Landfill Harmonic And ‘The Recycled Orchestra’

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Landfill Harmonic- The world sends us garbage… We send back music. from Landfill Harmonic on Vimeo.

Recycling is a way of life in Cateura, Paraguay.  Many people there earn money by scouring the huge landfill for items that can be recycled.  A certain garbage picker, though, began recycling for much more than money: for the young people in his community.  Nicolás Gómez began creating instruments – violins, cellos, drums, guitars – from the trash he sifted through and gave them to local children.  The idea picked up steam and children’s orchestra known as “The Recycled Orchestra” came to life.  Landfill Harmonic, a documentary on Gómez and the orchestra, is slated to capture the inspirational story.  [via]

Carly Fischer’s Litter Replicas Made From Paper and Glue

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The installations of Carly Fisher may at first appear to be trash strewn galleries.  However, closer inspection reveals that none of the items are actual garbage.  Rather, Fisher carefully recreates litter from little more than paper and glue.  The meticulous attention she  gives to sculpting trash replicas, so to say, may seem odd.  However, the familiar international name brands dotting the gallery floor raise the question: do these corporations possibly give the same meticulous attention to the branding of litter as Fischer?  As one of her gallery statements puts it, “Perhaps there is a marketing edge to trash?”

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Garbage Played Their Last Headline Show Of The Year At A Casino… Everybody Won!

Shirley Manson from Garbage sings to an adoring fan, “Why do you Love me?” at the San Manuel Casino on December 6, 2012.

It was a long trek in rush hour traffic from Los Angeles to Highland, CA to see Garbage‘s final headline show of the year at the San Manuel Casino, but well worth it! I was lucky enough to catch their “rehearsal” back in early April at the Bootleg Theatre and I can tell you that even after touring most of the year (Shirley announced that this was their 100th show of the tour), they still have incredible energy and power and obviously love playing together.

They performed songs from their new record Not Your Kind Of People and of course many  hits from their entire catalogue. During the opening of Stupid Girl, Shirley went down and did 20 perfect push-ups sharing with the crowd that she’s still in amazing shape after all these years. I’m sure I’m not the only one that would pay to see Gwen “Abs of Steel” Stefani and Shirley Manson in a push-up contest. Shirley went on to dedicate, #1 Crush to Bean from KROQ’s Kevin & Bean morning show stating how incredible and brave he was. Bean recently underwent kidney transplant surgery to help long time KROQ staffer Scott Mason, It was actually one of the most touching song dedications I have ever heard at a concert.

Garbage heads to New Zealand and Australia starting in February, 2013 so definitely check them out if you’re able to!

Mr.– Metamorphosis: Give Me Your Wings

Japanese artist Mr. built an installation in the Lehmann MaupinGallery that is a gorgeous messy heap of cultural garbage/treasure. Using old anime posters, tarps, wood veneer cabinets, bouncy balls and the like, Mr’s installation overwhelms us with the incredible amounts of Stuff we as a society create; a physical version of contemporary internet culture’s constant sensory overload. His show is up for another three days, so if you’re in the NY area, catch it while you can! Press release:

“Mr. has envisioned a complex, chaotic installation that serves as immersive sculpture by forcing viewers to interact with the work and places them in a scenario that is psychologically unsettling.  His new body of work aspires to blur the distinction between the interior and exterior through the construction of structures and atmospheres inhabited by familiar objects that are conversely used to communicate the unfamiliar: in this instance, an experience most people have not lived.  Viewers are given insight to the psychological state of Japan all the while remaining alien to the experience. Composed of garbage and everyday objects from Japanese life, this installation stands as a reminder of the debris that blanketed Tohoku in the aftermath of March 11.”