to construct intricate pieces that can be worn on your head and around your neck. The materials used are cut into floral-like shapes that flow organically around the person who is wearing it. A designer by nature, the artist bases these creations off his own illustrations. Because Tsai constructs his designs with such soft material, they appear comfortable despite their non-functional shape and placement. Each piece is creatively designed, utilizing asymmetrical forms and a unique color palette. Although this series, titled Wonderland, is not likely to go with anything in your closet, wearing one of Tsai’s pieces would definitely be a statement!
Creating sculptural, wearable art, this textile designer also forms brilliant installations using the same technique and style as his fashionable art pieces. Using the same textile material, Tsai builds large installations that loops, swirls, and hangs; completely transforming the spaces they are in. These pieces are much like his wearable art, using some of the same elements and cut-out fabric. Each installation is an explosion in its space, with endless gushing patterns. The surge of color in Tsai’s installations can turn any sterile space into a wonderland of cascading fabric flora. Both his wearable textile art series and his installations are uniquely sculptural and are created cleverly with an unlikely material.
Ebony G. Patterson constructs immense and elaborate installations filled with everything you can think of. The artist creates intricate work both attractive and kitschy, using mannequins, sunglasses, beads, beer bottles, and lots of gaudy jewelry. Interested in mixed media tapestries, video, and photography, she often incorporates one or all of these different techniques into her work, creating a complexity of objects and imagery. Exploring racial and gender politics, she uses photographs, mannequins, and clothing to make reference to ‘popular black’ culture in her art. Her work, so filled with patterns and flashy objects, is highly satirical, commenting on race, questioning stereotypes often associated with the culture she is representing. Concepts on beauty are also questioned, as the figures in her work are adorned with jewelry, bright colors, and flashy clothing. Although the mannequins appear to be making an attempt to look attractive, they inevitably look over-the-top and ridiculous.
When you see Patterson’s installations, there is an overwhelming sense of color and pattern inviting you to examine every last detail of the chaotic mass of objects. You get lost in a see of mismatched clothing and clashing patterns, all shown like a department store display. Transforming her mannequins into striking objects participating in her art, their individual genders are often blurred, pointing out pre-conceived notions concerning the masculine and feminine. Her installations not only have mannequins, but also still humans that appear to be inanimate until they spring to life, turning her installation into a performance piece. This talented Chicago-based artist creates confrontational work that, due to content and appearance, is not easily ignored
Are you hungry for weird, hyper-realistic art? Look no further, the highly unique, wearable art by Japanese artist Norihito Hatanaka will satisfy your taste. Of course, not literally, as the “jewelry” this artist makes only resembles food. Hatanaka is not your typical artist, he is a fake food artist, creating wearable art ranging from bracelets, necklaces, and earrings made to look exactly like different kinds of foods. His bacon bracelets with earrings to match appear to still be sizzling, and his fruit necklace seems to be dripping with juices. The artist explains that in Japanese culture, food aesthetics are extremely important, making Japan a hot spot for impeccable fake-food skill.
How and where would a person learn how to create such a wide variety of fake foods so perfectly, you might ask? Well, Hatanaka is just following the family business. He took over his father’s business of a factory that creates fake food, models to display in restaurants. Having been interested in art as a student, Hatanaka has taken inspiration from this business and crossed over into the art world, bringing it a new flavor. Learning this fake food craft at his factory, he now sketches his appetizing creations and then constructs them into wonderfully gaudy jewelry. Inspired by real life dishes, many of his pieces include a full meal, complete with peas and rice on the side. With Hatanaka’s wearable art, you could literally wear a three-course meal! Although it would take a special kind of person to pull off wearing such a statement piece, I would not be surprised to see one of Hatanaka’s unbelievably crafted pieces worn on the runaway. (via The Creators Project)
Sometimes it seems that the more successful one is as a professional artist, the more important personal projects become. Such is the case for photographer Zhang Jingna who has partnered with video concept artist Tobias Kwan and several guest artists for the project “Motherland Chronicles.” A weekly project, the series of 52 images has recently been completed.
“It’s an exploration of sort. An attempt at putting together elements and themes I’ve loved since I was a child. It has a bit of a don’t-want-to-forget-my-childhood-dreams sort of thing going on; since I’ve been working for almost 7 years now, I don’t want to lose track of who I am, but it’s easy to as you grow and do too much commercial stuff, you know? So it goes back a lot more to my creative roots, more illustrative and painterly, like artworks that inspired me to create. Loosely linked together with hints of dark fantasy.” (Source)
The themes for the series developed organically. As the weeks progressed, the fantasy element became pronounced, colored with Jingna’s affinity for manga, Japanese rock, and fashion. The artists’ whose work she was inspired by includes Antoon van Welie, Suemi Jun, George Frederic Watts, and Yoshitaka Amano, and their illustrative influence can be seen in the work, particularly in the even light. Each image takes between 5–7 hours and a team of 5–6 people to complete. In her fascinating blog she writes about the process of beginning a personal project, using “Motherland Chronicles” as an example, and gives excellent, step-by-step instructions on what to consider and which pitfalls to avoid.
“Pictures always start from a single point; it could be an item, a piece of jewellery or even just a vague idea for a concept. Say I want to do a shoot with firs, I’ll ask myself questions such as: what kind of environment am I creating? What types of fire can I make? How does my character interact with it? What type of character does that? At the same time I do research on art, costumes, culture and sometimes also myths and legends.” (Source)
Jingna and Kwan hope to have a book for “Motherland Chronicles” completed and ready for sale in early 2015. (Via Juxtapoz)
Italian fashion photographer Lucia Giacani’s series Under My Skin shows just what kind of editorial liberties are taken in this interesting-yet-bizarre photoshoot. Originally shot for Vogue Italy, the colorful images feature a high-fashion model clothed in gorgeous garments while she dons unconventionally-colored makeup. It complements the props used in the photo; surrounding her are medical anatomy of the animal kingdom. Rabbits, goats, and chickens are all halved so we can see their insides.
Giacani’s photographic style is very clear and visual. Nothing is hidden in obscurity, and we see a lot of interesting details in the spotlight. The juxtaposition of the two main elements – the woman and the anatomy – creates a strange narrative. It makes us ask ourselves questions, like, who is this person? How do the two seemingly disparate subjects relate to one another? It’s this ambiguity that makes for a compelling and ultimately unforgettable image. (Via Illusion)
Photographer Denise Prince challenges our perception of beauty and aesthetics by interchanging professional models with physical trauma survivors in her latest photography and video project Tractatus 7. Using a catalog by a high-end Italian fashion house Missoni, Prince replicates the superimposed glamour with a pinch of cruel, muted reality.
The provocative project, originally titled Replication and Breakdown of the Missoni Estate Line Catalog, is a juxtaposition between our approach towards reality and the events that take place beyond that fantasy. Prince raises a question of what happens to our designed reality when a traumatic event occurs? To her belief, people who have undergone severe traumas have an improved capacity to face the human condition.
“My sense is that when we see people with evidence of physical trauma we initially see them as people who were “not safe” and are reminded, ultimately, of our own mortality. I deeply believe that engaging with what we think we fear and yet gives all meaning to life (death – to the extent that this work is a reminder) brings with it a sense of greater peace.”
Prince uses her uncomfortable and grotesque way of storytelling to share the subject’s experiences (accidents, birth defects or assault) in an attempt to surpass standards of representation with the public, which is often deaf and blind to such events. Photographer is committed not to position her models as victims: “I work with people who have sufficiently recovered, established a new relationship to fantasy <…> At this stage <…> they are open to play, <…> to serve as an object of desire, to social risk taking.”
Tractatus 7 opens to public September 7 and will be running until September 27 at University Park in Austin, Texas. (via feature shoot)
Visual artist Kalen Hollomon, recently titled the “cut out king of New York”, is blurring the lines between the social conformity and taboo with his mixed media artworks. His collages feature mundane city life moments, high fashion editorials and old advertisements blended with clippings from vintage pornography scenes.
“I am always concerned with what lies beneath the surface – with relativity, perception, sexuality and pop culture. My images are reality manipulation, manipulating other people’s identities. The idea of and ability to alter the value or meaning of an image or object by adding or subtracting elements is really exciting to me – adding or taking away elements from something until it becomes the sexiest it can be at that moment.”
Holomon is christened to be the child of the iPhone generation. Snapped with a smartphone camera, his creative collages started gaining exposure thanks to the social media platforms Instagram and Twitter. However, the same attention has forced the artist to censor some of his works. Hollomon says he “had accounts shut down and posts removed for as little as butt cheeks”.
Beyond the absurdity and wit, Hollomon’s work also represents the new trend of privacy-lacking public photography. His instant iPhone images from New York’s streets and subways rarely deal with any permissions for public use. That unawareness is exactly what turns such works into powerful socio-documentary messages. (via Dazed)