In the digital age and generation of the selfie, a spiraling and often disorienting importance placed on consumerism and commodities permeates even the most remote of regions. Through the billboard jungles and beehive of mass media, images relentlessly promoting youth and sexuality haphazardly depict ideals of femininity. Creating a wormhole of inadequacies, the female form has found itself in a constant tug-of-war in either defending its natural state or scrambling to correct propagated notions of aesthetic shortcomings. As Barbara Kruger famously stated on one of her notorious gelatin silver prints from the 1980’s, “You Are Not Yourself”.
The Montreal based photographer, an avid cataloguer of trans and queer communities since early 2000′s, creates Alone Time, a series of photographs in which he recreates typical domestic environments that play around with the idea of gender stereotypes. For this project he uses one model only; the one model is to play both the male and female characters in the image. The result, Levine said, “challenges the normative idea that gender presentation is stable or constant. Rather, gender expression can be fluid and multiple.”
“work is emerging at a moment when people are starting to talk more about gender and sexuality in the public sphere, which allows more space for queer cultural production and representation in the mainstream.”The thought-provoking work gives us the chance to become vulnerable and empathetic towards
The thought-provoking work not only give us, the viewer (of any gender,) the possibility to become vulnerable and empathetic, but also the ability to imagine ourselves in this specific situation. What would it be like to be a member of the opposite sexes? Do I, in anyway, resemble some of all the male/female/transgender characteristics?
Levine, a trans and queer man, uses his sexuality, gender and past experiences in his art in order to reach out to those who are not necessarily familiar with the subject. He intends to expand awareness through creating work that is familiar to all, and not just one gender. He notes that his images “talk about and celebrate marginality from a place of familiarity and self-exploration as opposed to voyeurism.” (via Slate)