The work of Mexican artist Curiot is still on display at FFDG in San Francisco. If you find yourself around those parts and have not yet seen the exhibition, then fear not- you still have three days to roll through. Age of Omuktlans closes this Saturday. I would get there before then if I were you. Curiot’s technique is looking pretty solid with this new batch of paintings that allude to Mexican traditions (geometric designs, Day of the Dead styles, myths and legends, and tribal tinges). His characters seem to exist outside of time, and possess so much magnetism that the artist’s compositions maintain a certain vibrancy even in the absence of any background elements. Spring is here, and these works express a lot of the churning, dynamic forces coming into play outdoors right now. Rain or shine, Curiot seems to have a handle on the natural dynamics constantly at play around us. And if you can’t make it to the SF institution’s IRL location, click past the jump to see more images from the show.
Next month, Jay Howell is having a solo show of 25 new works on paper at FFDG in San Francisco (“Enthusiastic Person”, opening February 1st, 6-9pm). Always excited to see what this guy is cooking up. Every new series he does seems to improve on the last without abandoning the sense of freedom and experimentation that makes his work so appealing. This will be Howell’s third solo exhibition with the gallery, and if you’re in the area, I definitely encourage you to check it out. Click past the jump to see more new character-filled work, and keep a look out for the artist’s upcoming animated series with Nickelodeon, “Sanjay and Craig”.
Hold on to your eyeballs, Matthew Zefeldt‘s paintings just might wipe them out. Matthew’s enormous paintings seem to use every possible color and it’s obvious that he doesn’t just “like color”– he loves it, and is really good at it. Using color to give control thick, abstract figures form and depth, and flattening his pedestals, Zefeldt’s paintings are a new and wonderful take on impasto abstraction, so thick that some of them look more like a gum wall than a painting. His work is also great because he uses his goopy application to show what portrait paintings really are–paint! But instead of taking a cynical approach to the problem–”oh no, how could we be attaching so much significance and power to these things that are really just a bunch of paint”–his view seems more enthusiastic, as if to say, “yes, this is a bunch of paint–that’s why they’re the best!” I can’t wait to see more. If you want to see some in person, he has a piece hanging until the 10th in a FFDG Gallery group show The Diamond Sea along with curiot and lots of other young up and comers. If you’re not in the bay area, you can see more of his work after the jump.
Both artist’s work share an obtuse unearthly charm as a common language, and their work promises to have an energetic and productive conversation in their upcoming exhibition.
Great show up at FFDG in San Francisco right now. Eric Shaw and Henry Gunderson spent a couple weeks on the beast coast cooking up some vibey abstractions for us and now they’re ready to be seen! Both artist’s works definitely play off each other really nicely, and if you’re out in SF, this one is not to be missed. See more from the show below.
Images courtesy of FFDG.