For his series Animal Eyes, the Armenian photographer Suren Manvelyan captures close-ups of animal eyeballs belonging to diverse creatures, revealing both the complexity and universality of the organ. Beneath his macro lens, these small circular organs appear paradoxically vast; at times, their curved surfaces resemble the entirety of planet Earth as seen from space, cloudy with ribbons of pigmentation. Here, the eyes, considered to be windows to the soul, reflect back a cosmic realm that evokes the metaphysical, but at the same time, they are startlingly material. The pupil, a seeming abyss ascending into the unknown, is cushioned by substantial tissues that ground us firmly within the corporeal world.
Though the species shot here vary immensely, a comforting uniformity emerges from the images; through the changes in iris hue and pupil dilation, there is a shared urgency in each gaze, a sweeping desire simply to see. The horse, his eyes veiled in straw-like lashes, fixes the lens with the same intensity as the hippo, whose wrinkled, fleshy eyelids peel back. Where most photography relies upon the assumption that we may watch without fear of being observed ourselves, Manvelyan’s images inspire within us a sense of being seen; are these opened eyes, these celestial orbs, looking back at us? What do they see? Check out the artist’s photographs of the human eye here. (via Agonistica)
In these provocative photographs by Rankin, you will find naked celebrities and fashion models getting cozy with some slimy fish carcasses, straddling shiny scales and smearing inky octopuses over their bare breasts. As part of the Fishlove campaign, this shocking imagery hopes to draw attention to a crucial environmental and political issue: if we continue to use today’s fishing methods, marine life across the globe will collapse within a single generation, causing irreversible damage to countless ecosystems and human life.
Fishlove, a non-profit organization founded by the actress Greta Scacchi and Japanese restaurant MOSHIMO co-founder Nicholas Röhl in 1992. The community interest company recruits photographers, models, and entertainers to join the effort towards sustainable fishing. The marine life pictured here is commercially bought and sold; many of these species are heavily threatened by over-fishing. Fishlove treads an ethical gray area by using these fish as models, but not one was killed for the purpose of the shoot. To avoid waste, the organization makes efforts to consume the fish after they are photographed.
It’s said that sex sells, and Fishlove relies upon this hope. In their unusual nude portraits, models and entertainers appear like strange mermaids or selkies, washed ashore with their marine lovers. Sir Ben Kingsley cradles a fallen octopus who settles into his palm, and a model arches her back, mirroring the fins of the creature she rides. Though startling, the work serves to remind us of our interconnectedness with underwater creatures and our reliance upon the planet’s oceans. If we continue down the path we’re on, all of these beautiful creatures will cease to exist. To get involved, visit Fishlove. (via Agonistica)
The artist collective Quiet Ensemble are skilled at making the mundane feel monumental, or at least worth noting. Their installation/ performance art Quintetto is naturally composed of a quintet of goldfish. The little fish may not realize it, but their movements are of consequence. Placed in tall tanks, the vertical movements of the fish are monitored and converted into sound. Each fish is assigned a separate tank. The installation seems to give some sort of order to the random, and in a strange way lend gravity to something that is trivial. Check out the video to see the fish in action in full performance art glory!
Anne-Catherine Becker-Echivard places real fish from her fish monger on doll parts to recreate, amuse, and in a way, criticize/satirize aspects of human society.
Of her work, Dr. Didier Rouzeyrol poeticizes:
The fish of acbe do not look at the ground. They play there. They play. They play with us. They place us into these pieces. Parts in an act, in a photograph.
European bred and born, Becker-Echivard could easily be a character in a Julie Delpy film– charmingly dedicated to absurd yet accessible content with an undeniably curious or obsessive edge. For instance, after the setting and shooting is done, this Parisian artist tops off each project by eating it for dinner, stating, “It is the perfect recycling of art. Nothing is left over – and I can live from it.”
It may surprise you to know that these are not real animals – they’re probably most accurately called paintings. Artist Keng Lye brings these aquatic creatures to life by creating layers of resin and alternating them with acrylic paint. Coupled with his expert play of perspective, the fish (and other creatures) seem ultra realistic. Keng Lye has since added three dimensional portions to his ‘paintings’ as can be seen in these first four images, making them seem even more unbelievably alive and real. [via]