Photographer Denise Prince challenges our perception of beauty and aesthetics by interchanging professional models with physical trauma survivors in her latest photography and video project Tractatus 7. Using a catalog by a high-end Italian fashion house Missoni, Prince replicates the superimposed glamour with a pinch of cruel, muted reality.
The provocative project, originally titled Replication and Breakdown of the Missoni Estate Line Catalog, is a juxtaposition between our approach towards reality and the events that take place beyond that fantasy. Prince raises a question of what happens to our designed reality when a traumatic event occurs? To her belief, people who have undergone severe traumas have an improved capacity to face the human condition.
“My sense is that when we see people with evidence of physical trauma we initially see them as people who were “not safe” and are reminded, ultimately, of our own mortality. I deeply believe that engaging with what we think we fear and yet gives all meaning to life (death – to the extent that this work is a reminder) brings with it a sense of greater peace.”
Prince uses her uncomfortable and grotesque way of storytelling to share the subject’s experiences (accidents, birth defects or assault) in an attempt to surpass standards of representation with the public, which is often deaf and blind to such events. Photographer is committed not to position her models as victims: “I work with people who have sufficiently recovered, established a new relationship to fantasy <…> At this stage <…> they are open to play, <…> to serve as an object of desire, to social risk taking.”
Tractatus 7 opens to public September 7 and will be running until September 27 at University Park in Austin, Texas. (via feature shoot)
Visual artist Kalen Hollomon, recently titled the “cut out king of New York”, is blurring the lines between the social conformity and taboo with his mixed media artworks. His collages feature mundane city life moments, high fashion editorials and old advertisements blended with clippings from vintage pornography scenes.
“I am always concerned with what lies beneath the surface – with relativity, perception, sexuality and pop culture. My images are reality manipulation, manipulating other people’s identities. The idea of and ability to alter the value or meaning of an image or object by adding or subtracting elements is really exciting to me – adding or taking away elements from something until it becomes the sexiest it can be at that moment.”
Holomon is christened to be the child of the iPhone generation. Snapped with a smartphone camera, his creative collages started gaining exposure thanks to the social media platforms Instagram and Twitter. However, the same attention has forced the artist to censor some of his works. Hollomon says he “had accounts shut down and posts removed for as little as butt cheeks”.
Beyond the absurdity and wit, Hollomon’s work also represents the new trend of privacy-lacking public photography. His instant iPhone images from New York’s streets and subways rarely deal with any permissions for public use. That unawareness is exactly what turns such works into powerful socio-documentary messages. (via Dazed)
New York based fashion photographer, Dominik Tarabanski, creates surreal editorial photographs that evolve around the notion of a ‘modern human’–minimal and sophisticated yet weird and edgy. Think of it like this: a mix between the early surreal photographs of May Ray and Lady Gaga’s outrageous closet and styling.
My interest and inspirations evolve around the modern human, photography is always the ultimate form of reflection. I hope that my visual sensibility will one day lead to a simple, pure and perfect organic form. I want to talk about the phenomenon of fashion in my own conceptual way, which leads to a smooth transition into the art domain. – Tarabanski
The Singapore-based fashion designer Grace Ciao first started using flower petals in her illustrations when a boy gave her a rose; sad to see the gift wither and die, she incorporated it into a sketch of of a cocktail dress. Soon, the 22-year-old designer began using flowers in all of her creations, from party dresses to bridal gowns. From a single rose stem, she can create up to six separate designs.
The multidimensionality of the petals lends Ciao’s designs a unique and vibrant range; shadow and curve work together to flatter and accentuate the human body. The artist prefers to use flowers that contain within them a multitude of shades and tones; from their natural coloration, she can divine innovative prints and patterns. The garment and the floral organism dictate one another’s movements and structure; a falling yellow petal forms a ruffled embellishment or a bold one-shoulder sleeve, and the white ends of a tulip are layered exquisitely.
Ciao has a unique talent for making all colors, textures, and shapes look appealing and extravagant; an inexpensive carnation and a pricey orchid create equally luxurious garments. One can only imagine that as the petals wilt and eventually die, the garments go through a magical metamorphosis, transforming from fire-engine red to blood red and ultimately to a deep burgundy. As we move into summer, Ciao’s work is a delightful tribute to the ever-changing seasons and to the cycle of life and death. We cannot wait to see what she has in store as new flowers come into bloom. (via Demilked and Buzzfeed)
Fashion for the stylish art history nerd alert: Dr. Martens has drawn inspiration from Hieronymus Bosch’s “The Garden of Earthly Delights.”
You can now find a collections of combat boots, oxfords and satchel bags that beautifully display the heaven and hell imagery of this 16th century Flemish masterpiece. The Capsule Collection items are now available on the Dr.Martens website and in select dealers around the world, amongst them Urban Outfitters and Journeys.
Russian photographer Katerina Plotnikova creates, what she calls ‘another tale about wonderland’. The various photographs bring forth a beautifully shot series that includes images of human/wild animal interactions and whimsical fashions.
Evoking a mythical, fairy-tale world, the images transport the viewer to a place outside of modern settings. The gentle and serene colored landscapes turn these images into something that, upon observation, takes the viewer to a world familiarized though childhood stories; the images can go both ways though; it can remind them of the latter, or of a high-fashion, fantasy photo-shoot.
The subjects’ interaction with wild animals are what make these photographs more surreal than not; in one of the photographs we see an auburn-haired young woman hold out her hand to a grizzly bear, as though the majestic creature is asking her to dance. But, how can a a small figured girl be dancing around with a live, three-ton bear you ask?
Plotnikova was able to pull off these incredible shots with the help of two professional animal trainers.
In 1998, Argentinian artist Nicola Constantino created ‘Peletería Humana’ (Human fur Boutique), a window display with twenty mannequins showing off Nicola’s heeled shoes, dresses and handbags. These elegant designs were fashion forward in a peculiar way: all pieces were made out of real human hair and colored latex cloth which patterns and textures imitated human nipples. The material, reminiscent of real human skin. was a definite erotic but also sickeningly monstrous and abnormal characteristic that made many recoil in disgust.
The attractive yet repulsive pieces delineate the artist’s ideas about two highly addictive societal desires: expensive consumer goods and sex. By creating these garments out of human hair and cloth that reproduced the human skin, she entices the viewer to see, simultaneously, both desires in the same object. We can also say that her ‘elegant’, high end creations (all which are wearable pieces of art) play with notions of the natural and the artificial, ideas of identity in a consumer society, and the materiality of the human body in contemporary times.
Australian artist CJ Hendry takes the items consumers long for: fashion accessories, high-end labels, designer purses, shoes and luxuriously-packaged perfumes, and spends days recreating them with absolute precision. Although there is precious little information to be found about the artist online (she maintains an active Instagram account, but does not seem to have a website or bio), it is quite obvious that she has an interest in seduction. By using the items which seduce consumers and inspire fashion choices, Hendry in turn makes them more seductive through her large-scale, pen and ink renderings of them, stating “It is all about the object. I am a product person and that is obvious through my obsession with the particular placement of each piece. It starts with the acquisition of the product I am intrigued by or have been obsessing over.” Hatching, shading and intricate line-work are used to entice the eye, an extension of the principles used by the fashion industry, designers, and advertisers to tempt the desires of consumer culture.
When asked to describe her detailed but simplistic rendering style in an interview with Youthedesigner, Hendry stated “There are so many ways to describe my style and I am sure people will have different things to say. I look at finished pieces and feel a strong feeling of simplicity. That might sound strange because most pieces are so detailed in their own right but the intentional use of negative space encourages an uncomplicated reaction with all focus on the object.” (via booooooom and youthedesigner)