In the digital age and generation of the selfie, a spiraling and often disorienting importance placed on consumerism and commodities permeates even the most remote of regions. Through the billboard jungles and beehive of mass media, images relentlessly promoting youth and sexuality haphazardly depict ideals of femininity. Creating a wormhole of inadequacies, the female form has found itself in a constant tug-of-war in either defending its natural state or scrambling to correct propagated notions of aesthetic shortcomings. As Barbara Kruger famously stated on one of her notorious gelatin silver prints from the 1980’s, “You Are Not Yourself”.
Camgirlsproject was created by former fashion student Vanessa Omoregie who began the ongoing series about a year ago. The project seeks to investigate the female image within the context of the internet by presenting images of classic paintings that feature webcam selfies in the place of the painted nude female form. All images are user-submitted and present the viewer with a reappropriation or reclamation of female nudity as something to be celebrated and not shamed for.
The term – camgirl – originally applied to anyone who recorded themselves via webcam doing anything, not just sexual acts, but has been more currently associated most strongly with sexual behavior. Omoregie says, “The name has connotations of its own.The project hopefully makes people rethink what they know about the term and how they view girls who choose to be in front of a camera -sexual or not.”
Something you may notice about the submissions is that these modern-day nudes overwhelmingly represent lean, white, hairless bodies, almost a complete reflection of the bodies in the classic paintings. As a black woman, Omoregie is disappointed that more women of color and varying body types have not submitted to the project, although she has herself participated and tries to encourage more women to submit. Her hope was that women who are not typically represented by the media would feel more comfortable presenting their bodies in this sort of space, but so far, submissions of more variance have been few and far between.
While not currently taking submissions, Omoregie will be inviting followers to contribute to future projects of hers through this project’s site. She has also suggested that people follow her personal blog in order to keep up with forthcoming projects. (via telegraph and animal)
Interesting take on the female form from Floti. Grainy neon colors flow through the figures as though you were looking at them through an infrared camera (except with more interesting color variation). With a glitchy, electronic vibe, these digital works nicely illustrate some of the darker, more ambiguous aspects of the Digital Age. I don’t want to say too much about this project, which seems to be in its infancy, but the source images are altered so heavily that it’s hard to contextualize all of the pictures, which allows for a nice exercise in attaching one’s own narratives and ideas to the works. Hope to see more of these mysterious ladies in the future. (via)