Kentucky-based Robert Beatty broke out with his cover design, and interior contributions, for the 8th installment of the esteemed Kramers Ergot comics anthology. And this foray was furthered with his recent sequential contribution to Space Face Book’s Rat Hex. His work is surreal. It’s funky. It’s creepy, and strangely erotic at times. It is often rendered with a soft fuzz and a hard edge, which is present in his most distinct work. It fits perfectly into the fields of poster and album design, and looks like a strange relative of the classic Fillmore posters. He also makes music, twittles, and flicks. Watch out.
As a result of Moebius‘ recent death, the interent has exploded with the man’s masterful works, and surely the sci-fi and art community is in need of great talents to fill this void. While not at Moebius’ level (which seems nearly unattainable), Kilian Eng is nonetheless incredibly imaginative and prolific, and it is certainly possible that he may one day too become a master of his own sort. He brings his own brand of funkiness to these far-off worlds, and each image holds either countless narrative avenues, or mind-clearing abstract pleasures. The future, his future, his futuristic future, is a bright and promising one (a past interview and a world of goods and greats).