It’s difficult to tell who is the artist in this work. Hubert Duprat began working with caddisfly larvae in the 1980′s. The caddisfly live in streams and use bits from their natural surroundings to create a casing to live in. Typically this is made up of pebbles, wood, plants, and so on. Duprat moved these caddisfly larvae to a new surrounding and delicately removed their outer shells The caddisfly than used the precious metals and stones of their new home to create strangely glamorous shells. It’s interesting to note the particular materials and patterns the larvae tend toward. The flies’ “creativity” and Duprat’s conspicuously absent hand in work makes it extremely intriguing.
The installations of Peruvian artist Antonio Paucar utilize a rather uncommon material: dead flies. By suspending dead flies from nylon string as well as meticulously placing them on the ground Paucaur painstakingly builds each pieces. The swarm of flies loosely forms the image of a human figure. The hazy form created by the collective flies imply the memory of a person, particularly in relation to the space it inhabitants. Further, the flies seem to suggest the idea of death or decay. The last four photos are taken from a piece installed in Germany’s Sacrow palace, a building dating back to the 17th century. The grounds had been inhabited by Prussian aristocrats, high ranking Nazi officials, as well as communist secret police.