Photographer James Loveday produces beautifully polished images for both fashion spreads and his own personal projects. What strikes me about Loveday’s work is that, regardless of whether he’s photographing golden perfection or morning-after mayhem, his work maintains a richness that you can almost reach out and touch.
Lucy McRae straddles the world of fashion, technology and the body. Classically trained as a ballerina and architect, her work inherently is fascinated by the human body and how behaviour constantly shapes the ways in which our body interacts with the world and vice versa.
London-based, Spanish-born designer Ion Ander Beloki makes beautiful, challenging work out of that most unabashedly commercial (and often mundane) assemblage that is the store window display. Trained in graphic design and sculpture, Ion Ander Beloki runs his own professional window dressing studio, Ja! Studio. Perhaps I’m a little naive but I had no idea this was a job a person can have. It makes sense though – his displays convey an elegance and artfulness that certainly reflects well on the stores they’re in.
Danielle DeFoe, young photographer based in Los Angeles, adores mask fashion and semi awkward teens. I like the sometimes I-don’t-give-a-fuck attitude in her photos. She also wrote us a nice postcard with the printed version of the image above which I scanned and is after the jump. It’s a great idea- the photo kind of says to me “I’m coming to get you, watch out you’re going to enjoy it”.
Yes, that is a guinea pig comb/head piece. It was created by Reid Peppard, a British taxidermist. Her pieces take animals commonly perceived as vile pests and turns them into fashion items. Peppard says, “…when they become sculptural headpieces, necklaces and cuff-links, the specimens cease to be waste and become objects to behold. RP/ENCORE makes use of the city’s leftovers.” Would you be comfortable wearing this stuff?
Aoi Kotsuhiroi’s Wet Moon collection is quite dark — made up of real human hair, crystals and pit fired ceramic skulls her “body ornaments” merge high-end fashion with Gothic craft. I love these pieces, and am surprisingly not put off by the use of real human hair, I’m impressed by how versatile hair is and how it can be transformed in many different pieces.
After graduating from Tama Art University in 1964, Issey Miyake worked in Paris and New York City before returning to Tokyo to establish the Miyake Design Studio.
In the late 80s, he began experimenting with new methods of pleating that would allow for a combination of technology, functionality and beauty. This ultimately jumpstarted a then-new technique called garment pleating, a technique with which we former pleated skirt-wearin’ school girls are totally familiar.
His vintage work reminds me of graceful moths from outer space (or from Star Wars)–and I mean that in the best way possible!
I love the work of Laura Splan. She uses a combined knowledge of biological sciences and fine art to re-invent patterns and forms created by the human body. Because her work is closely linked to the biology of the human condition, it evokes an inherent discomfort. For me, this is most prevalent in “Purse #1″, a delicate evening bag constructed with remnant facial peels from her breast.