Michael Craig-Martin’s Wall Paintings Transform Everyday Objects Into The Extraordinary

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Michael Craig-Martin has been creating art since the 1960s. His wall painting installations from the 1990s and 2000s feel current with their bright colors and flat appearance, but some of the items in the paintings, ubiquitous at the time they were captured, are now relics. Among the shoes and pails rendered in black tape outlines are Nokia style cell phones and milk bottles. That doesn’t diminish the charm of these installations. Craig-Martin’s intent was to make these works in a generic style, even attempting to erase his personality from the works by using tape as outlines instead of pencil drawings. It didn’t work. The purposeful non-style of painted mass-produced items executed meticulously in a vibrant palette at enlarged scale has become one of Craig-Martin’s signatures. The choice of everyday objects for his wall installations was a purposeful one.

“I thought the objects we value least because they were ubiquitous were actually the most extraordinary. … I wanted people to realise how extraordinary everyday objects are, and think about what image-making is. The impulse was never nostalgia, kitsch or a critique of consumerism.” (Source)

Photos of the installations can only capture part of their impact. Walking around a corner only to be confronted with an enormous pink desk lamp is part of the experience, as are the shifting views of eyeglasses and belts through the arches of a candy-colored room. Only when standing next to a seven-foot extinguisher can the scale of the articles be truly appreciated.

Though he is often called a conceptual artist, Craig-Martin prefers to be called radical. It’s not just about the concept for him—the making that comes from the idea is equally important. “Throughout his career, through work in many different media, he has explored the expressive potential of commonplace objects and images.” Read More >


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Jean-Michel Basquiat Three-Part Documentary Presented By Christies

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Before his untimely death, even before he was taken under the wing of Andy Warhol, Jean-Michel Basquiat was something of legend.  He’s since become an enduring art icon.  His street art sensibility, youthful energy, and handling of themes of racism, class, psychology, and popular culture keep his art relevant from year to year.  However, Basquiat’s popularity is enjoying a special renewal over the course of 2013.  The hugely popular Basquiat retrospective at Manhattan’s Gagosian Gallery will be followed by another at Gagosian’s Hong Kong gallery later this month.  Additionally this month, Basquiat’s painting Dustheads is expected to fetch up to $35 million dollars in auction at Christie’s.  In conjunction with the auction, Christie’s has released a three-part video series on Jean-Michel Basquiat.  The first video features Basquiat’s early partner in graffiti, Al Diaz.  The second in the series speaks with fellow contemporary artist Toxic on Basquiat’s transformation into an art-star. The third installment (featured after the jump speaks with Macklemore, one of many contemporary rappers to express inspiration from the late artist.   [via]

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